Richard Tarlton

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Richard Tarlton with his pipe and tabor. All images of Taleton derive from this illustration depicting him in manuscript Harley 3885, an Alphabet book, with English or Latin phrases. The original contains the verse: "The picture here set down, / Within this letter T, / Aright doth shew the form and shape / Of Tharlton unto thee"

Richard Tarlton or Tarleton (died September 1588), an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as Tarlton's Jests.

Tarlton was also an accomplished dancer, musician and fencer. He was also a writer, authoring a jumber of Jigs, pamphlets and at least one full length play.

Family[edit]

Information on Tarlton's family background is meagre. His father's first name is unknown. His mother's first name was Katherine, but her maiden name is also unknown. A later lawsuit establishes that he had a sister named Helen. His birthplace is also unknown, although more than a century after Tarlton's death Thomas Fuller said that he was born at Condover in Shropshire, where his father was a pig farmer, and that the family later moved to Ilford in Essex.[1]

Career[edit]

Tradition claims that Tarlton started his career in London as either an apprentice, a swineherd in Ealing, or a water-carrier; it is not impossible that he was all three.[2] By 1583, when he is mentioned as one of the original members of the Queen's Men, he was already an experienced actor.

He was an early yet extraordinary influence on Elizabethan clowns. His epitaph says: “he of clowns to learn still sought/ But now they learn of him they taught.” Tarlton was the first to study natural fools and simpletons to add knowledge to his characters. His manner of performance combined the styles of the medieval Vice, the professional minstrel, and the amateur Lord of Misrule. During the play, he took it upon himself to police hecklers by delivering a devastating rhyme when necessary. He would spend time after the play in a battle of wits with the audience. He worked with Queen Elizabeth's Men at the Curtain Theatre at the beginning of their career in 1583. The 1600 publication Tarlton’s Jests [3] tells how Tarlton, upon his retirement, recommended Robert Armin take his place.

He was Elizabeth's favorite clown, and his talent for impromptu doggerel on subjects suggested by his audience has given his name to that form of verse. To cash in on his popularity, a great number of songs and witticisms of the day were attributed to him, and after his death the text Tarlton's Jests, containing many jokes in fact older than he was, made several volumes. Other books, and several ballads, coupled his name with their titles. Some have suggested that the evocation of Yorick in Hamlet's soliloquy was composed in memory of Tarlton.[4]

In addition to his other talents, Tarlton was a fencing master. He wrote at least one play, The Seven Deadly Sins (1592); though it was enormously popular in its day, no copy has survived. Besides ballads and a play, Tarlton wrote several pamphlets starting in the 1570s, one of which was A True report of this earthquake in London (1580). These were apparently genuine, though after his death a variety of other works were attributed to him as well. Gabriel Harvey refers to him as early as 1579, indicating that Tarlton had already begun to acquire the reputation that rose into fame in later years. That fame transcended the social limits that judged players to be little more than rogues.

Tarlton, according to one source (one of Tarlton's sons), gambled away the family's entire fortune. Tarlton lived in Hanwell and is rumoured to be buried in the grounds of the Drayton Manor House, where he and his family lived. The building now forms part of a school named after Tarlton's family called Drayton Manor High School.

Tarlton made his last will on 3 September 1588, describing himself as ‘Richard Tarlton, one of the Grooms of the Queen’s Majesty’s Chamber’. In the will he entrusted his illegitimate son, Philip Tarlton, to the care of ‘my most loving mother, Katherine Tarlton, widow, and my very loving and trusty friends Robert Adams, gentleman, and my fellow, William Johnson, one also of the Grooms of her Majesty’s Chamber'.[5]

Legacy[edit]

Richard Tarlton has left a strong legacy behind him. He is now often studied in University contexts. The joker in a pack of playing cards has been based on him since he came to fame. Finally, pubs were still being named after him, 100 years after his death.

See also[edit]

Notes[edit]

  1. ^ Thomson 2004.
  2. ^ Richard Dutton et al., eds., Hanwell Shakespeare, p. 24.
  3. ^ Chettle, Tarlton's Jests: and News out of purgatory
  4. ^ Thomson, Shakespeare's Theatre, "Hamlet and the Actor in Shakespeare's Theatre", pp. 114-141, p. 115-116.
  5. ^ Honigmann, p. 57.

References[edit]

  • Honigmann, E.A.J. (1993). Playhouse Wills. Manchester: Manchester University Press. pp. 57–8. Retrieved 22 April 2013. 
  • Thomson, Peter (2004). "Tarlton, Richard (d. 1588)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/26971.  (Subscription or UK public library membership required.)
  • Dutton, Richard, Alison Gail Findlay, and Richard L. Wilson, eds. Lancastrian Shakespeare: Region, Religion, and Patronage. Manchester, Manchester University Press, 2004.
  • Gurr, Andrew. The Shakespearean Stage 1574–1642. Third edition, Cambridge, Cambridge University Press, 1992.
  • Thomson, Peter (1992). Shakespeare's Theatre. London: Methuen. 
Attribution

External links[edit]