|Pauline Elizabeth Hopkins|
|Died||August 13, 1930
|Occupation||Novelist, journalist, playwright, historian, and editor|
Pauline Elizabeth Hopkins (1859 – August 13, 1930) was a prominent African-American novelist, journalist, playwright, historian, and editor. She is considered a pioneer in her use of the romantic novel to explore social and racial themes. Her work reflects the influence of W. E. B. Du Bois.
Her first known work, a musical play called Slaves’ Escape; or, The Underground Railroad (later revised as Peculiar Sam; or, The Underground Railroad), first performed in 1880, is one of the earliest-known literary treatments of slaves escaping to freedom. Her short story 'Talma Gordon,' published in 1900, is often named as the first African American mystery story. She explored the difficulties faced by African-Americans amid the racist violence of post-Civil War America in her first novel, Contending Forces: A Romance Illustrative of Negro Life North and South, published in 1900. She published three serial novels between 1901 and 1903 in the African American periodical Colored American Magazine: Hagar's Daughter: A Story of Southern Caste Prejudice, Winona: A Tale of Negro Life in the South and Southwest, and Of One Blood: Or, The Hidden Self. She sometimes used the pseudonym Sarah A. Allen.
In 1988, Oxford University Press released The Schomburg Library of Nineteenth-Century Black Women Writers with Professor Henry Louis Gates as the general editor of the series. Hopkins's novel Contending Forces: A Romance Illustrative of Negro Life North and South (with an introduction by Richard Yarborough) was reprinted as a part of this series. Hopkins's magazine novels (with an introduction by Hazel Carby) were also reprinted as a part of this series.
Of One Blood: Or, The Hidden Self is the last of four novels written by Pauline Hopkins. She is considered by some to be the most prolific African-American woman writer and the most influential literary editor of the first decade of the twentieth century, though she is lesser known than many literary figures of the Harlem Renaissance. Of One Blood: Or, The Hidden Self first appeared in serial form in The Colored American Magazine in the November and December 1902 and the January 1903 issues of the publication, during the four-year period in which Hopkins served as its editor. Elements of the work have been compared to Goethe's Faust.
Of One Blood: Or, The Hidden Self tells the story of Reuel Briggs, a medical student who does not care about being black or appreciating African history but finds himself in Ethiopia on an archaeological trip. His motive is to raid the country of lost treasures, which he does find. However, he discovers much more than he expected: the painful truth about blood, race, and the half of his history that was never told. Hopkins wrote the novel intending, in her own words, to "raise the stigma of degradation from [the Black] race." The title, Of One Blood, refers to the biological kinship of all human beings.
Published works 
|About Pauline Hopkins|
|By Pauline Hopkins|
- Slaves’ Escape; or, The Underground Railroad. 1880.
- Contending Forces: A Romance Illustrative of Negro Life North and South. 1900.
- 'Talma Gordon'. First published in The Colored American Magazine.1900.
- Hagar's Daughter: A Story of Southern Caste Prejudice. First published serially in The Colored American Magazine. 1901-1902.
- Winona: A Tale of Negro Life in the South and Southwest. First published serially in The Colored American Magazine. 1902-1903.
- Of One Blood: Or, The Hidden Self. First published serially in The Colored American Magazine. 1903.
- “ ‘Into the high ancestral spaces’: Pauline Hopkins` Of One Blood and Goethe's Faust,” Sabine Isabell Engwer, Free U. of Berlin, John F. Kennedy Institute for North American Studies
- Allen, Carol. Black Women Intellectuals: Strategies of Nation, Family, and Neighborhood in the Works of Pauline Hopkins, Jessie Fauset, and Marita Bonner. NY: Garland, 1998.
- Brown, Lois. Pauline Elizabeth Hopkins: Black Daughter of the Revolution. Chapel Hill: U of North Carolina P, 2008. ISBN 0-8078-3166-2.
- Campbell, Jane. Mythic Black Fiction: The Transformation of History. Knoxville: U of Tennessee P, 1986.
- Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. NY: Oxford UP, 1987.
- Dworkin, Ira, ed. Daughter of the Revolution: The Major Nonfiction Works of Pauline E. Hopkins. Piscataway: Rutgers U P, 2007. ISBN 0-8135-3962-5.
- Gabler-Hover, Janet. Dreaming Black/Writing White: The Hagar Myth in American Cultural History. Lexington: UP of Kentucky, 2000.
- Gruesser, John C. ed. The Unruly Voice: Rediscovering Pauline Elizabeth Hopkins. Urbana: U of Illinois P, 1996.
- Reuben, Paul P. "Chapter 6: Pauline Elizabeth Hopkins." PAL: Perspectives in American Literature - A Research and Reference Guide.
- Shockley, Ann A. Afro-American Women Writers, 1746-1933: An Anthology and Critical Guide. Boston: G. K. Hall, 1988.
- Wallinger, Hanna. Pauline E. Hopkins: A Literary Biography. Athens: U of Georgia P, 2005.
- Pauline Hopkins's Voices from the Gaps
- Hopkins profile at Literary Encyclopedia
- Perspectives in American Literature - Pauline Hopkins bibliography
- Martin Japtok's critical essay, "Pauline Hopkins's Of One Blood, Africa, and the 'Darwinist Trap'"
- Home page for The Schomburg Library of Nineteenth-Century Black Women Writers
- The Pauline Elizabeth Hopkins Society
- Reuben, Paul P. "Chapter 6: Pauline Elizabeth Hopkins." PAL: Perspectives in American Literature - A Research and Reference Guide - An Ongoing Project