Philadelphia Wireman

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The Philadelphia Wireman is the working name given to an unknown outsider artist responsible for approximately 1,200 small-scale wire-frame sculptures that were found abandoned on a street outside a transient home in Philadelphia in 1982. The artist is assumed to be male due to the strength required to bend some of the heavy-gauge wire in the sculptures; it is hypothesised that the sculptures were abandoned after their creator's death. Nothing is known about the artist's motives.

According to the Fleisher-Ollman Gallery, which now holds some of the work, the wire frames include plastic, glass, McDonald's packaging, umbrella parts, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools and jewelry, bound to the structures by rubber bands and tape.

The artist's unusual, possibly monomanical devotion to the particular demands of his chosen form has led to comparisons with artist Henry Darger.

[edit] Philadelphia Wireman

The Philadelphia Wireman sculptures were found abandoned in an alley off Philadelphia’s South Street on trash night in 1982. Their discovery in a rapidly changing neighborhood undergoing extensive renovation, compounded with the failure of all attempts to locate the artist, suggests that the works may have been discarded after the maker’s death. The entire collection totals approximately 1,200 pieces (and a few small, abstract marker drawings, reminiscent both of Mark Tobey and J.B. Murry) and appears to be the creation of one male artist, due to the strength involved in manipulating often quite heavy-gauge wire into such tightly wound nuggets. The dense construction of the work, despite a modest range of scale and materials, is singularly obsessive and disciplined in design: a wire armature or exoskeleton firmly binds a bricolage of found objects including plastic, glass, food packaging, umbrella parts, tape, rubber, batteries, pens, leather, reflectors, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools and jewelry.

Heavy with associations—anthropomorphic, zoomorphic, and socio-cultural responses to wrapped detritus—the totemic sculptures by Philadelphia Wireman have been discussed in the context of work created to fulfill the shamanistic needs of alternative religions in American culture. Curators, collectors, and critics have variously compared certain pieces to sculpture from Classical antiquity, Native American medicine bundles, African-American memory jugs, and African fetish objects. Reflecting the artist’s prolific and incredibly focused scavenging impulse, and despite—or perhaps enhanced by—their anonymity, these enigmatic objects function as urban artifacts and arbiters of power, though their origin and purpose is unknown. Philadelphia Wireman, whatever his identity, possessed an astonishing ability to isolate and communicate the concepts of power and energy through the selection and transformation of ordinary materials. Over the course of the past two decades, this collection has come to be regarded as an important discovery in the field of self-taught art.

[edit] Wireman Comics

A comic book series has been developed by children's author Sue Stauffacher, which is loosely based on the story of the Philadelphia Wireman. More can be found out about the project at www.wiremancomics.com.

[edit] External links

http://www.fleisher-ollmangallery.com/artists.php?id=5&page=1&img=0 http://www.wiremancomics.com