| Type |
Code |
Daylight ISO |
Tungsten ISO |
| Commercial 6127, 4127 |
__________ __ _____
\/ |__|
|
20/14 |
8/10 |
| Contrast Process Pan 4155 |
______ _ ___ _ ____
\/ \/ \/ \/
|
100/21 |
80/20 |
| Contrast Process Ortho 4154 |
______ _ ___ _____
\/ \/ |__|
|
100/21 |
50/18 |
| Ektapan 4162 |
____________ _ ___
\/ |___|
|
100/22 |
100/22 |
| Fine Grain Positive 7302 |
_______________ ___
|___|
|
40/17 |
10/11 |
| Kodalith Ortho 2556, Type 3 |
Unnotched |
10/15 |
6/9 |
| Kodalith Pan 2568 |
_______ _ ___ _____
\/ \/ \/
|
40/17 |
36/16 |
| Plus-X Pan Professional 4147 |
____ _ _ ___ __
\/ \/ \/ |___|
|
125/22 |
125/22 |
| Tri-X Pan Professional 4164 |
_________ _ _ _____
\/ \/ \/
|
320/26 |
320/26 |
| Tri-X 320 (TXP) |
_______ _ ___
\/\/\/ |__|
|
320/26 |
320/26 |
| Super-XX Pan 4142 |
____________ _ _____
\/ \/
|
200/24 |
200/24 |
| Tri-X Ortho 4163 |
__ _ ____ _ __
\/ \/ \__/ \__/
|
320/26 |
200/24 |
| Royal-X Pan 4166 |
___ _ _ ___ ___
\/ \/ \/ |___|
|
1250/32 |
1250/32 |
| Royal Pan 4141 |
____________ ___ ___
\/ \/
|
400/27 |
400/27 |
| T-Max 100 Professional 5052 |
_____ ________ _____
\/ \/
|
100/21 |
100/21 |
| T-Max 100 (100TMX) |
_________ ____
\/\/\/\/
|
100/21 |
100/21 |
| T-Max 400 Professional 5053 |
_______ _ _ ____
\/ \/ |___|
|
400/27 |
400/27 |
| T-Max 400 (400TMY) |
_________ _ ___
\/\/ |__|
|
400/27 |
400/27 |
| Professional Copy 4125 |
__ ____ _ _ __
\/ \/ \__/ \__/
|
25/15 |
12/12 |
| Pan Masking Film 4570 |
__ __________ __ __
\/ \/ \/
|
|
|
| Matrix Film 4150 |
_ _ _ ____ ___
\/ \/ \__/ \__/
|
|
|
| Pan Matrix 4149 |
__ ____ ____ ______
\/ \/ \/
|
|
|
| Separation Negative 4131, Type 1 |
____ _ _ ______
\/ \__/ \__/
|
|
|
| Separation Negative 4133, Type 2 |
_______ __ _____
\__/ \__/
|
|
|
| High Speed Infrared 4143 |
____ __ __ __ ___
\/ \/ \/ |___|
|
|
|
| Ektachrome 64 Professional 6117 |
___________ _ __
╰----╯ \/
|
64/19 |
16/13 (with 80A) |
| Ektachrome 100 Professional 6122 |
_____ _ _ _ __
\/ ╰----╯ \/ \/
|
100/21 |
25/15 (with 80A) |
| Ektachrome 100 Plus Professional 6105 |
________ _ _ __
╰----╯ \/ \/
|
100/21 |
25/15 (with 80A) |
| Ektachrome 200 Professional 6176 |
__ _ _ _ _ __
\/ \/ ╰----╯ \/ \/
|
200/24 |
50/18 (with 80A) |
| Ektachrome 64T Professional 6118 |
________ _ _ __
\/ ╰----╯ \/
|
40/17 (with 85B) |
64/19 |
| Ektachrome Duplicating 6121 |
_____ _ _ _ __
\/ \/ ╰----╯ \/
|
|
|
| Type |
Code |
Daylight ISO |
Tungsten ISO |
| Ortho Plus |
_______________ _____
╰╯
|
80/20 |
40/17 |
| FP4 Plus (New) |
__ ___ ______ ___
╰-╯ ╰╯ ╰-╯
|
125/22 |
|
| FP4 Plus (Old) |
________ _______ ___
╰╯ ╰╯
|
125/22 |
|
| HP5 Plus (New) |
__ ______ ___ ___
╰-╯ ╰╯ ╰-╯
|
400/27 |
|
| HP5 Plus (Old) |
___ ___ _______ ___
╰╯ ╰╯ ╰╯
|
400/27 |
|
| Delta 100 Professional |
_ __ _ ___ _____
╰-╯╰╯╰╯ ╰-╯
|
100/21 |
|
| Delta 400 Professional (New) |
_ ____ _ _ _____
╰-╯ ╰╯╰╯╰-╯
|
400/27 |
|
| Delta 400 Professional (Old) |
__________ _ __ ___
╰╯╰╯╰╯
|
400/27 |
|
| XP2 Super (New) |
_ __ _ _ __ ___
╰-╯╰╯╰╯╰╯╰-╯
|
400/27 |
|
| XP2 Super (Old) |
____ _ __ _ ______
╰╯╰╯╰╯╰╯
|
400/27 |
|
| Type |
Code |
Daylight ISO |
Tungsten ISO |
| Fujichrome Velvia |
__________ ________
╰---╯
|
50/18 |
16/13 |
| Fujichrome Velvia 100 |
_ ______ ________
╰╯ ╰---╯
|
100/21 |
32/16 |
| Fujichrome Velvia 100F |
__ __ __ ________
╰╯╰╯╰---╯
|
100/21 |
32/16 |
| Fujichrome Astia 100F |
_ _ ____ ________
╰╯╰╯ ╰---╯
|
100/21 |
32/16 |
| Fujichrome Provia 100F |
_______ _ _ ____
╰╯╰---╯╰╯
|
100/21 |
32/16 |
| Fujichrome T64 |
_______ _ _ __ _
╰╯╰---╯╰╯╰╯
|
64/19 |
32/16 |
| Fujicolor Pro 160S |
________ ___ __
\_____/ ╰╯
O
|
160/23 |
50/18 |
| Fujicolor Pro 160C |
__ _____ _______
╰╯ \_____/
O
|
160/23 |
50/18 |
| Fujicolor NPL 160 |
__ _ __ ___ __
╰╯╰╯ \____/ ╰╯
0
|
100/21 |
160/23 |
| Fujichrome Duplicating Film CDU Type II |
__________ ____ __
╰---╯ ╰╯
|
|
|
| Fujicolor Internegative Film |
__________ _ ___
\____/ ╰-╯
0
|
|
|
An extensive listing of sheet film notch codes, mainly Kodak, including many discontinued types, can be found at the end of the University of Louisville Ekstrom Library's Acetate Negative Survey [1].