|Died||February 5, 1729
|Fields||Mathematician, hydraulics, graphics and typography|
|Institutions||France under Louis XIV|
|Known for||Proportion of typefaces, plane tiling, sundials, channels, weapons|
|Influenced||Pierre Simon Fournier, François-Ambroise Didot, Giovanni Battista Bodoni|
Father Sebastian Truchet (French: Père Sébastian Truchet, 1657 – February 5, 1729), born Jean Truchet, was an eclectic Dominican priest born in Lyon and lived in Louis XIV times. He is known for being active in areas such as mathematics, hydraulics, graphics, typography, and for many inventions.
Truchet was born in 1657.
In 1693, he was selected by Abbé Bignon to assist his commission investigating the feasibility of compiling a description of all France's artistic and industrial processes for the minister Colbert. For his assistance, he was named an honoraire of the French Royal Academy in 1699.
Truchet died on February 5, 1729, with the Descriptions of the Arts and Trades still incomplete.
Alongside the royal typographer Jacques Jaugeon, Truchet studied the proportions of typefaces using the French line (1⁄12 French inch), a measurement derived from silversmithing. The commission then invented the first typographic point, using minute fractions of the line to create a bitmap that could be used to mathematically describe and italicize metal type. Their system had unnecessarily great precision relative to the accuracy with which fonts could actually be cut. Further, it did not match the sizes of the fonts then in use. Fournier subsequently corrected these failings, using a larger point with greater compatibility with existing forms of type.
The commission also designed the Romain le roi ("King's Roman"), which influenced Philippe Grandjean and through him the popular Times New Roman fonts. Other typographic innovations in the work of the commission involved the use of both bitmap and vector representations of letter shapes, tabulations of font metrics, and oblique font faces.
In 1699, at the second public meeting of the French Academy, Truchet spoke on the motion of falling bodies, and nearly 20 years later he was one of several scientists to confirm Newton's model of the separation of white light into colors.
Inspired by decorations he had seen on the canals, Truchet studied decorative patterns on ceramic tiles. One particular pattern that he studied involved square tiles split by a diagonal line into two triangles, decorated in contrasting colors. By placing these tiles in different orientations with respect to each other, as part of a square tiling, Truchet observed that many different patterns could be formed. This model of pattern formation was later taken up by Fournier, and is now known to mathematicians and designers as Truchet tiling.
- Sturdy, David J. (1995), Science and Social Status: The Members of the Académie des Sciences, 1666–1750, Woodbridge: St Edmundsbury Press for the Boydell Press, p. 301, ISBN 0-85115-395-X.
- André, Jacques; Girou, Denis (1999). "Father Truchet, the typographic point, the Romain du roi, and tilings" (PDF). TUGboat 20 (1): 8–14.
- Sturdy, David J. (1995). Science and Social Status: The Members of the Académie Des Sciences 1666–1750. Boydell Press. p. 294. ISBN 9780851153957.
- Rowlinson, J. S. (2002). Cohesion: A Scientific History of Intermolecular Forces. Cambridge University Press. p. 26. ISBN 9780521810081.
- Smith, Cyril Stanley (1987). "The tiling patterns of Sebastian Truchet and the topology of structural hierarchy". Leonardo 20 (4): 373–385. doi:10.2307/1578535. With a translation of Truchet's text by Pauline Boucher.
- Ilin, M. (1932). What time is it? The story of clocks. George Routledge & Sons. p. 83.. Translated by Béatrice Kincead.
- Sébastien Truchet biography: http://jacques-andre.fr/faqtypo/truchet/index.html
- Deepening on "Roman Du Roi" font: http://ilovetypography.com/2008/01/17/type-terms-transitional-type/