Manuel Maples Arce
The leader of the first Mexican avant-garde movement
After the first Stridentist manifesto, Comprimido estridentista, launched in 1921 in the n°1 of the broadsheet Actual, he published in 1922 his first avant-gardist book of poetry, Andamios interiores (Poemas radiograficos), that Jorge Luis Borges criticized the same year ; in 1924, Urbe (Super-poema bolchevique en 5 cantos), which English version, made by John Dos Passos, was edited in 1929 in New York (this edition is maybe the first poetry book of a Mexican, and the first of the Spanish language avant-garde, translated into English) ; in 1927, Poemas interdictos, his ultimate book of poetry for a long time, until the last one, Memorial de la sangre published in 1947.
During his stridentist period (from 1921 to 1927, first in Mexico City, then in Xalapa), he was responsible for the magazines Actual (3 issues in 1921 and 1922) and Irradiador (3 issues in 1923), followed by Horizonte (1926-1927) directed by his colleague German List Arzubide.
Around Maples Arce, poets as German List Arzubide, Salvador Gallardo and Kyn Taniya (Luis Quintanilla's pen name), novelist as Arqueles Vela, and artists as Fermin Revueltas, the French native Jean Charlot, German Cueto, Leopoldo Méndez, Ramon Alva de la Canal, among others, can be referred to as the most important members of the Stridentist movement, which maintained good relations with the Mexican Muralism of Diego Rivera.
After the scandalous life of the Stridentist group, for a long time Maples Arce was relatively despised by Mexican criticism as a poet, and very few specialists were interested in the study of Stridentist art and litterature, which are now better known.
So it was an almost completely forgotten writer that the young Roberto Bolaño interviewed in 1976. He is curiously referred to as a former avant-gardist poet in the well-known novel Los detectives salvajes (1998), by the Chilian writer, in which he appears as a character.
- El paisaje en la literatura mexicana, Mexico City, Librería Porrúa, 1944.
- Las semillas del tiempo : obra poética, 1919-1980 , foreword by Rubén Bonifaz Nuño, Xalapa, Universidad Veracruzana, 2013.
- Los papeles de una vida recobrada, Villanueva de Villaescusa, Valnera Ediciones, 2010.
- Mi vida por el mundo, Xalapa, Universidad Veracruzana, 1983.
- Poemas interdictos, Xalapa, Ediciones de Horizonte, 1927.
- Metropolis [Urbe], translated by John Dos Passos, New York, The T. S. Book Company, 1929, p.; now in Jed Rasula and Tim Conley (org.)
- Burning City : Poems of Metropolitan Modernity, Notre Dame, Action Books, 2012.
- City, Bolshevik Super-Poem in 5 Cantos [Urbe], bilingual edition, new translation, notes and afterword by Brandon Holmquest, New York, Ugly Duckling Presse, « Lost Literature Series », 2010, 30 p.
- Poèmes interdits, french translation by Edmond Vandercammen, Brussels, Cahiers du Journal des Poètes, 1936, 68 p.
- Stridentisme ! Poésie et Manifeste (1921-1927) , bilingual and illustrated edition, organization, french translation, notes and afterword by Antoine Chareyre, Paris, Le Temps des Cerises, "Commun'art", 2013 [Comprimido estridentista, Andamios interiores, Urbe, Poemas interdictos].
- Flores, Tatiana. Mexico’s Revolutionary Avant-Gardes: From Estridentismo to ¡30-30!, New Haven: Yale University Press, 2013.
- Monahan, Kenneth Charles. Manuel Maples Arce and Estridentismo (Doctorate Thesis), Northwestern University, 1972.
- Rashkin, Elissa J. The Stridentist Movement in Mexico: The Avante-Garde and Cultural Change in the 1920s, New York: Lexington, 2009.
- Schneider, Luis Mario. El estridentismo o una literatura de la estrategia, México: Conaculta, 1997.