Pickwick Records was an American record label and British distributor known for its budget album releases of sound-alike recordings, bargain bin reissues and repackagings under the brands Design, Bravo (later changing their name to International Award), Hurrah, Grand Prix, and children's records on the Cricket and Happy Time labels.
The label is also known for distributing music by smaller labels like Sonny Lester's Groove Mechant, Chart Records and the Swedish label Sonet Records (for which it distributed late-1960s recordings by Bill Haley & His Comets in Canada and the US). They also issued records from Britain's Hallmark Records label.
Pickwick Records (originally formed as Pickwick Sales Corporation, later Pickwick International) was founded in 1950 by Cy Leslie, whose first business was a prerecorded greeting card service that in 1946 turned into Voco Records, a label of children's records. In 1957, after successfully marketing their Cricket children's label of 78 and 45rpm records, Pickwick entered the LP market with low-priced records, beginning with their Design label. The albums from the 1960s into the early 1970s bore the "Pickwick/33" imprint.
Singer-songwriter Lou Reed once worked as a staff songwriter for Pickwick Records, and gained experience in their small recording studio. Several of Pickwick's soundalike albums from 1964 to 1965 feature Reed as an uncredited session musician. Two of his songs, "Cycle Annie" (credited to The Beachnuts) and "You're Driving Me Insane" (as The Roughnecks), both appeared on the Soundsville! compilation in 1965. "The Ostrich" and "Sneaky Pete", two earlier songs by Reed, united him with John Cale, leading to their founding the Velvet Underground.
Amos Heilicher and his brother Daniel Heilicher merged their Musicland retail chain with Pickwick International in the late 1960s. Capitol Records had an early interest in Pickwick, and many of its artists had items on Pickwick; however, Capitol sold its share in the company in 1970. Pickwick was sold in 1977 to American Can Company, who relocated their corporate headquarters from Long Island City, New York to Minneapolis, Minnesota. In the 1970s the label changed direction, and began reissuing LPs that had been deleted from catalogs of the major record labels, in particular the RCA Records subsidiary RCA Camden, itself a reissue label. Besides the RCA Camden catalog, the company also put out an edited reissue of Elvis Presley's soundtrack album to Frankie and Johnny, and a two-LP set of mostly movie songs entitled Double Dynamite. After Presley's death in August 1977, RCA Victor began reissuing Presley's catalog, and Pickwick's Presley series ended.
Pickwick also reissued numerous LPs from the Motown catalog during the 1970s. On many of these albums, the cover art was changed, and/or the track listing was altered (with two or more songs deleted). In the early 1980s Motown began re-releasing its own catalog albums, thus ending Pickwick's series.
The company also started subsidiary labels P.I.P & De-Lite, to issue original material. De-Lite hit it big in 1974 and 1975 with million-selling singles & albums by funk band Kool & The Gang. P.I.P had a couple of big dance club hits with "7-6-5-4-3-2-1 (Blow Your Whistle)" and "Drive My Car" by The Gary Toms Empire in 1975.
Pickwick's assets were purchased by PolyGram Records in the late 1970s. PolyGram maintained the De-Lite Records label for releases by Kool & the Gang, who experienced a second wave of success after the addition of new lead singer J.T. Taylor, beginning with 1979's "Ladies Night". Polygram later did away with the De-lite imprint, and subsequent Kool & The Gang records were issued by PolyGram's Mercury label.
Pickwick's catalog (including the entire De-lite/Mercury catalog of Kool & The Gang) is now owned by Universal Music, which merged with PolyGram in 1998.
The Hallmark name has since been revived as a budget record label, owned by the Pickwick Group.
From the liner notes featured on virtually all 1965-69 Design releases:
Design has created a series of Family Favorites- covering everything from "When the Saints Go Marching In" to the Beethoven Fifth Symphony; from Broadway's current favorites and standards to Flamenco music from Spain and Italian popular music.
Music is so intensely personal, so much a matter of what you yourself feel- and let the rules go hang- that the only sensible basis on which you should build your library is personal choice. If you like it, then by all means it belongs in your record collection. Enjoy it and play it with pride.
There's been a vast upsurge in interest in all kinds of music in America in recent years. Musicals are among the most successful of Broadway offerings. Night clubs featuring a Dixieland band can always count on filling the house. More people buy tickets to opera and symphony concerts each year than attend professional sports events. Dance bands remain popular as ever.
Contributing to this upsurge has been the ready availability of quality low-cost recordings of familiar favorites by outstanding popular, Broadway, semi-classical and classical artists- recordings such as those you'll find on the Design label. These recordings make it possible for you to build a library of your own personal favorites at a fraction of the price you'd have expected to pay even a few years ago.
Design's modern studio and manufacturing plant, featuring the latest equipment coupled with the company's low, low prices have made it possible to offer record buyers the world's finest music recorded by outstanding artists without sacrificing quality. The record you hold in your hands, made to standards as critical as any set in the industry, consists of pure vinyl.
In the early 1980s, Pickwick manufactured so-called "audiophile" pressings on heavy vinyl (usually 180-240 grams). However, some audio aficionados found sound quality in these pressings inferior to that of normal vinyl. These LPs were quickly deleted and taken off the shelves to a point where some record collectors are willing to pay fortunes for these pressings. In 2003, a copy of The Beach Boys Greatest Hits sold for just over $2,500 at auction, and in 2008 a copy of James Bond—The Themes (which was, in fact, cover singers, a purely soundalike record) sold for $4,000 in mint-sealed condition.
Pickwick was well known for its "soundalike" records which would often claim to be original, but had nothing more than in-house bands or singers covering. When they released The Everly's in 1984, all the songs were in fact covered by a singing duo called "Twice Divided".
References in popular culture
Pickwick was the record label to which the fictional band Crème Brulée, from British sitcom The League of Gentlemen, were nearly signed to during their 1970s heyday. This came from a running gag about the market-stall sales which Pickwick enjoyed in England.
- Hoffmann, Frank Editor & Ferstler, Howard Technical Editor Encyclopedia of Recorded Sound Routledge (2005)
- LA Garage Scene 69-89,Galaxy Books 1994
- Pickwick Group UK official site
- The Pickwick Story from BSN Pubs
- American Pickwick Records 1965 advert http://books.google.com.au/books?id=EEwEAAAAMBAJ&pg=PA150-IA2&lpg=PA150-IA2&dq=%22parris+mitchell+strings%22&source=bl&ots=WZ1bPtDnZj&sig=tYA5z1gNOI-PMYR7bIAKgyqd5HU&hl=en&ei=HMHLS735PJT-sgOOlOiBAw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAUQ6AEwADgU#v=onepage&q=%22parris%20mitchell%20strings%22&f=false