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Parviz Tanavoli

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Parviz Tanavoli
Born
Parviz Tanavoli

(1937-03-24) 24 March 1937 (age 87)
Tehran, Pahlavi Iran
EducationTehran School of Fine Arts
Academy of Fine Arts in Carrara,
Brera Academy
Occupation(s)Artist, art historian, educator
Known forSculpture, painting
WorksThe Wall (Oh Persepolis)
Heech
MovementSaqqakhaneh movement
Huryfiyya movement
Websitewww.tanavoli.com

Parviz Tanavoli (born 1937) is an Iranian sculptor, painter, educator, and art historian. He is a pioneer within the Saqqakhaneh school, a neo-traditionalist art movement.[1] Tanavoli has been one of the most expensive Iranian artists in sales.[2] Tanavoli series of sculpture work Heech are displayed in prestigious museums and public places, such as the British Museum, Metropolitan Museum of Art, Hamline University, Aga Khan Museum, and as public art in the city of Vancouver.[citation needed] Additionally Tanavoli has written extensively on this history of Persian art and Persian crafts. Since 1989, Tanavoli holds dual nationality and has lived and worked both in Tehran, and Horseshoe Bay in West Vancouver, British Columbia.[3][4]

Early life and education

Parviz Tanavoli was born 24 March 1937 in Tehran.[citation needed] In 1952, he started his education at the Tehran School of Fine Arts (now part of the University of Tehran).[2] He continued his studies in Italy at the Academy of Fine Arts in Carrara (Italian: Accademia di Belle Arti di Carrara) in 1956 to 1957; as well as at Brera Academy (Italian: Accademia di Belle Arti di Brera) in Milan from 1958 to 1959 .[5] He studied under sculptor Mariano Marini.[5]

Upon graduating from the Brera Academy in 1959, he returned to Iran in 1960 and taught sculpting at the College of Decorative Arts in Tehran.[5]

Career

Teaching

From February 1961 to 1964, Tanavoli taught sculpture for three years at the Minneapolis College of Art and Design, as a guest of art collector Abby Grey.[6][5] He then returned to Iran and assumed the directorship of the sculpture department at the University of Tehran, a position he held for 18 years until 1979, when he retired from his teaching duties.[citation needed]

Artwork

Parviz Tanavoli, Heech, Stainless steel, Agha Khan Museum, Toronto (Canada)
Parviz Tanavoli, Heech Lovers, 5.5 Meters in Stainless steel, Vancouver (Canada)

He belongs to the Saqqakhaneh group of artists who, according to the scholar Karim Emami, share a common popular aesthetic.[7] He has been influenced heavily by his country's history and culture and traditions, and has always been fascinated with locksmithing. Tanavoli was once cultural advisor to the Shahbanu Farah Pahlavi.[citation needed] Tanavoli is known for his heeches, three dimensional representations of the Persian word for 'nothing', heech.[4] Composed of three Persian characters in the style of nasta'liq, the three letters he, ye and če are combined to produce the word heech.[8]\

In 2003, Tanavoli turned his Tehran house into the "Museum of Parviz Tanavoli" showcasing his personal art collection, which was only open for a few months due to political issues in Iran.[4]

Rasht 29 Club

In 1967, Tanavoli, Kamran Diba, and Roxana Saba (daughter of Abolhasan Saba) founded the Rasht 29 Club on a northern street near the Amirkabir University of Technology (formerly the Tehran Polytechnic).[9][10] Rasht 29 Club was named after the street address, and it was a popular hangout amongst artists of the time including Marcos Grigorian, Hossein Zenderoudi, Sadegh Tabrizi, Faramarz Pilaram, Sohrab Sepehri, Massoud Arabshahi, Yadollah Royai, Nader Naderpour, Reza Baraheni, Esmail Shahroudi, Ahmadreza Ahmadi, Bijan Elahi, Ebrahim Golestan, Hageer Daruish, Kamran Shirdel, Sadeq Chubak, Karl Schlamminger, and others.[10]

Sales

Tanavoli's work has been auctioned around the world leading to overall sales of over $9 million, making him the most expensive living Iranian artist.[11] In 2008, his work, The Wall (Oh Persepolis), an almost 2-meter tall bronze sculpture covered in incomprehensible hieroglyphs fetched $2.84 million USD at a Dubai Christie's sale, which was an auction record for an artist of Middle Eastern origins.[12][13]

Exhibitions

His solo exhibition was in 2019 at the West Vancouver Art Museum entitled "Oh Nightingale". Prior to that, he had another solo exhibition in 2017 at the Tehran Museum of Contemporary Art based on his Lions works and Lion collection.[citation needed]

In 2015, after four decades, Davis Museum at Wellesley College organized the first solo exhibition of Tanavoli's work in the US.

