Lookin' Out My Back Door
|"Lookin' Out My Back Door"|
|Single by Creedence Clearwater Revival|
|from the album Cosmo's Factory|
|B-side||"Long As I Can See the Light"|
|Released||July 25, 1970|
|Format||7" 45 RPM|
|Genre||Southern rock, country rock|
|Creedence Clearwater Revival singles chronology|
"Lookin' Out My Back Door" is a song recorded by the American band Creedence Clearwater Revival, also known as CCR. The song was written by the band's lead singer, guitarist, and songwriter, John Fogerty, who went on to have a successful solo career after the band's breakup in 1973. The song is included on their 1970 album Cosmo's Factory, the group's fifth album, which was also their fifth and final No. 2 Billboard hit. The Cosmo's Factory album was by most considered the groups finest. It was certified Gold and as of the early 90's was also certified Platinum. In 2003 Cosmo's Factory was ranked 265 on Rolling Stone's list of 500 greatest albums of all time. However, the album signaled the decline and subsequent end for the band. "Lookin' Out My Back Door" was a direct tribute to the Bakersfield Sound, a form of music that influenced John Fogerty and the Creedence sound. Buck Owens, one of the architects of the Bakersfield Sound, is even mentioned in the song's lyrics.
After touring Europe in 1970 the band returned to their San Francisco studio and began recording what would be their 5th album, Cosmo's Factory, which is widely credited as their finest. The name of the album came from an inside joke between members referencing the strict “factory” like work ethic they were adopting while practicing and writing. Cosmo came from Doug Clifford’s nickname, which was given to him because of his beliefs and interests in cosmic things. Later, Doug Clifford even named his first solo album Cosmo. After the Cosmo's Factory was released in July of 1970 "Lookin' Out My Back Door" achieved No. 2 on the Billboard’s Top 100 Hits. It reached number one in Norway. The band's fifth album signaled the beginning of the decline of the band, since tensions had been growing over John Fogerty's control over the band's music and business activities. The decline continued until 1972 when the band officially broke up. The era in which the song "Looking Out My Back Door" and the album "Cosmos Factory" came out marked the height of Creedence Clearwater Revival's popularity.
Song information 
The song is known for its upbeat tempo, its down-home feel, and a signature change in key and tempo towards the end. The song's lyrics, filled with colorful, dream-like imagery, led some to believe that the song was about drugs. According to the drug theory, the "flying spoon" in the song was a cocaine spoon, and the crazy animal images were an acid trip. Fogerty, however, has stated in interviews that the song was actually written for his then three-year old son, Josh. Fogerty has also said that the reference to a parade passing by was inspired by the Dr. Seuss book, And to Think That I Saw It on Mulberry Street. One of Fogerty's musical influences, Buck Owens, is also mentioned in the song.
"Lookin' Out My Back Door", along with "Long as I Can See the Light" on the flip-side, was released as a single in July 1970. The double sided single, counted as one entry by the methodology used by Billboard magazine at the time, eventually climbed to number two on the Billboard Pop Singles chart (by comparison, "Long as I Can See the Light" only reached number fifty-seven on the concurrent Cash Box singles chart, which still tracked the performance on both sides of a single separately). This marked the fifth (and final) time the group had a double sided single accomplish that feat on the Billboard Pop Singles chart. The single was held out of the top spot by Diana Ross's cover of "Ain't No Mountain High Enough ("Lookin' Out My Back Door" did top the Cash Box singles chart for one week). "Long as I Can See the Light" also reached #20 on the U.K. Pop chart.
In live performances, Fogerty sometimes changes "tambourines and elephants are playing in the band" to "tangerines and Elvis are playing in the band". In a recent show of Austin City Limits he added a fiddle, to give the song more of a country sound.
The Stray Cats also performed a cover of this in 1983.
Nothin' Fancy covered the song in 2011.
- Tom Hibbert; Jenny Dawson (1990). "Rock '70". In Ashley Brown. The Marshall Cavendish Illustrated History of Popular Music. Volume 12 (Reference edition ed.). Freeport, New York: Marshall Cavendish. pp. 1342, 1343. ISBN 1-85435-027-7.
- "Artists". West Coast Blues 'n' Roots. Retrieved 11 April 2012.