Sevastopol Sketches

From Wikipedia, the free encyclopedia
  (Redirected from Sevastapol Sketches)
Jump to: navigation, search
Sevastopol Sketches
noborder
Tolstoy during the Crimean War, c. 1854.
Author Leo Tolstoy
Original title Севастопольские рассказы (Sevastopolskiye rasskazy)
Translator Frank D. Millet
Country Russia
Language Russian
Subject Crimean War, philosophy of war
Publication date
1855
Published in English
1887 (Harper)
Pages 240 p. (Paperback)

Sevastopol Sketches (Russian: Севастопольские рассказы, Sevastopolskiye rasskazy) are three short stories written by Leo Tolstoy and published in 1855 to record his experiences during the Siege of Sevastopol (1854–1855). The name originates from Sevastopol, a city in Crimea. The book has also been released under the anglicized title The Sebastopol Sketches and is sometimes titled Sevastopol Stories. These brief "sketches" formed the basis of many of the episodes in Tolstoy's magnum opus, War and Peace.

Sketches[edit]

Sevastopol in December[edit]

In Sevastopol in December, Tolstoy uses second person narrative (with the pronoun 'you') in an introductory tour of life in Sevastopol. The detailed tour is arguably similar to one Tolstoy may have been given upon arrival in Sevastopol in November, 1854. As part of the tour, the narrator takes you though the dressing station, which is a makeshift hospital in the Assembly Hall. Here you find wounded soldiers, amputees, "some of them on camp beds, but most of them lying on the floor".[1] Tolstoy also uses Sevastopol in December to introduce the reader to the settings, mannerisms, and background he uses in Sevastopol in May and Sevastopol in August. For example, when referring to the enemy, either the British or the French, but only the French are featured in the Sketches; they are referred to as "'him', as both soldiers and sailors say" (Tolstoy 198).

Sevastopol in May[edit]

In Sevastopol in May, Tolstoy examines the senselessness and vanity of war. The story examines many aspects of the psychology of war, heroism, and the misleading presence of humanism in truces (misleading because countries continuously go to war with one another, despite past truces). Tolstoy concludes by declaring that the only hero of his story is truth.

Sevastopol in August[edit]

References[edit]

  1. ^ Tolstoy, Leo. The Cossacks and Other Stories. London, New York. Penguin, 2006. 188. Print.

External links[edit]