Karel Appel (1982)
|Born||Christiaan Karel Appel
25 April 1921
|Died||3 May 2006
|Known for||Painting, sculpting, poetry|
|Movement||Experimentele Groep in Holland, Cobra|
Christiaan Karel Appel (Dutch: [ˈkrɪstiaːn ˈkaːrəl ˈɑpəl] ( )) (25 April 1921 – 3 May 2006) was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement Cobra in 1948.
Christiaan Karel Appel was born on 25 April 1921 in his parents' house at Dapperstraat 7 in Amsterdam, Netherlands. As a child he was called "Kik". On the ground floor, his father, Jan Appel, had a barber shop. His mother, born Johanna Chevalier, was a descendant of French Huguenots. Karel Appel had three brothers.
At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting.
Appel studied at the Rijksakademie van Beeldende Kunsten in Amsterdam during the German Occupation from 1940 to 1943 and it was there he met the young painter Corneille and, some years later, Constant; they became close friends for years. His parents opposed his choice to become an artist, leading him to leave home; this was also necessary because he needed to hide from the German police so that he would not be picked up and sent to Germany to work in the weapon industry. Appel had his first show in Groningen in 1946. In 1949 he participated with the other CoBrA artists in the Stedelijk Museum Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by Pablo Picasso, Henri Matisse and the French brute-art artist Jean Dubuffet. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue and black. He joined the Experimentele Groep in Holland together with the young Dutch painters Anton Rooskens, Theo Wolvecamp and Jan Nieuwenhuys. Later the Belgian writer Hugo Claus joined the group.
In 1948 Appel joined CoBrA (from:Copenhagen, Bruxelles, Amsterdam) together with the Dutch artists Corneille, Constant and Jan Nieuwenhuys (see also Aart Kemink) and with the Belgian poet Christian Dotremont. The new art of the CoBrA-group was not popular in the Netherlands, but it found a warm and broad welcome in Denmark. By 1939, Danish artists had already started to make spontaneous art and one of their sources of inspiration was Danish and Nordic mythology. It was also in Denmark that the CoBrA artists started cooperating by collectively painting the insides of houses, which encouraged and intensified the exchange of the typical 'childish' and spontaneous picture language used by the CoBrA group. Appel used this very intensively; his 1949 fresco 'Questioning Children' in Amsterdam City Hall caused controversy and was covered up for ten years.
As a result of this controversy and other negative Dutch reactions to CoBrA, Appel moved to Paris in 1950 and developed his international reputation by travelling to Mexico, the USA, Yugoslavia and Brazil. He is particularly noted[by whom?] for his mural work and lived in New York and Florence. After 1990 he became much more popular in the Netherlands; he had several big shows in Amsterdam and in Bruxelles, organized by director Rudy Fuchs. Also the CoBrA-museum in Amstelveen organized several shows with his work. He became the most famous Dutch artist of CoBrA.
Years before his death, Appel established the Karel Appel Foundation, whose purpose is "to preserve [Appel's] artworks, to promote public awareness and knowledge of Karel Appel's oeuvre and to supervise publication of the Oeuvre Catalogue of the paintings, the works on paper and the sculptures.".
In 2002 a number of Appel's works went missing on the way to his foundation, an event that was not to be resolved before his death. However in 2012 the works were found in a disused UK warehouse and returned to the foundation. 
In the wake of his death, the Foundation (based in Amsterdam) functions as his official estate in addition to its primary service as an image archive. The U.S. copyright representative for the Karel Appel Foundation is the Artists Rights Society
- Appel, Karel: Psychopathological Notebook. Drawings and Gouaches 1948–1950. Bern - Berlin: Verlag Gachnang & Springer, 1999. ISBN 978-3-906127-57-6
- Kuspit, Donald (2010). "Titanic Power: Karel Appel in the Tradition of the New". Psychodrama: Modern Art as Group Therapy. London: Ziggurat. pp. 13–45. ISBN 9780956103895.
- Tapié, Michel; Amsterdam (Netherlands). Stedelijk Museum. Karel Appel (Publisher: Amsterdam, author, 1955) OCLC 11554905 (Worldcat link: )
- (Dutch) Houts, Cathérine van (2003). Karel Appel : de biografie. Amsterdam: Olympus. p. 13. ISBN 978-90-254-1913-4.
- (Dutch) Houts, Cathérine van (2003). Karel Appel : de biografie. Amsterdam: Olympus. pp. 13–14. ISBN 978-90-254-1913-4.
- (Dutch) Houts, Cathérine van (2003). Karel Appel : de biografie. Amsterdam: Olympus. pp. 20–21. ISBN 978-90-254-1913-4.
- Fox, Margalit (9 May 2006). "Karel Appel, Dutch Expressionist Painter, Dies at 85". The New York Times. Retrieved 2008-06-06.
- "Karel Appel begraven op Père-Lachaise in Parijs". De Telegraaf. 16 May 2006. Retrieved 2008-06-06.
- Karel Appel Foundation website
- Alberge, Dalya (14 February 2012). "Dutch artist's works found in British warehouse". The Guardian. Retrieved 2 September 2014.
- ARS list of Artists Represent, Section "A"
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