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Le maschere

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Le maschere
Opera by Pietro Mascagni
Souvenir postcard for the premiere
TranslationThe Masks
LibrettistLuigi Illica
LanguageItalian
Premiere
17 January 1901 (1901-01-17)
La Scala, Milan, and five other opera houses in Italy

Le maschere (The Masks) is an opera in a prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica.

The work was Mascagni's homage to Rossini and to the Italian opera buffa and commedia dell'arte traditions. It was premiered simultaneously in six Italian opera houses on 17 January 1901: La Scala in Milan (with Caruso as Florindo, Carelli as Rosaura, and Toscanini conducting); the Teatro Carlo Felice in Genoa; the Teatro Regio in Turin; the Teatro Costanzi in Rome; La Fenice in Venice; and the Teatro Filarmonico in Verona. Two days later, it premiered at the Teatro di San Carlo in Naples.

Apart from the performance in Rome, conducted by Mascagni himself (and later in the first run by his pupil Roberto Moranzoni), Le maschere received a dismal reception, with the performance in Genoa suspended halfway through because of the audience's vociferous expressions of displeasure. The opera was sporadically performed in Italy over the next four years and then sank into obscurity. When Mascagni revised and represented the opera in 1931 it met with little lasting success. However, sporadic revivals in the late 20th century have been greeted with some critical interest.

Roles

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Roles, voice types, premiere cast
Role Voice type Premiere cast at La Fenice
17 January 1901[1]
Rosaura soprano Maria Farneti
Arlecchino Battocchio tenor E. Giordani
Colombina soprano M.a Fiori
Il Capitano Spaventa baritone Nestore della Torre
Brighella tenor Augusto Balboni
Dottore Graziano baritone Felice Foglia
Pantalone De' Bisognosi bass Ruggero Galli
Florindo tenor Elvino Ventura
Tartaglia baritone Giovanni Bellucci
Giocadio spoken Carlo Duse

Synopsis

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In the prologue, a travelling commedia dell'arte troupe and their impresario present the characters they are about to play. The remaining three acts are the play itself wherein after many vicissitudes, Florindo and Rosaura, aided by Columbina and Arlecchino, manage to prevent the marriage which Rosaura's father, Pantalone, had planned for her.

Arias

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The only frequently encountered aria is "Quella è una strada", a humorous aria sung – with much stuttering – by Tartaglia.

Recordings

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References

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  1. ^ "italianopera.org". Archived from the original on 2016-03-20. Retrieved 2020-02-24.

Further reading

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