Eric Stenbock

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Eric Stenbock, writer of decadent and macabre fiction and poetry.

Count Eric Stanislaus (or Stanislaus Eric) Stenbock (12 March [O.S. 29 February] 1860 – 26 April [O.S. 14 April] 1895) was a Baltic Swedish poet and writer of macabre fantastic fiction.

Life[edit]

Stenbock was the count of Bogesund and the heir to an estate near Kolga in Estonia. He was the son of Lucy Sophia Frerichs, a Manchester cotton heiress, and Count Erich Stenbock, of a distinguished Swedish noble family of the Baltic German House of nobility in Reval. The familys roots rose to prominence in the service of King Gustav Vasa: Catherine Stenbock was the third and last consort of Gustav Vasa and Queen consort of Sweden between 1552 and 1560. Stenbock's great-grandfather was Baron Friedrich von Stuart (1761–1842) from Courland. Immanuel Kant was great-great-granduncle of Count Eric Stenbock.[1]

Stenbock's father died suddenly while he was one year old; his properties were held in trust for him by his grandfather Magnus. Eric's maternal grandfather died while Eric was quite young, also, in 1866, leaving him another trust fund.

Stenbock attended Balliol College in Oxford but never completed his studies. While at Oxford, Eric was deeply influenced by the homosexual Pre-Raphaelite artist and illustrator Simeon Solomon. He is also said to have had a relationship with the composer and conductor Norman O'Neill and with other "young men".[2]

In Oxford, Stenbock also converted to Roman Catholicism taking for himself the name Stanislaus. Some years later Eric also admitted to having tried a different religion every week in Oxford. At the end of his life, he seemed to have developed a syncretist religion containing elements of Catholicism, Buddhism and idolatry.

In 1885, Count Magnus died, upon which Stenbock, as the oldest living male relative, acceded to the status of Count and to the possession of the family's estates in Estonia. Eric traveled to and lived in Kolga for a year and a half; he returned to England in the summer of 1887, during which time he sank deeper into alcoholism and drug addiction.

Stenbock behaved eccentrically. He kept snakes, lizards, salamanders and toads in his room, and had a "zoo" in his garden containing a reindeer, a fox, and a bear. When he traveled, he invariably brought with him a dog, a monkey, and a life-sized doll. This doll he referred to as "le Petit Comte" ("the little Count") and told everyone that it was his son; he insisted it be brought to him daily, and—when it was absent—he asked about its health. (Stenbock's family believed an unscrupulous Jesuit had been given large amounts of money by the Count for the "education" of this doll.)

Work[edit]

Stenbock lived in England most of his life, and wrote his works in the English language. He published a number of books of verse during his lifetime, including Love, Sleep, and Dreams, 1881, and Rue, Myrtle, and Cypress (1883). In 1894, Stenbock published The Shadow of Death, his last volume of verse, and Studies of Death, a collection of short stories that were good enough to be the subject of favourable comment by H. P. Lovecraft.

Death[edit]

By 1895, he was heavily addicted to opium and alcohol and moved back to Brighton to convalesce at his mother's house, Withdeane Hall, on the London Road, where he seems to have spent a lot of time in his room with the curtains drawn, burning candles in front of images of Buddha and the poet Shelley. He died during a drunken argument with his stepfather, Sir Francis Mowatt, then Permanent Secretary of the Treasury. Stenbock was waving a poker and toppled over and killed himself on the fireplace.[3]

He was buried at the Brighton Catholic Cemetery on May 1 "in the presence" (said the Brighton Examiner) "of a large number of relatives and friends". Before burial the heart was extracted and sent to Estonia, where it was placed among the Stenbock monuments in the church at Kusal. It was preserved in some fluid in a glass urn in a cupboard built into the wall of the church. At the time of his death, it was reported that his uncle and heir, far away in Esbia, saw an apparition of his tear-stained face at his study window.[4]

Legacy[edit]

The band Current 93 made an album of the same name of incidental music inspired by Stenbock's Faust story. Stenbock's legacy is supported by the invitation-only Stenbock Society, notable like Stenbock himself for its infrequent activity.

British singer Marc Almond (Soft Cell) with Michael Cashmore released the CD Gabriel & The Lunatic Lover in 2008 with two songs based on Stenbock's poems by the same name.

Works[edit]

Poetry[edit]

  • Love, sleep & dreams : a volume of verse. - Oxford : A. Thomas Shrimpton & Son ; Simpkin Marshall & Co, 1881?
  • Myrtle, rue and cypress : a book of poems, songs and sonnets. - London : [privately printed by] Hatchards, 1883
  • The shadow of death : poems, songs, and sonnets. - London : The Leadenhall Press, 1893

Short story collections[edit]

  • Studies of death : romantic tales (London : David Nutt, 1894)

Biographies and other[edit]

  • Adlard, John. Stenbock, Yeats and the Nineties ; with an hitherto unpublished essay on Stenbock by Arthur Symons and a bibliography by Timothy d'Arch Smith. - London : Cecil & Amelia Woolf, 1969
  • Costelloe, Mary. Christmas with Count Stenbock / [edited by] John Adlard ; frontispiece by Max Beerbohm. -London : Enitharmon, 1980. - Contains letters by Mary Costelloe
  • Reed, Jeremy. A hundred years of disappearance : Count Eric Stenbock. - [Great Britain? : J. Reed, 1995]

References[edit]

  1. ^ Baron Friedrich Stuart, a mysterious man
  2. ^ Gordon, Joan; Hollinger, Veronica (1997), Blood Read: The Vampire As Metaphor in Contemporary Culture, University of Pennsylvania Press, p. 177, ISBN 0-8122-1628-8 
  3. ^ http://www.brightonourstory.co.uk/stenbock.htm
  4. ^ http://www.tartaruspress.com/lost.html

External links[edit]