Margaret Lee (British actress)

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For other uses, see Margaret Lee.
Margaret Lee
Born Margaret Gwendolyn Box
(1943-08-04) August 4, 1943 (age 71)
Wolverhampton, England

Margaret Lee (born Margaret Gwendolyn Box on 4 August 1943 in Wolverhampton, England) is a British actress who was a popular leading lady in Italian films in the 1960s and 1970s. She is the mother of production manager/producer Roberto Malerba (from her marriage to Gino Malerba) and production coordinator Damian Anderson.

Early career[edit]

Lee was educated at the Italia Conti Theatre School in London; graduating in 1960.[1] She moved to Rome shortly afterwards to pursue a career in films. Her film debut came in the sword and sandal adventure Fire Monsters Against the Son of Hercules (1962), where she played the female lead alongside Reg Lewis, but it was a string of popular comedies that initially made Lee a star in Italy. With a blonde, fluffy look modelled after Marilyn Monroe, Lee spent the first half of the 1960s appearing in numerous Italian comedies and parodies - several of which starred the popular comedic duo Franco Franchi and Ciccio Ingrassia. Few of these films received much, if any, distribution in English-speaking territories but they were highly successful in Italy, and made Lee a well-known film actress.

Eurospy films[edit]

Around the mid 1960s, Lee moved away from comedies and started appearing in a long line of Eurospy films, where she was frequently cast as sexy femme fatales. Her appearance also changed as she dropped the blonde Marilyn Monroe-inspired look and became a brunette instead. Some of the most famous Eurospy films Lee starred in were An Orchid for the Tiger (1965) by Claude Chabrol, Agent 077 From the Orient with Fury (1965) by Sergio Grieco and Kiss the Girls and Make Them Die (1966) by Henry Levin.

International career[edit]

Lee's beauty and talent also caught the eye of international film producer Harry Alan Towers, who gave Lee wider international recognition by casting her in prominent roles in several of his all-star cast productions; starting with the British thriller Circus of Fear (1966), directed by John Llewellyn Moxey. Towers also cast Lee in the spy-comedy Our Man in Marrakesh (1966), directed by Don Sharp; the action film Five Golden Dragons (1967), directed by Jeremy Summers; the thrillers Venus in Furs (1969) and The Bloody Judge (1970), both directed by Jesús Franco; and finally in Dorian Gray (1970), directed by Massimo Dallamano.

Lee's co-star in Circus of Fear, Five Golden Dragons, Coplan Saves His Skin and Venus in Furs was the renowned German actor Klaus Kinski (who was also a regular in Harry Alan Towers productions). The pairing of Lee and Kinski would prove to be very popular among cinema-goers - especially in Italy - so they would continue to act together until the early 1970s; appearing in a total of 12 films together.

Outside of her work for Towers, Lee didn't appear in any further international films but in 1972 she guest starred in the British TV series The Protectors, in the episode "The Numbers Game".


Margaret Lee was also popular on Italian television in the 1960s; appearing as a showgirl alongside the famous singer Johnny Dorelli. Lee also starred with Dorelli in his film debut Arriva Dorellik (1967).

Lee also starred as Cinderella in the Italian TV special Il Cenerentola in 1969.

Later career[edit]

By the early 1970s, Lee's movie career had descended further and further into exploitation; culminating in Fernando Di Leo's extremely sleazy and violent thriller Slaughter Hotel (1971). She would eventually disappear from the Italian movie scene in 1974, and return to England. Lee returned to Italy in 1981, however, and made a minor movie comeback in Dino Risi's comedy Sesso e volentieri (1982), which reunited her with her old co-star Johnny Dorelli. But Lee's comeback was to be a short one as she only appeared in one further film, the very obscure crime-comedy Neapolitan Sting (1983), before retiring from movies altogether.


