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First Utterance

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First Utterance
Studio album by
Comus
Released1971
RecordedNovember–December 1970
StudioPye Studios, London
GenrePsychedelic folk, progressive folk
Length49:17
LabelDawn DNLS 3019
ProducerBarry Murray
Comus chronology
First Utterance
(1971) 		To Keep from Crying
(1974)

First Utterance is the debut album of the progressive folk band Comus. It was released in 1971, with the opening song "Diana" being released as a single.

First Utterance was notable for its unique blend of progressive rock, folk, psychedelia, and elements of paganism and the macabre. The overall thematic tone of the album is of vulnerable innocence facing abusive power,[1] with songs dealing with such themes as necrophilia ("Drip Drip"), rape ("Diana", "Song to Comus"), and criticism surrounding electroconvulsive therapy ("The Prisoner"). These themes contrast starkly with the acoustic sound of the record, featuring acoustic guitar, violin, flute, and lyrical, almost Arcadian, female harmonies.

References to Comus by other bands and artists include Opeth, citing its lyrics in album and song titles and tattoos. Experimental outfit Current 93 also covered "Diana" as the opening song on their 1997 LP Horsey.

Artwork

The cover artwork was drawn in ball point pen by Roger Wootton, lead singer and songwriter of the band. The centerfold artwork was painted by guitarist Glenn Goring.

Critical reception

Professional ratings
Review scores
SourceRating
Allmusic [2]
Crawdaddy!(very favorable) [3]
Tiny Mix Tapes [4]

Reviews were favourable (the NME praised the album's "highly unusual but fascinating sound" and Time Out said "the overall effect is unique"), but sales were small and the band dissolved after the album's release. Early biographies of Comus said that a postal strike was one of the reasons that the album did poorly; however, none have provided an explanation for how a postal strike would have affected one particular album's sales.[5]

The Wire included it on their 1998 list of "100 Records That Set The World On Fire [When No One Was Listening]", calling it "[f]olk rock at its most delirious, devilish, and dynamic."[6] In 2014, FACT Magazine ranked it the 22nd best album of the 1970s, writing:[7]

Based in Kent, Comus specialised in ingenious hokum: squawking tales of torture, pagan worship, zephyrs and psychotics. Unsurprisingly, they barely made a commercial ripple [...], but from the twanging fiddles and eldritch voices of ‘Diana’ onwards, First Utterance is both unapologetically weird and commendably self-assured. It’s extremely – and sometimes off-puttingly – mannered, but if you’re looking for the square root of the mid-2000s freak-folk explosion, this is it.

Track listing

  • All songs copyright Our Music Ltd.
  1. "Diana" – 4:37 (Colin Pearson)
  2. "The Herald" – 12:15 (Andy Hellaby, Glen Goring, Roger Wootton)
  3. "Drip Drip" – 10:56 (Wootton)
  4. "Song to Comus" – 7:31 (Wootton)
  5. "The Bite" – 5:27 (Wootton)
  6. "Bitten" – 2:16 (Hellaby, Pearson)
  7. "The Prisoner" – 6:15 (Wootton)

Personnel

  • Roger Wootton – acoustic guitar, lead vocals
  • Glenn Goring – 6- and 12-string acoustic guitars, electric guitar, slide guitar, hand drums, backing vocals
  • Andy Hellaby – fender bass, slide bass, backing vocals
  • Colin Pearson – violin, viola
  • Rob Young – flute, oboe, hand drums
  • Bobbie Watson – lead and backing vocals, percussion

Production

  • Comus - arrangements
  • Barry Murray - producer
  • Jeff Calver - recording, engineer

References

  1. ^ A Million Fleshy Things: The Songs Of Comus – by Chris Blackford
  2. ^ Unterberger, Richie. First Utterance at AllMusic. Retrieved 2011-06-19.
  3. ^ Album Review, Crawdaddy!.
  4. ^ Comus – First Utterance | Music Review | Tiny Mix Tapes
  5. ^ Wells, David (2005). Song to Comus; the Complete Collection. Sanctuary Records Group.
  6. ^ "100 Records That Set The World On Fire [When No One Was Listening]". Archived from the original on 13 June 2007.
  7. ^ "The 100 best albums of the 1970s". FACT Magazine. 14 July 2014. Retrieved 12 September 2020.
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