In 2003 he had a major retrospective at the Tehran Museum of Contemporary Art. Prior to that he had held solo exhibitions in Austria, Italy, Germany, United States and Britain. Tanavoli has been in group exhibitions internationally.

His work has been displayed at the Tate Modern, British Museum, Metropolitan Museum of Art, the Grey Art Gallery - New York University, the Isfahan City Center, Nelson Rockefeller Collection, New York, Olympic Park, Seoul, South Korea, the Royal Museum of Jordan, the Museum of Modern Art, Vienna, Museum of Modern Art, New York, Walker Art Center, Minneapolis, Hamline University, St. Paul[14] and Shiraz University, Iran.[15]

Politics and art

In 2005, he created a small piece of sculpture called Heech in a Cage to protest the conditions of the American-held prisoners at Guantanamo Bay detainment camp and in 2006 began work on his piece to honour the victims of the Israeli-Lebanon war.[citation needed]

A day before Tanavoli was due to speak at the British Museum in 2016, authorities in Iran confiscated his passport, preventing him from leaving the country, accusing him of "disturbing the public peace". Tanavoli explained that "I have not done anything wrong. I spent the whole day at the passport office but no one told me anything, nor did anyone at the airport. I'm not a political person, I'm merely an artist."[1][3]

Honors and legacy

In 2015, the biographical documentary film was released, Parviz Tanavoli: Poetry in Bronze, directed by Terrence Turner and produced by Timothy Turner and Tandis Tanavoli.[4][16][17]

In October 2020, the former Mina Street in the Niavaran neighborhood was renamed Parviz Tanavoli by the municipality of Tehran.[citation needed]

Bibliography

Authored or co-authored by Tanavoli

Tanavoli has authored over forty publications, dating back over four decades. Among these are:

  • Khosrowshahi, Maryam; Floor, Willem M.; Tanavoli, Parviz (2017). Sofreh: The Art of Persian Celebration. Vol. 1. ACC Art Books. ISBN 9781851498581.
  • Tanavoli, Parviz (2017). عشاق [Lovers] (in Persian). Tehran, Iran: Bon-Gah. ISBN 9786005268355.
  • Tanavoli, Parviz (2017). Sherrill, Sarah B. (ed.). Khorjins: Tribal And Rural Weaves From Iran (in Persian). Vol. 2. Tehran, Iran: Nazar Publishing. ISBN 9786001522239.
  • Tanavoli, Parviz (2016). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. Bloomsbury Academic. ISBN 9781784535070.
  • Tanavoli, Parviz (2015). Salt Bags: Iranian Tribal And Rural Weavings. Tehran, Iran: Nazar Publishing. ISBN 9786001521867.
  • Tanavoli, Parviz (2015). An Introduction To The History Of Graphic Design In Iran. Tehran, Iran: Nazar Publishing.
  • Tanavoli, Parviz (2014). Poet (in Persian). Tehran, Iran: Bon-Gah.
  • Wonders of Universe. Tehran: Bongah. 2012.
  • Rugs. Tehran: Bongah. 2011.
  • Tanavoli, Parviz (2012). Undiscovered Minimalism: Gelims from Northern Iran. London, UK: Laurence King Publishing. ISBN 9781898113768.
  • Afshar; Tribal Weaves from Southern Iran. Tehran: Iranian Academy of Arts. 2010.
  • Ceramics. Tehran: Bongah. 2010.
  • Tomb Stone. Tehran: Bongah. 2009.
  • Jewelry by Parviz Tanavoli. 2008.
  • Scales and Weights. 2007.
  • Talisman. 2006.
  • Tanavoli, Parviz; Sherrill, Sarah B. (2006). Sormehdan: Kohl Containers of Iran from Prehistory to the 19th Century. C. Ferguson (translation). ISBN 9789649638331.
  • Tanavoli, Parviz (2005). Atelier Kaboud. Tehran, Iran: Bon-Gah. ISBN 9789649638300.
  • Tanavoli, Parviz (2004). Gabbeh: Art Underfoot. Tehran, Iran: Yassavoli Publications. ISBN 9789643062972.
  • Tanavoli, Parviz (2002). Persian Flatweaves: A Survey of Flatwoven Floor Covers and Hangings and Royal Masnads. London, UK: Antique Collectors' Club. ISBN 9781851493357.
  • Tanavoli, Parviz (2001). ‏دستبافتهاى روستايى و عشايرى ورامين [Rustic and Tribal Weaves from Varamin] (in Persian). Yassavoli. ISBN 9789643062118.
  • Tanavoli, Parviz (1998). Tacheh of Chahar Mahal. Yassavoli. ISBN 9789643060688.
  • Tanavoli, Parwīz (1998). Horse and Camel Trappings from Tribal Iran: Riding in Splendour. Intišārāt-i Yasāwulī.
  • Tanavoli, Parviz (1998). Sofreh of Kamo. Tehran, Iran: Yassavoli. ISBN 9789643060640.
  • Tanavoli, Parviz (1994). Kings, Heroes and Lovers: Pictorial Rugs from the Tribes and Villages of Iran. London, UK: Scorpion Pub. ISBN 9780905906867.
  • Tanavoli, Parviz (1994). Bread and Salt: Iranian Tribal Spreads and Salt Bags. Shirin Samii (translator). Ketab Sara Company.
  • Gabbeh. Baar, Switzerland. 1990.{{cite book}}: CS1 maint: location missing publisher (link)
  • Tanavoli, Parviz (1985). Shahsavan Iranian Rugs and Textiles. New York City, NY: Rizzoli. ISBN 9780847806263.
  • Tanavoli, Parviz (1985). Lion Rugs: The Lion in the Art and Culture of Iran. Universität Zürich. Völkerkundemuseum, Musée des arts décoratifs de la ville de Lausanne. Basel: Transbooks. ISBN 9783859770782.
  • Tanavoli, Parviz; Wertime, John T. (1976). Locks from Iran; Pre-Islamic to Twentieth Century. Washington, D.C.: Smithsonian Institution Traveling Exhibition Service.

