|Directed by||Andrew V. McLaglen|
|Produced by||Benjamin Melniker
R. Ben Efraim
|Written by||Ian Kennedy Martin|
|Starring||Joe Don Baker
Harold J. Stone
|Music by||Larry Brown
|Cinematography||Harry Stradling Jr.|
|Editing by||Fred A. Chulack|
|Distributed by||Allied Artists Pictures Corporation|
|Release dates||September 10, 1975|
|Running time||97 minutes|
Very much an anti-hero, Mitchell often ignores the orders of his superiors and demonstrates disdain for by-the-book development work as well as normal social graces. The film also stars John Saxon and Martin Balsam as the banking criminals Mitchell pursues and Linda Evans and Merlin Olsen in supporting roles as a prostitute and henchman, respectively. Mitchell was re-released by Lorimar Productions in the 1980s.
A trade union lawyer named Walter Deaney (John Saxon) kills a burglar in his house. Only an unorthodox plain-clothes detective named Mitchell (Joe Don Baker) believes that Deaney is guilty of something more than self-defense, but Chief Albert Pallin (Robert Phillips) tells him that Deaney is wanted for "every federal law violation in the book" and is therefore "FBI property."
To keep Mitchell away from Deaney, the Chief orders him to stake out the home of James Arthur Cummings (Martin Balsam), a wealthy man with ties to the mob whose "big scene" is the import and export of stolen merchandise. Mitchell initially is unconcerned with Cummings and focuses primarily on Deaney. But he gets drawn in after Cummings discovers that Salvatore Mistretta (Morgan Paull), cousin of his mafioso benefactor Tony Gallano (Harold J. Stone), is bringing in a shipment of stolen heroin from Mexico without Cummings' consent.
After unsuccessfully trying to buy Mitchell off with an offer of an illicit real estate deal and a prostitute named Greta (Linda Evans), Deaney decides to work with Cummings to eliminate the annoying cop. Deaney is killed shortly thereafter during an attempt on Mitchell's life.
Cummings refuses to let Mistretta use his port facilities to bring the shipment in, earning him the ire of Gallano who begins sending thugs to harass him. Cummings decides that the only ally he still has—aside from his faithful butler and bodyguard, Benton (Merlin Olsen) -- is Mitchell, because he's no good to the police dead.
Cummings offers a deal. If he is allowed to go free, Mitchell will be allowed to pose as a chauffeur and pick up the drug shipment, putting him in a position to both confiscate the drugs and arrest Mistretta. However, Cummings double-crosses Mitchell by alerting Mistretta to his real identity. He's also double-crossed Mistretta by replacing the heroin with chalk. Mistretta decides to kill Mitchell and dump the body on Cummings' boat.
Mistretta is killed in the subsequent gun battle, freeing Mitchell to go after Cummings, who is attempting to flee the country by sea. Mitchell is dropped onto the boat by helicopter and kills Benton with a gaff hook. Cummings is killed after one final attempted double-cross fails, bringing the story to a close.
In 1980, a heavily edited version of the 1975 film was released for broadcast television, in which most of the violence and all of the nudity and profanity were removed. Several scenes in the film were shot twice for this purpose.
- Greta writes on the windshield of Mitchell's car with lipstick. In the theatrical release the word written on the windshield is "BASTARD" while in the TV version the word is "JERK."
- The sequence during the dinner scene with the phony argument between Cummings and Benton was also shot twice to substitute "goddamn awful butler" with "lousy butler".
- The scene with Mitchell arguing with Greta's son was edited with Mitchell saying "Buzz off, kid!" in the TV version instead of "Piss off, kid!" in the theatrical release. His remark, "Go to Hell!", to Greta's son as he skate boards away was also censored.
"Mitchell, starring Joe Don Baker as a hard-nosed Los Angeles detective named Mitchell, has a lot of over-explicit violence, some gratuitous sex stuff and some rough language, yet it looks like a movie that couldn't wait to get to prime-time television. Perhaps it's a pilot film for a TV series, or maybe it's just a movie that's bad in a style we associate with some of the more mindless small-screen entertainments.
Mitchell spends what seems to be the greater part of the film climbing in and out of automobiles, driving automobiles, chasing other automobiles, parking automobiles, and leaning against the body of automobiles that are temporarily at rest. Once he smashes a hoodlum's hand in the door of an automobile.The climax, for a giddy change of pace, features a police helicopter in pursuit of a high-speed cabin cruiser. Automobiles sink when driven onto water."
Said the Time Out film guide:
"Baker's the big lumpy cop who won't take no and another assignment for an answer when he's told to lay off the gun-happy lawyer (Saxon) he suspects of cold-blooded murder, and to concentrate on the businessman with the coke connection (Balsam). He realises that in such a sparsely-populated cheapie they just have to be in collusion, as he punches and shoots his way to the final credits accompanied by vocal encouragement from one of those country singers with terminal cancer. Balsam and Saxon contribute no more than their required quota of urbane sneers before being bulldozed into oblivion by the golem hero of this irredeemably routine potboiler."
Mystery Science Theater 3000 episode
On October 23, 1993, the edited-for-television release of Mitchell was featured as an episode of Mystery Science Theater 3000. The film was trimmed by several minutes to match MST3K's format. This resulted in John Saxon's character, killed by Mitchell in a deleted scene, simply vanishing from the action. The only mention of his disappearance was a voice over by a radio announcer stating that Saxon's character had died. Joel and the Bots even remark on this lapse: "Wasn't John Saxon in this movie?" Particularly mocked were Mitchell's alcoholism, slovenliness, and uncouth behavior. During the credits, Servo and Crow mock the theme song by improvising lyrics about food and Mitchell's weight, briefly referencing Shaft.
According to Mystery Science Theater 3000 Amazing Colossal Episode Guide on page 97, the cast had heard a rumor that actor Joe Don Baker was very angry at the MST3K treatment of Mitchell, and threatened physical violence on any of the cast or crew should he ever meet them in person. This did not stop them from later featuring (and happily mocking) another of Joe Don's films, Final Justice, and hurling even more vicious insults at Baker. Kevin Murphy, who played MST3K's robot commentator Tom Servo as well as serving as one of the show's writers, later said Baker likely meant it in a joking manner. Nevertheless, Michael J. Nelson stated that he avoided running into Baker when he discovered that they were both staying at the same hotel.
The episode is also notable as being MST3K creator-star Joel Hodgson's last episode (save for a cameo in Episode 1001: Soultaker) and the first to feature Mike Nelson as host, replacing Joel on the Satellite of Love.
- The MST3K version of the film was released by Rhino Home Video in November 2001 with the theatrical trailer as an extra. As of January 2010, the DVD is now out-of-print on Rhino's official website, and as of July 2010, the DVD is now out-of-print on MST3k's official website.
- On November 26, 2013, Shout! Factory will be re-releasing the MST3K version of the film as a bonus feature on their 25th Anniversary Edition DVD boxed set.
- Movie Review, Vincent Canby
- Time Out Review: Mitchell
- Mitchell at the Internet Movie Database Retrieved on 2007-05-18.
- Mitchell at the Internet Movie Database Retrieved on 2007-05-18.
- SEASON FIVE: 1993-1994. Satellite News. Retrieved on 2007-05-18.
- SEASON TEN: 1999. Satellite News. Retrieved on 2007-05-18.
|Wikiquote has a collection of quotations related to: Mystery Science Theater 3000#Mitchell|
- Mitchell at the Internet Movie Database
- Mitchell at AllMovie
- Mitchell at Rotten Tomatoes
- Mitchell annotated and explained
- A list of cultural references in the Mystery Science Theater cut.