Edward Bok (born Eduard Willem Gerard Cesar Hidde Bok) (October 9, 1863 – January 9, 1930) was a Dutch born American editor and Pulitzer Prize-winning author. He was editor of the Ladies' Home Journal for thirty years. Bok is credited with coining the term living room as the name for room of a house that had commonly been called the parlor or drawing room. He also created Bok Tower Gardens in central Florida.
Life and career
Bok was born in Den Helder, Netherlands. At the age of six, he immigrated to Brooklyn, New York. In Brooklyn he washed the windows of a bakery shop after school to help support his family. His people were so poor that in addition he used to go out in the street with a basket every day and collect stray bits of coal that had fallen in the gutter where the coal wagons had delivered fuel.
In 1882, Edward Bok began work with Henry Holt and Company, and then, in 1884, he became involved with Charles Scribner's Sons, where he eventually became its advertising manager. From 1884 until 1887, Bok was the editor of The Brooklyn Magazine, and in 1886, he founded the Bok Syndicate Press.
After moving to Philadelphia in 1889, he obtained the editorship of Ladies Home Journal when its founder and editor, Louisa Knapp Curtis, stepped down to a less intense role at the popular, nationally-circulated publication. It was published by Cyrus Curtis, who had an established publishing empire that included many newspapers and magazines.
During his editorship, the Journal became the first magazine in the world to have one million subscribers and it became very influential among readers by featuring informative and progressive ideas in its articles. The magazine focused upon the social issues of the day. The mother of H.L. Mencken was one of those busy and amiable housewives who read Edward Bok’s Ladies’ Home Journal year after passing year. When Bok’s autobiography, The Americanization of Edward Bok, appeared in 1920, he reviewed it with an interest based on long acquaintance with the magazine. Mencken observed that Bok showed an irrepressible interest in things artistic:
When he looked at the houses in which his subscribers lived, their drab hideousness made him sick. When he went inside and contemplated the lambrequins, the gilded cattails, the Rogers groups, the wax fruit under glass domes, the emblazoned seashells from Asbury Park, the family Bible on the marble-topped center-table, the crayon enlargements of Uncle Richard and Aunt Sue, the square pianos, the Brussels carpets, the grained woodwork—when his eyes alighted upon such things, his soul revolted, and at once his moral enthusiasm incited him to attempt a reform. The result was a long series of Ladies’ Home Journal crusades against the hideousness of the national scene – in domestic architecture, in house furnishing, in dress, in town buildings, in advertising. Bok flung himself headlong into his campaigns, and practically every one of them succeeded. ... If there were gratitude in the land, there would be a monument to him in every town in the Republic. He has been, aesthetically, probably the most useful citizen that ever breathed its muggy air.
In 1924 Mary Louise Bok founded the Curtis Institute of Music in Philadelphia, which she dedicated to her father, Cyrus Curtis, and in 1927, the Boks embarked upon the construction of Bok Tower Gardens, near their winter home in Mountain Lake Estates, Lake Wales, Florida, which was dedicated on February 1, 1929 by the president of the United States, Calvin Coolidge. Bok Tower sometimes is called a sanctuary and is listed on the National Register of Historic Places as a National Historic Landmark. Bok is used as an example in Dale Carnegie's How to Win Friends and Influence People.
Bok and American domestic architecture
In 1895, Bok began publishing in Ladies Home Journal plans for building houses which were affordable for the American middle class – from $1,500 to $5,000 – and made full specifications with regional prices available by mail for $5. Later, Bok and the Journal became a major force in promoting the "bungalow", a style of residence which derived from India. Plans for these houses cost as little as a dollar, and the one-and-a-half story dwelling, some as small as 800 square feet, soon became a dominant form of new domestic architecture in the country.
Some architects complained that by making building plans available on a mass basis, Bok was usurping their prerogatives, and some, such as Stanford White openly discouraged him – although White would later come around, writing
I believe that Edward Bok has more completely influenced American domestic architecture for the better than any man in this generation. When he began ... I refused to cooperate with him. If Bok would come to me now, I would not only make plans for him, but I would waive my fee for them in retribution for my early mistake.
Bok is credited with coining the term living room as the name for room of a house that was commonly called a parlor or drawing room. This room had traditionally been used only on Sundays or for formal occasions such as the displaying of deceased family members before burial; it was the buffer zone between the public sphere and the private one of the rest of the house. Bok believed it was foolish to create an expensively furnished room that was rarely used, and promoted the new name to encourage families to use the room in their daily lives. He wrote, "We have what is called a 'drawing room'. Just whom or what it 'draws' I have never been able to see unless it draws attention to too much money and no taste..." 
Bok's overall concern was to preserve his socially conservative vision of the ideal American household, with the wife as homemaker and child-rearer, and the children raised in a healthy, natural setting, close to the soil. To this end, he promoted the suburbs as the best place for well-balanced domestic life.
Theodore Roosevelt said about Bok:
[He] is the only man I ever heard of who changed, for the better, the architecture of an entire nation, and he did it so quickly and effectively that we didn't know it was begun before it was finished.
Awards and honors
|Wikisource has original works written by or about:
- Successward (1895)
- The Young Man & The Church (1896)
- Her Brother's Letters (1906)
- Why I Believe in Poverty (1915)
- The Americanization of Edward Bok (1920)
- A Dutch Boy Fifty Years After, edited by John Louis Haney (1921)
- Two Persons (1922)
- A Man from Maine (1923)
- Twice Thirty (1925)
- Dollars Only (1926)
- You: A Personal Message (1926)
- America Give Me a Chance (1926)
- Perhaps I Am (1928)
- Edward Bok "Edward Bok". Internet Accuracy Project. Retrieved January 22, 2011.
- Edward William Bok (1915). Why I Believe In Poverty. Curtis Publishing Company. pp. 6–9. LAGE-4427767.
- Hamersly, Lewis R. (1904). Who's who in Pennsylvania: A Biographical Dictionary of Contemporaries. L.R. Hamersly & Co. p. 66.
- Mencken, H. L. "The Incomparable Bok", Smart Set (January 1921), pp. 140-142. Review of The Americanization of Edward Bok (New York: Scribner, 1920)
- Bok, Edward William (1921). "Cleaning Up the Patent-Medicine and Other Evils". The Americanization of Edward Bok.
- "American Peace Award".
- He appears in Part Two, Chapter 4 ("How to Become a Good Conversationalist").
- "Ladies' Choice". Time. 4 October 1948. Retrieved 24 May 2009.
- Jackson, Kenneth T. (1985). Crabgrass Frontier: The Suburbanization of the United States. New York: Oxford University Press. ISBN 0-19-504983-7., p.186
- Anonymous. "The Living Room is Born". Ladies Home Journal 125 (6): 12.
|Wikimedia Commons has media related to Edward W. Bok.|
- Works by Edward William Bok at Project Gutenberg
- Works by or about Edward Bok at Internet Archive (optimized for the non-Beta site)
- Works by Edward Bok at LibriVox (public domain audiobooks)
- Edward Bok profile at Internet Accuracy Project
- Successward (1895) full text digitized online version from the University of Michigan Library MBooks.