On Tanavoli

Books, catalogs, and magazines on Parviz Tanavoli

See also

References

  1. ^ a b Dehghan, Saeed Kamali (2016-07-02). "Renowned Iranian artist Parviz Tanavoli barred from leaving country, the artist was due to fly to London to speak at the British Museum but had his passport confiscated without explanation". the Guardian. ISSN 1756-3224. Retrieved 2022-03-24.
  2. ^ a b Dehghan, Saeed Kamali (2016-01-01). "Parviz Tanavoli: Iranian artist who made something out of nothing". the Guardian. Retrieved 2022-03-24.
  3. ^ a b Muñoz-Alonso, Lorena (2016-07-04). "Iranian Officials Seize Parviz Tanavoli's Passport". Artnet News. Retrieved 2022-03-24.
  4. ^ a b c d Lederman, Marsha (2015-02-20). "Master of bronze Parviz Tanavoli strives for recognition on home soil". The Globe and Mail. Retrieved 2022-03-24.
  5. ^ a b c d Bloom, Jonathan; Blair, Sheila S.; Blair, Sheila (2009-05-14). Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set. OUP USA. pp. 268–269. ISBN 978-0-19-530991-1.
  6. ^ Porter, Venetia; Rosser-Owen, Mariam (2012-06-29). Metalwork and Material Culture in the Islamic World: Art, Craft and Text. Bloomsbury Publishing. p. 486. ISBN 978-0-85773-343-6.
  7. ^ Ekhtiar, Maryam; Rooney, Julia (April 2014). "Artists of the Saqqakhana Movement (1950s–60s)". Heilbrunn Timeline of Art History. Metropolitan Museum of Art. metmuseum.org. Retrieved 2017-02-04.
  8. ^ "Standing heech". National Museums Scotland. Archived from the original on 4 February 2017. Retrieved 3 February 2017.
  9. ^ Grigor, Talinn (2014-06-15). Contemporary Iranian Art: From the Street to the Studio. Reaktion Books. ISBN 978-1-78023-309-3.
  10. ^ a b Mohebbi, Sohrab. "Rasht 29: A cultural oasis in central Tehran". Bidoun, Issue 20. ISSN 1551-4048. Retrieved 2022-03-24.
  11. ^ ".:: Art Tomorrow Magazine ::". www.artomorrow.com. Archived from the original on 2013-11-05.
  12. ^ Niknejad, Golnoush (April 26, 2009). "Oh Persepolis". Frontline, Tehran Bureau. Retrieved 2022-03-24.
  13. ^ "Sculpture sets auction record". Los Angeles Times. 2008-05-02. ISSN 0458-3035. Retrieved 2022-03-24.
  14. ^ "The Heech | Virtual Tour | Hamline University".
  15. ^ Harouni, Shadi (10 February 2015). "Parviz Tanavoli: plenty of 'nothing' - exhibition". The Guardian. Retrieved 3 February 2017.
  16. ^ "Photos: Sculptor Parviz Tanavoli and students reunite at Tehran's Boom gallery". Payvand.com. Retrieved 2022-03-24.
  17. ^ "Sculptor Parviz Tanavoli and students reunite at Tehran gallery". Tehran Times. 2017-11-05. Retrieved 2022-03-24.

Further reading

Wikimedia Commons has media related to Parviz Tanavoli.
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