Jump to content

Samrup Rachna

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Maddy from Celeste (talk | contribs) at 18:46, 10 November 2022 (Undid revision 1120974183 by SJLahey (talk) – this appears to be a style of calligraphy rather than an individual work.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Samrup Rachna Calligraphy . Murti Written in Nastaliq and devanagri

Samrup Rachna is a form of calligraphic art created by Pakistani Dr Syed Mohammed Anwer to promote peace and collaboration in the South Asia region where Hindustani is spoken[1][2][3][4][5][6][7]

The name comes from the Sanskrit words Samrup (सामरुप) (سامروپ), meaning "congruence" or similar, and Rachna (रचना) (رچنا) meaning "creative work or design".[8] The calligraphy is an attempt to use the two altogether different Devanagari and Nastaʿlīq script scripts, used by the same language, Hindi-Urdu, in unison in such a manner that a picture of the word which is written is formed. This work is also acknowledged by Indian and Pakistani print media.[9][10][11][12][13][14][15]

For example, the Hindustani word surahi (meaning "ewer" or "pitcher" in English) is written in Samrup Rachna calligraphy in Devanagri[16] and Nastaʿlīq[17] scripts of Hindustani in a way that a picture of a ewer is formed.[18][19]

In linguistics, languages which are written in two different scripts are called Synchronic digraphia. Hindustani is one such language.[20] Samrup Rachna is also advocated by its inventor to help readers of Nastaʿlīq (Urdu) script to understand and learn the Devanagari (Hindi) script of the same language. This art is aimed at helping to dispel the existing religious association with the two scripts in the region of South Asia.[21][22]

A unique linguistic cum calligraphic art book, Samrup Rachna – Calligraphic Expression of Apni Boli [Hindi-Urdu] was launched at the Mother Languages Literature Festival[23] held at the National Institute of Folk and Traditional Heritage ( Lok Virsa), Islamabad, in collaboration with USAID Agency and some other NGOs including Indus cultural Forum ( ICF) on 20 February 2016, by Dr. Syed Mohammed Anwer contains over 60 visual impressions of words with cultural connotations created out of the Hindi Devanagari script and the Urdu Nastaliq script.[24] Beautifully presented in hardback form the book is as much a socio-political comment as a coffee table art book.[15] Dr. Anwer learnt the Devanagari script from his mother. The two scripts are essentially “the same language, written differently” as explained by the artist's mother. The purpose of the Book is to highlight the fact that association of any language or its script with any particular religion is a fundamental mistake.[12] Language has no religion.[25] The book can also be used as ‘easy-to-learn’ book for the ‘other’ script of Apni Boli [Hindi-Urdu] by its speakers.[24]

Visitors at Samrup Rachna Inaugural Exhibition

SAMRUP RACHNA EXHIBITIONS

1.The Launch of Samrup Rachna Calligraphic Expressions

The first Inaugural Exhibition of Samrup Rachna – Art for Peace held in Islamabad from 2-4 April, 2012. The Exhibition was a great success. Large number of art lovers and citizens attended the exhibition. Ministers, Govt officials, art critics and students came to witness this first of its kind Art Exhibition. The artist Dr. Syed Mohammed Anwer while talking with international media Voice of America - VOA[26] explained the idea behind Samrup Rachna Calligraphy. He emphasized the need of using art as a tool to promote peace in the region. Local media outlets ARY[27] and Geo also covered the event.

2. Kuch Khaas The Centre for Arts, Culture & Dialogue, Islamabad

A session was organized with the Artist of Samrup Rachna Calligraphy Dr.Syed Mohammed Anwer at Kuch Khaas Center of Arts & Culture, Islamabad on 27th April, 2012. Dr.Anwer presented his work and interact with art lovers and audience present at the occasion.[28]

3. Samrup Rachna – Apni Boli Book Launch at Cultural Festival on World Local Languages day, 2016

The Book on Samrup Rachna calligraphic work was launched[29] on World Local languages Day, 2016 at a Cultural Festival held at Lok Virsa Islamabad. Speaking at the occasion Dr.Anwer shared his journey of creating this unique Art work. International Media VOA[30] and BBC[31] covered the launch of Samrup Racha Book at the event.

4.AMAN KI ASHA Conference, Lahore 2012

Samrup Rachna calligraphic expressions were showcased at “Aman ki Asha” conference[32] held in Lahore from 4-5 May, 2012. The conference was attended by large number of Indian journalists, businessmen and members of civil society. The Pakistani and Indian delegated appreciated the art work by Dr.Syed Mohammed Anwer and admired his efforts to promote peace through his work.

