Solnør
Solnør is a Norwegian farm in Skodje in Møre og Romsdal county.[1]
The farm has been known since the Middle Ages because it was a subordinate estate,[2] known as Giskegods.[3][4] The farmhouse was built by the officer Ludvig Daae (1792–1879) in 1825 and it received protected status in 1939.[1] The house has a double-room layout with a central corridor, and the exterior has a classical symmetrical style with a large dormer and the main entrance in the middle of the facade. The door frame has a classical style with an arch over the top and columns.[5]
The farm was purchased by Ludvig Daae in 1820,[6] and it was taken over by his son, the politician Ludvig Daae; the two men were the uncle and cousin of Suzannah Ibsen. During his travels in Western Norway in the summer of 1862, Henrik Ibsen visited his wife's relatives at Solnør. The farm may have served as an inspiration for his play Rosmersholm[7] (it may also have been inspired by the Molde farm in Molde and the parsonage farm in Herøy, where Suzannah grew up).[8] Ibsen arrived at Solnør on July 16, 1862 and also became acquainted with the local historian Peder Fylling there. Ibsen copied or received a collection of local oral traditions from Fylling.[9][10]
Magdalene Thoresen, Ibsens mother-in-law, was also at Solnør and met Peder Fylling. Thoresen used the lore that Fylling provided her with in her volume Billeder fra Vestkysten af Norge (Pictures from the West Coast of Norway, 1872).[11][12]
Ludvig Daae hired the young Ivar Aasen as a private teacher for his children. It was during his time at Solnør that Ivar Aasen formulated his Nynorsk program in the essay "Om vort Skriftsprog" (Our Written Language).[13] Aasen had previously taught at the home of Hans Conrad Thoresen, Ludvig Daee's brother-in-law and Ibsen's father-in-law. Aasen spent seven years at Solnør, and during that time he began studying the Sunnmøre dialect and also studied the plant life in the area.
References[edit]
- ^ a b Bratberg, Terje. "Solnør". Store norske leksikon. Retrieved March 4, 2018.
- ^ Olsvig, Viljam (1912). Ludvig Holbergs unge dage: med forskjellige bidrag til det historiske tidsbillede. Kristiania: Gyldendal. p. 63.
- ^ Crawford, Barbara Elizabeth; Smith, Beverley Ballin (1999). The Biggings, Papa Stour, Shetland: The History and Excavation of a Royal Norwegian Farm. Edinburgh: Society of Antiquaries of Scotland. p. 31.
- ^ Pálsson, Hermann; Fenton, Alexander (1984). The Northern and Western Isles in the Viking World: Survival, Continuity, and Change. Edinburgh: J. Donald Publishers. p. 57.
- ^ Sylthe, Christ Allan (1989). "Freda bygningar på Sunnmøre". Tidsskrift for Sunnmøre historieforening. 65: 129–138.
- ^ Apelseth, Arne; Burgess, Peter J.; Monsson, Odd (1996). "Ivar Aasen, 'det norske' og 'det europeiske'". Tidsskrift for Sunnmøre historielag. 72: 39–62.
- ^ Landsverk, Johanne (2007). "Kona til Ibsen påverka Ibsens drama". Apollon. Retrieved March 5, 2018.
- ^ Teateret Vårt (1996). Rosmersholm. Molde: Teateret Vårt.
- ^ Sørås, Odd (1993). "'Rike-Brit', Vestnes-presten og Henrik Ibsen". Romsdal Sogelag årsskrift: 7–29.
- ^ Sulebust, Jarle (2006). "Ibsen på Sunnmøre: Peder Fylling, Henrik Ibsen og norsk folketro og folkediktning". Årbok for Sunnmøre: tidsskrift for Sunnmøre historielag. 82: 9–11.
- ^ Grøvik, Ivar (1968). "Peder Fylling – ein føregangsmann". Tidsskrift for Sunnmøre historielag. 43–44.
- ^ Østvedt, Einar (1972). Høyfjellet i Ibsens liv og diktning: Henrik Ibsens egne tegninger og malerier. Skien: Oluf Rasmussens forlag. p. 93.
- ^ Sørbø, Jan Inge (August 2, 2013). "Ivar Aasen om Aasen-mytane". Dag og tid. Retrieved March 7, 2018.