Electronic Piano was also the trade name used for Wurlitzer's popular line of electric pianos, which were produced from the 1950s to the 1980s, although this was not actually what is now commonly known as an electronic piano. Electronic pianos work similarly to analog synthesizers in that they generate their tones through oscillators, whereas electric pianos are mechanical, their sound being electrified by a pickup and then amplified through an internal or external amplifier.
The first electronic pianos date from the 1970s and were mostly made in Italy Template:Hrv, although similar models were made concurrently in Japan. An exception is the range of instruments made by RMI in the USA from 1967 to approximately 1980, which was used by Genesis, Yes, Deep Purple, Elton John and Rick Wakeman (Reid 2001). These early electronic pianos (including the RMI) are not velocity sensitive, in that they do not vary their volume based on how hard or soft the keys are played, like an organ. "The major drawback of the RMI was its total lack of touch sensitivity. I found this very restricting, especially since any bum-notes are played at full volume, no matter how lightly you brush against them" (Tony Banks, quoted in Reid 2001).
The first electronic grand piano was produced in 1979 and patented in 1981 by Wil Decker of St. James, NY. (Piano Nova Co.) It contained the first full touch sensitive keyboard and working pedals (Decker 1981).
Electronic pianos became less popular in the 1980s when the digital piano and polyphonic synthesizer became available and affordable enough for both professional and home use as an inexpensive, smaller and lighter alternative to an acoustic piano. Digital pianos demonstrated that it is possible to imitate the sound of acoustic piano and that became one of the main reasons for its success. These pianos are also more durable and hold several more advantages that surpass the Electronic piano and Acoustic piano as well. The triumph of the synthesized piano first came in 1982, with the development of the Kurzweil K250.
Synthesized pianos continue to develop, using both sampled and modelling based emulation that can be achieved both by digital pianos as well as software based pianos that are hosted on computers, including personal computers.
- Davies, Hugh. 2001. "Electronic Piano". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
- Decker, Wil. 1981. Electronic Baby Grand Piano patent.
- Reid, Gordon. 2001. "Prog Spawn! The Rise and Fall of Rocky Mount Instruments (Retro) Gordon Reid". Sound on Sound (December) (Accessed 21 June 2011).
- Tünker, Helmuth. 1975. Electronic-Pianos und Synthesizer. Nach industriellen Gesichtspunkten entworfene, jedoch für den Selbstbau geeignete Schaltungen. Munich: Franzis.
- Weyer, Rolf-Dieter. 1973. "Typical Sound Characteristics of Piano Sounds, Analysed on the Basis of Piano Sounds and Piano-Like Sounds". In Papers of the 44th Convention of the Audio Engineering Society, Central Europe Section (1973): Rotterdam, edited by O. H. Bjor. New York: Audio Engineering Society.