Diwali ( Samrup Rachna Calligraphy)

5.South Asian Scripts, Chicago University USA, 2018

The art work of Dr.Syed Mohammed Anwer was displayed in an exhibition the world of South Asian Scripts titled “ Cosmopolitanism and National Identities” held in University of Chicago from 5 sept, 2018 to 14 Dec, 2018.[33] Few selective works of Samrup Rachna art for peace were displayed for the visitors. The art work was admired by the audience., The calligraphic fusion of scripts here is worth our particular notice. While Nastaliq has a strong tradition of calligraphy across the Persianate world, Devanagari does not. Nevertheless, these two scripts had both been used in precolonial times to write a group of North-Indian dialects that had blood relations with each other. Out of this group of tongues were born the modern Hindi/Urdu. As the linguistic boundary between Hindi and Urdu stiffened with the rise of nationalism in the subcontinent in the 19th century, scripts came to be more and more distinctively associated with one particular language and community: Devanagari with Hindi and the Hindus, Nastaliq with Urdu and the Muslims. The idea of a shared history of languages and scripts, however, remains alive. By connecting ‘Hindi-Urdu’ with a hyphen and by calling it apni boli (apanī bolī, one’s own language), the calligrapher provides a specimen illustrating the popular awareness of a common linguistic identity.

Samrup Rachna Exhibition , RedHouse New Delhi, India
Samrup Rachna Exhibition, India


6.Samrup Rachna’s first International Exhibition ( New Delhi, India)

Dr Anwer’s works were displayed for the first time internationally at Red House , a cultural centre in Delhi, India. The show took place from August 20-26, 2022, titled 'Give Peace a Chance'.[34] Speaking about the exhibition, the founder of Red House, Arjun Shivaji Jain, said at the time, "India and Pakistan seem to be going through a sort of dementia; we seem to have almost forgotten that we were once a one country. The exhibition is foremost to promote the idea of peace in these incredibly non-peaceful times." The artists, art critics and other famous personalities graced the occasion. Few notables included Sunit Tandon, Director India Habitat Center , Prof. Satyapal Sehgal,[35] Art critic and curator Prayag Shukla,[36] National Art Critic & Author Vinod Bhardwaj[37] and famous Artist/Painter Satya Sai Mothadaka.[38] Speaking on the occasion Prayag Shukla highlighted the idea behind “Art for Peace” theme of this Exhibition. He said “ This art work by Syed Mohammed Anwer is unique and awesome. These amazing calligraphic works take you to the core of the idea ,how man kept creating scripts and alphabets to address and communicate with another human being in different parts of the world, in different languages for the love, for friendship and peace. He reiterated while speaking at the time of inauguration of the show, that the scripts and their ways of writing them, with different tools, devices , may change, as they have changed drastically , in our times with the use of mobiles, laptops, computers ,yet the' word' will remain and the magic of writing it by hand will also remain , as is evident from this show also. Visually enthralling, aesthetically satisfying these works create images by using the letters , used by urdu ,and devnagari scripts in this vast land and continent of ours”. Nirupama Dutt in her article “Roundabout | Words twine, pine to send notes of love, peace”[39] published in Hindustan Times explained the need of these exhibitions to promote peace through art.


The author of Samrup Rachna Calligraphic Expression of Apni Boli [Hindi-Urdu] is an advocate of the Supreme Court of Pakistan and is a PhD on the topic of human rights from Punjab University. The polymath is also an active member of the civil society and has remained elected President of Islamabad Bar Association in 2013.[40] He has also written books on human rights, women's emancipation and other social issues.[12][15]


  • "Juta" ( shoe) written in Samrup Rachna calligraphy
    "Juta" ( shoe) written in Samrup Rachna calligraphy
  • "Buddha" written in Samrup Rachna calligraphy
    "Buddha" written in Samrup Rachna calligraphy
  • "Fatwa" written in Samrup Rachna Calligraphy
    "Fatwa" written in Samrup Rachna Calligraphy
  • "Surahi" in samrup rachna calligraphy
    "Surahi" in samrup rachna calligraphy

