Lai Chun Yuen Opera House
 | This article needs additional citations for verification. (June 2022) |
| Lai Chun Yuen Opera House | |
|---|---|
梨春园 (Chinese) | |
 Viewed from junction of Smith Street and Trengganu Street | |
 | |
| General information | |
| Address | 25 Trengganu Street Singapore 058476 |
| Country | Singapore |
| Coordinates | 1°16′57″N 103°50′39″E / 1.2826°N 103.8442°E |
| Current tenants | Hotel Calmo Chinatown |
| Completed | 1887 |
| Website | |
| chinatown | |
Lai Chun Yuen Opera House was a Cantonese opera house was built in 1887 and located on Smith Street, Chinatown, Singapore. It was owned by Lin Dingxing and subsequently, Loh Ghim.[1] Chinese opera performances have religious significance for the Chinese as they believe it entertains the gods and spirits.[2]
History
The opera house was designed in the style of a traditional three levels Chinese teahouse with balconies. There are small tables on the first level for the audiences. The stage was located on the second floor. This was designed by Regent Alfred John Bidwell from Swan and Maclaren, whose portfolio includes other notable buildings such as Raffles Hotel and Stamford House.[1] His works are prominent as he considered the usage of the buildings for the clients and clientele.[1] The opera house was able to accommodate 834 people. It was a well-frequented opera house as it provided a form of entertainment for the immigrants. The popularity of the opera house is evident by its twice daily plays.
The architecture design followed that of Chinese buildings – decorated corbel brackets, architrave tie ends, steps and door nail studs.[3] Other opera houses, such as Heng Wai Sun and Heng Seng Peng Opera Houses, which were located mainly on Wayang Street in Singapore. Even though “Wayang Street” was “Theatre Street” translated from Malay, it was not the hub of the entertainment business.[4] The main entertainment district was on Smith Street. Lai Chun Yuen Opera House was able to attract many famous Cantonese performers such as Leng Yuen Hung, Ma Si Chang and Hung Sin Nui in the early 1900s.[1] Famous performers could earn up to 450 to 700 dollars a day, which was a hefty sum for that era. According to a visitor, no other places in Singapore could be compared with the Lai Chun Yuen Opera House.[5]
However, the place was the epitome of vice as Smith Street was the red-light district back then. There were private cubicles designed for discreet activities[6] and opium smoking was a common sight in the theatre as it was normal in the era.[7]
Ironically, the theatre would sometimes be used for fund-raising activities for campaigns such as “Canton Flood Relief Fund”. These activities were huge successes as they were able to hire famous performers. Hence, the Opera House was able to raise funds from the public tickets and by auctioning off performer’s items, which were well received.
In the late 1920s, movies were invented and introduced to the world. This had greatly impacted Lai Chun Yuen’s business as people preferred “talking films” as compared to opera shows. The increase in cinema halls in amusement parks like the Great World City was a competition to the opera house.[1] The owner of the opera house wanted to include a movie room to ensure the opera house’s survival but eventually the opera house was rented to the Shaw Brothers and the opera house was renamed Sun Seng Theatre.[1]
However, the business did not last long as the theatre was bombed during World War II. Much of the building was destroyed and the building was only repaired after the war.[1] After the restorations, the building was used for a merchandise shop and then a warehouse for street hawkers.[1] The Buddhist Compassion Relief Tzu Chi Foundation (Singapore) also occupied the building for some time.
Current building
 | This section needs to be updated. (June 2022) |
In line with the zoning of the neighborhood for commercial purposes, much of the ground level is occupied by storefronts, while the interior of the building has been repurposed for use as a hotel. This takes advantage of its strategic location in Chinatown, which is promoted by the Singapore Tourism Board as a major tourist destination in Singapore. The small cubicles used for private activities back in the opera days have been converted into hotel rooms, escalators were built for ease of moving between floors, and steel structures were installed from ground to ceiling to reinforce the old building. The biggest change is that the stage on the second floor has been torn down and replaced by a sitting area in the hotel for the guests.
The hotel has displays of artifacts and paintings from the Chinese opera. However, the artefacts were not from the original Lai Chun Yuen Opera House, but were bought and designed[clarify] by the owner of Opera House Hotel. There are also information boards all around the hotel educating the guests on Chinese opera. As such, numerous curious guests and passer-by have also approached the manager to enquire on the history of the hotel. Although this is most attention that the opera house would receive – passing curiosity. Despite scholarly and news articles written on it, it is still not widely known or recognised.
Mediacorp visits the hotel occasionally to film Chinese New Year music videos or shows.
References
- ^ a b c d e f g h Pitt, Kuan Wah; Liu, Gretchen; Phillips, Angelina (1988). A Visual Documentation of Wayang: A History of Chinese Opera in Singapore. Singapore: Times Editions.
- ^ Koh, Jamie (2013). Singapore Childhood. Singapore: World Scientific Publishing Co. Pte. Ltd.
- ^ Qiao, Yun; Sun, Dazhang (1982). Ancient Chinese Architecture. Beijing: Joint Publishing Co.
- ^ Savage, Victor; Yeoh, Brenda R. A. (2013). Singapore Street Names - A Study of Toponymics. Singapore: Markono Print Media Pte Ltd.
- ^ Li, Ching Chu (1887). A Description of Singapore in 1887. China.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Chen, Johnny (28 July 2013). "Lai Chun Yuen – Famed Chinese Opera Theatre of The Past". Ghetto Singapore. Retrieved 16 February 2017.
- ^ Yen, Ching-Hwang (1986). A Social History of the Chinese in Singapore and Malaya 1800-1911. Singapore: Fu Loong Lithographer Pte Ltd.