  • Maciste contro i mostri (a.k.a. Fire Monsters Against the Son of Hercules, 1962)
  • I tre nemici (1962)
  • Due samurai per cento geishe (1962)
  • Totò di notte n. 1 (1962)
  • Cleopatra (1963) - uncredited bit part role
  • Avventura al motel (1963)
  • La ballata dei mariti (1963)
  • Gli imbroglioni (a.k.a. The Swindlers, 1963)
  • Sansone contro i pirati (a.k.a. Samson Against the Pirates, 1963)
  • Siamo tutti pomicioni (1963)
  • I quattro tassisti (1963)
  • Vino whisky e acqua salata (a.k.a. Wine, Whiskey and Salt Water, 1963)
  • Via Veneto (1963)
  • Adolescenti al sole (1964)
  • Due mattacchioni al Moulin Rouge (1964)
  • I due pericoli pubblici (a.k.a. Two Public Enemies, 1964)
  • In ginocchio da te (1964)
  • I maniaci (a.k.a. The Maniacs, 1964)
  • I marziani hanno dodici mani (a.k.a. The Twelve-Handed Men of Mars, 1964)
  • Un mostro e mezzo (1964)
  • La vedovella (1964)
  • Agente 077 dall'oriente con furore (a.k.a. Agent 077 From the Orient with Fury, 1965)
  • Casanova '70 (1965)
  • I due sergenti del generale Custer (a.k.a. Two Idiots at Fort Alamo, 1965)
  • Io uccido, tu uccidi (a.k.a. I Kill, You Kill, 1965)
  • Letti sbagliati (1965)
  • Le lit à deux places (a.k.a. The Double Bed, 1965)
  • Il morbidone (a.k.a. The Dreamer, 1965)
  • On a volé la Joconde (1965)
  • Questa volta parliamo di uomini (a.k.a. Let's Talk About Men, 1965)
  • Questo pazzo, pazzo mondo della canzone (1965)
  • Lo scippo (1965)
  • La ragazzola (1965)
  • Le tigre se parfume à la dynamite (a.k.a. An Orchid for the Tiger, 1965)
  • Le carnaval des barbouzes (a.k.a. Killer's Carnival, 1966)
  • Circus of Fear (1966)
  • Djurado (a.k.a. Johnny Golden Poker, 1966)
  • Il ladro della Gioconda (a.k.a. The Mona Lisa Has Been Stolen, 1966)
  • New York chiama Superdrago (a.k.a. New York Calling Superdragon, 1966)
  • Our Man in Marrakesh (1966)
  • Se tutte le donne del mondo (a.k.a. Kiss the Girls and Make Them Die, 1966)
  • Tre notti violente (a.k.a. Web of Violence, 1966)
  • Arrriva Dorellik (1967)
  • Colpo maestro al servizio di Sua Maestà britannica (a.k.a. Master Stroke, 1967)
  • Le Tigre sort sans sa mère (a.k.a. Da Berlino l'apocalisse and Spy Fit, 1967)
  • Dick Smart 2007 (1967)
  • Five Golden Dragons (1967)
  • Franco, Ciccio e le vedove allegre (a.k.a. Franco, Ciccio and the Cheerful Widows, 1967)
  • Le soleil des voyous (a.k.a. Leather and Nylon, 1967)
  • Banditi a Milano (a.k.a. Bandits in Milan, 1968)
  • I bastardi (a.k.a. Sons of Satan, 1968)
  • Coplan sauve sa peau (a.k.a. Coplan Saves His Skin, 1968)
  • Niente rose per OSS 117 (a.k.a. OSS 117 - Murder for Sale, 1968)
  • Questi fantasmi (a.k.a. Ghosts - Italian Style, 1968)
  • ¡Viva América! (a.k.a. Mafia Mob, 1969)
  • 5 per l'inferno (a.k.a. Five for Hell, 1969)
  • A doppia faccia (a.k.a. Double Face, 1969)
  • Il Cenerentola (1969) - TV special
  • Colpo rovente (a.k.a. Red Hot Shot, 1969)
  • Frau Wirtin hat auch eine Nichte (a.k.a. House of Pleasure, 1969)
  • Sai cosa faceva Stalin alle donne? (a.k.a. What Did Stalin Do to Women?, 1969)
  • Un sudario a la medida (a.k.a. A Candidate for a Killing, 1969)
  • Venus in Furs (1969)
  • Appuntamento col disonore (a.k.a. The Night of the Assassin, 1970)
  • Dorian Gray (1970)
  • Il trono di fuoco (a.k.a. The Bloody Judge, 1970)
  • Bano de sangre (a.k.a. Blood Bath) - unreleased
  • Le belve (1971)
  • La bestia uccide a sangue freddo (a.k.a. Slaughter Hotel, 1971)
  • Nokaut (a.k.a. The Rogue, 1971)
  • Papesatan, papesatan aleppe (1973)
  • Gli assassini sono nostri ospiti (a.k.a. The Killers Are Our Guests, 1974)
  • La sensualità è un attimo di vita (1974)
  • Sesso e volentieri (1982)
  • Stangata napoletana (a.k.a. Neapolitan Sting, 1983)


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