References

  1. ^ "About Hindi-Urdu". North Carolina State University. "About Urdu". Archived from the original on 2009-08-15. Retrieved 2009-08-09.. Retrieved 2009–08–09.
  2. ^ Michael Huxley (editor) (1935), The Geographical magazine, Volume 2, Geographical Press, https://books.google.com/books?id=Z1xOAAAAIAAJ, "... For new terms it can draw at will upon the Persian, Arabic, Turkish and Sanskrit dictionaries ..."
  3. ^ Royal Society of Arts, Great Britain (1948), Journal of the Royal Society of Arts, Volume 97, https://books.google.com/books?id=fx_SAAAAMAAJ, "... it would be very unwise to restrict it to a vocabulary mainly dependent upon Sanskrit, or mainly dependent upon Persian. If a language is to be strong and virile it must draw on both sources, just as English has drawn on Latin and Teutonic sources ..."
  4. ^ Robert E. Nunley, Severin M. Roberts, George W. Wubrick, Daniel L. Roy (1999), The Cultural Landscape an Introduction to Human Geography, Prentice Hall, ISBN 0-13-080180-1, https://books.google.com/books?id=7wQAOGMJOqIC, "... Hindustani is the basis for both languages ..."
  5. ^ Hindi by Yamuna Kachru
  6. ^ Students' Britannica: India: Select essays by Dale Hoiberg, Indu Ramchandani page 175 is spoken and understood
  7. ^ "Over distances of calligraphy to a new dimension in the region" (in Urdu). Voice of America. 13 April 2012.
  8. ^ "زبان قربتوں کا ذریعہ نا کہ دوریوں کا".
  9. ^ "Pak lawyer fuses Urdu, Hindi in calligraphy". 1 February 2016.
  10. ^ "TheNews e-paper [Beta Version]". Archived from the original on 2016-03-03. Retrieved 2016-02-24.
  11. ^ "Unique linguistic art book launched". www.thenews.com.pk.
  12. ^ a b c "case – The Express Tribune Epaper". epaper.tribune.com.pk.
  13. ^ Desk, Web (22 February 2016). "Hindi-Urdu fusion in unique calligraphic art – TheNewsTribe". {{cite web}}: |last= has generic name (help)
  14. ^ "Jang Multimedia Karachi". Archived from the original on 2016-03-09. Retrieved 2016-02-24.
  15. ^ a b c آباد, شیراز حسن بی بی سی اردو ڈاٹ کام، اسلام. "'زبان کو مذہب سےجوڑنا زبان سے ناانصافی ہے'". BBC News اردو.
  16. ^ Isaac Taylor (2003), History of the Alphabet: Aryan Alphabets, Part 2, Kessinger Publishing, ISBN 9780766158474, https://books.google.com/books?id=kLlBuOybNMQC, "... In the Kutila this develops into a short horizontal bar, which, in the Devanagari, becomes a continuous horizontal line ... three cardinal inscriptions of this epoch, namely, the Kutila or Bareli inscription of 992, the Chalukya or Kistna inscription of 945, and a Kawi inscription of 919 ... the Kutila inscription is of great importance in Indian epigraphy, not only from its precise date, but from its offering a definite early form of the standard Indian alphabet, the Devanagari ..."
  17. ^ The Cambridge History of Islam, By P. M. Holt, et al., Cambridge University Press, 1977, ISBN 0521291380, p. 723.
  18. ^ Urdu VOA (13 April 2012). "Syed Mohammad Anwar – Calligraphy Artist" – via YouTube.
  19. ^ "A book of unique calligraphy | Pakistan Observer". Archived from the original on 2016-03-21. Retrieved 2016-03-18.
  20. ^ Cheung, Yat-Shing (1992). "The form and meaning of digraphia: the case of Chinese". In K. Bolton and H. Kwok. Sociolinguistics Today: International Perspectives. London: Routledge.
  21. ^ "Hindi-Urdu is a single spoken language' - ePaper - DAWN.COM". epaper.dawn.com.
  22. ^ Syed Mohammed Anwer (17 May 2010). "The Hindi-Urdu question". The News International.
  23. ^ "Mother languages literature fair begins amid festivity". Archived from the original on 2016-03-02. Retrieved 2016-02-23.
  24. ^ a b "UrduTribe | The Urdu Lifestyle Magazine » دنیا کے انوکھے آرٹ کے خالق سے ملیے". Archived from the original on 2016-03-02.
  25. ^ "'Language has no religion': Pakistani lawyer fuses Urdu, Hindi in calligraphy – The Express Tribune". 3 February 2016.
  26. ^ "Syed Mohammad Anwar - Calligraphy Artist". YouTube.
  27. ^ "Samrup Rachna Exhibition PKG by Fatima Batool.MPG". YouTube.
  28. ^ "Kuch Khaas: Calligraphic Expression of Apni-Boli by Dr. Syed Mohammed Anwer". YouTube.
  29. ^ "Dr.Syed Mohammed Anwer speaking on diversity of Languages at World Local Languages Day". YouTube.
  30. ^ "SAMRUP RACHNA VOA , Art for Peace by Dr.Syed Muhammad Anwer". YouTube.
  31. ^ "'زبان کو مذہب سےجوڑنا زبان سے ناانصافی ہے'". 20 February 2016.
  32. ^ "Aman Ki Asha – 2nd Indo-Pak Business meeting Lahore Declaration of Aman ki Asha conference".
  33. ^ "Cosmopolitanism and National Identities - the World of South Asian Scripts - the University of Chicago Library".
  34. ^ https://indianexpress.com/web-stories/art/art-exhibition-aims-to-give-peace-a-chance-by-means-of-callig raphy/
  35. ^ "Department of Hindi Panjab University Chandigarh ਪੰਜਾਬ ਯੂਨੀਵਰਸਿਟੀ ਚੰਡੀਗੜ੍ਹ पंजाब विश्वविद्यालय चंडीगढ़ पंजाब यूनिवर्सिटी चंडीगढ़ Chandigarh India".
  36. ^ "'The support that I am getting from the art community is heartening': Prayag Shukla". 27 October 2021.
  37. ^ "Vinod Bhardwaj".
  38. ^ "M S C Satya Sai Archives".
  39. ^ https://www.hindustantimes.com/cities/chandigarh-news/roundabout-words-twine-pine-to- send-notes-of-love-peace-101661632162225.html
  40. ^ "Islamabad Bar Association » DSC_4954 copy". Archived from the original on 2016-03-03. Retrieved 2016-02-23.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Samrup_Rachna&oldid=1121142198"