Cinema 16

Cinema 16 was a New York City–based film society founded by Amos Vogel. From 1947-63, he and his wife, Marcia, ran the most successful and influential membership film society in North American history, at its height boasting 7000 members.^[1]

History

Vogel was inspired by Maya Deren's independent exhibitions.^[2] Deren exhibited and presented lectures on her films across the United States, Cuba and Canada. In 1946, she booked the Provincetown Playhouse in Greenwich Village for a public exhibition titled Three Abandoned Films, which consisted of showings of Meshes of the Afternoon, At Land, and A Study in Choreography for the Camera. Deren took the word "abandoned" to refer to Paul Valéry's observation that a work of art is never completed, just abandoned. While the title was ironic, the exhibition was successful.^{[citation needed]}

Cinema 16 closed in 1963, after 17 years in operation. In that year Amos went on to programme the New York Film Festival. Grove Press acquired Cinema 16 in 1966.^[3]

Programming

The movies shown at Cinema 16 consisted mostly of the experimental film that began flourishing after World War II, as well as nonfiction films – not only documentaries, but educational films as well. In that, it differed even from the narrative-oriented art cinemas that appeared in the postwar years.