Michel de Certeau
|Society of Jesus|
History of the Jesuits
Michel Jean Emmanuel de La Barge de Certeau was born in 1925 in Chambéry, Savoie. Certeau's education was eclectic, following the medieval tradition of peregrinatio academica. After obtaining degrees in classics and philosophy at the universities of Grenoble, Lyon, he studied the works of Pierre Favre (1506-1546) at the École pratique des hautes études (Paris) with Jean Orcibal. He undertook religious training at a seminary in Lyon, where he entered the Jesuit order (Society of Jesus) in 1950 and was ordained in 1956. Certeau entered the Society of Jesus hoping to do missionary work in China. In the year of his ordination, Certeau became one of the founders of the journal Christus, with which he would actively be involved for much of his life. In 1960 he earned his doctorate ("thèse de 3e Cycle") at the Sorbonne with a study of co-founder of the Society of Jesus Pierre Favre (the Sorbonne is a secular state university where theology may not be taught) before embarking on his celebrated study of Jean-Joseph Surin.
Certeau was greatly influenced by Sigmund Freud and was, along with Jacques Lacan, one of the founding members of École Freudienne de Paris, an informal group which served as a focal point for French scholars interested in psychoanalysis. He came to public attention after publishing an article dealing with the May 1968 events in France. He also took part in Robert Jaulin's department of ethnology at the University of Paris-VII after May 68.
Certeau went on to teach at several universities in locations as diverse as Geneva, San Diego, and Paris. Through the 1970s and 1980s he produced a string of works that demonstrated his interest in mysticism, phenomenology, and psychoanalysis. He died in Paris, aged 60.
The Practice of Everyday Life
To date, Certeau's most well-known and influential work in the United States has been The Practice of Everyday Life. In it, he combined his disparate scholarly interests to develop a theory of the productive and consumptive activity inherent in everyday life. According to Certeau, everyday life is distinctive from other practices of daily existence because it is repetitive and unconscious. In this context, Certeau’s study of everyday life is neither the study of “popular culture”, nor is it necessarily the study of everyday resistances to regimes of power. Instead, Certeau attempts to outline the way individuals unconsciously navigate everything from city streets to literary texts.
Perhaps the most influential aspect of The Practice of Everyday Life has emerged from scholarly interest in Certeau’s distinction between the concepts of strategy and tactics. Certeau links "strategies" with institutions and structures of power who are the "producers", while individuals are "consumers" acting in environments defined by strategies by using "tactics". In the influential chapter "Walking in the City", Certeau asserts that "the city" is generated by the strategies of governments, corporations, and other institutional bodies who produce things like maps that describe the city as a unified whole. Certeau uses the vantage from the World Trade Center in New York to illustrate the idea of a synoptic, unified view. By contrast, the walker at street level moves in ways that are tactical and never fully determined by the plans of organizing bodies, taking shortcuts in spite of the strategic grid of the streets. This concretely illustrates Certeau's argument that everyday life works by a process of poaching on the territory of others, using the rules and products that already exist in culture in a way that is influenced, but never wholly determined, by those rules and products.
According to Andrew Blauvelt who relies on the work of Certeau in his essay on design and everyday life:
"Certeau's investigations into the realm of routine practices, or the "arts of doing" such as walking, talking, reading, dwelling, and cooking, were guided by his belief that despite repressive aspects of modern society, there exists an element of creative resistance to these strictures enacted by ordinary people. In The Practice of Everyday Life, de Certeau outlines an important critical distinction between strategies and tactics in this battle of repression and expression. According to him, strategies are used by those within organizational power structures, whether small or large, such as the state or municipality, the corporation or the proprietor, a scientific enterprise or the scientist. Strategies are deployed against some external entity to institute a set of relations for official or proper ends, whether adversaries, competitors, clients, customers, or simply subjects. Tactics, on the other hand, are employed by those who are subjugated. By their very nature tactics are defensive and opportunistic, used in more limited ways and seized momentarily within spaces, both physical and psychological, produced and governed by more powerful strategic relations."
The Writing of History
His work The Writing of History, translated into English after his death, deals with the relationship between history and religion. De Certeau makes a point in linking the history of writing history to the legitimization of political power and that "Western" traditions of history involve using the act of writing as a tool of colonialism; writing their own histories while un-writing the embodied traditions of native peoples.
- La Culture au Pluriel. Union Générale d'Editions,1974.
- L'Ecriture de l'Histoire. Editions Gallimard. 1975.
- La Fable Mystique. vol. 1, XVIe-XVIIe Siècle. Editions Gallimard. 1982.
- Histoire et psychanalyse entre science et fiction. Editions Gallimard. 1987. (Rev.ed. 2002)
- La Faiblesse de Croire. Edited by Luce Giard. Seuil. 1987.
- L'Invention du Quotidien. Vol. 1, Arts de Faire. Union générale d'éditions 10-18. 1980.
- With Dominique Julia and Jacques Revel. Une Politique de la Langue : La Révolution Française et les Patois, l'enquête de Grégoire. Gallimard. 1975.
- La Possession de Loudun. Gallimard. 1970.
- The Capture of Speech and Other Political Writings. Translated by Tom Conley. University of Minnesota Press. 1998.
- The Certeau Reader. Edited by Graham Ward. Blackwell Publishers. 1999.
- Culture in the Plural. Translated by Tom Conley. University of Minnesota Press. 1998.
- Heterologies: Discourse on the Other. Translated by Brain Massumi. University of Minnesota Press. 1986.
- The Mystic Fable: The Sixteenth and Seventeenth Centuries. Translated by Michael B. Smith. University of Chicago Press. 1995.
- The Practice of Everyday Life. Translated by Steven Rendall. University of California Press. 1984.
- With Luce Giard and Pierre Mayol. The Practice of Everyday Life. Vol. 2, Living and Cooking. Translated by Timothy J. Tomasik. University of Minnesota Press. 1998.
- The Possession at Loudun. University of Chicago Press. 2000.
- The Writing of History. Translated by Tom Conley. Columbia University Press. 1988.
Works about Michel de Certeau
- Michel de Certeau: Analysing Culture, By Ben Highmore. Continuum. 2006.
- Michel de Certeau: Interpretation and Its Other. By Jeremy Ahearne. Stanford University Press. 1996.
- A partir de Michel de Certeau: de nouvelles frontières. Special issue of Rue Descartes, journal of International College of Philosophy, Presses Universitaires de France. 1999.
- Michel de Certeau: Cultural Theorist. By Ian Buchanan. Sage Press. 2000.
- Michel de Certeau-In the Plural. A special issue of South Atlantic Quarterly, edited by Ian Buchanan. Duke University Press. 2001.
- Michel de Certeau: les chemins d'histoire. Edited by Christiàn Delacroix. Complex. 2002.
- Michel de Certeau: Le marcheur blessé. By François Dosse. Decouverte. 2002.
- Un chemin non tracé. By Luce Giard in Histoire et psychanalyse entre science et fiction (Michel de Certeau). Gallimard. 2002.
- Michel de Certeau's Biography by Luce Giard. Michel de Certeau in the Americas. A conference in celebration of the 20th anniversary of Michel de Certeau’s death Dept. of History, UC San Diego, February 25, 2006
- Strangely Familiar: Design and Everyday Life, edited by Andrew Blauvelt, Walker Art Center. 2003.