Svetlana Makarovič

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Svetlana Makarovič
Svetlana Makarovic.jpg
Svetlana Makarovič in August 2011 at Ljubljana Town Hall
Born (1939-01-01) 1 January 1939 (age 75)
Maribor, Slovenia
Occupation Writer, poet, actress, illustrator and chanteuse
Nationality Slovenian

Svetlana Makarovič (born 1939) is a Slovenian writer of prose, poetry, children's books, and picture books, and is also an actress, illustrator and chanteuse. She has been called "The First Lady of Slovenian poetry."[1] She is also noted for borrowing from Slovenian folklore to tell stories of rebellious and independent women.[2] She is well-known adult and youth author. Her works for youth have become a part of modern classic and youth canon, which both hold a special place in history of the Slovenian youth literature. She won the Levstik Award for Lifetime Achievement in 2011.[3]

Biography[edit]

Makarovič finished secondary school for pre-school teachers in Ljubljana. In the early 1960s she began with study of various humanistic sciences (psychology, pedagogics, ethnology and foreign languages), she played piano in various cafes and for a short period she was a secretary and teacher for children with special needs. In 1968, she finished her study at Academy for Theatre, Radio, Film and Television. She was an actress in the Ljubljana city Theatre and the Slovene National Theatre. She is a freelance writer since 1970.[4]

Works[edit]

Adult works[edit]

Makarovič started publishing her works in magazines and newspapers in 1957. Her first poem, In the Black Pavement (Slovene: V črnem tlaku) was published in the magazine Mlada pota ("Young Paths"; 1952–1962). Other poems and magazines, in which she published, were: Naša sodobnost ("Our Contemporaneity"; 1953–1963),[5][6] Tribuna ("The Tribune"; 1951–),[7] Problemi ("Problems"; 1962, 1963),[8] Perspektive ("Perspectives"; 1960–1964), Sodobnost ("Contemporaneity"; 1963–)[9] and Dialog ("The Dialogue").

Her first poem collection, called Somrak ("Twilight"), was published in 1964. This one, as well as her all other works in the second half of the 1950s and early 1960s, follows the predominant path of the Slovenian lyric poetry from Intimism to Modernism. In the collection Kresna noč ("The Midsummer Night"; 1968), she expressed her personal poetics based on traditional poetic forms. Her folk poetry based poems present a new expression of existential crisis of modern man. In the beginning of the 1970s, her poetry became more harsh in terms of form. Tragical and balad mood was the prevailing one. An example is the collection of poems Bo žrl, bo žrt ("Will Eat, will be Eaten"; 1998). She peaked creatively with her collection Srčevec ("The Heart Potion"; 1973) and the anthology Izštevanja ("Count Out"; 1977). Her poem anthology, Samost ("Aloneneness") was self-published in 2002.

In February 2012, Svetlana Makarovič published a ballad fairy tale, titled Sneguročka ("Snegurochka"), which was inspired by the Russian fairy tale character Snegurochka. Makarovič has had great passion for Russian tradition since childhood.[10]

Youth poetry[edit]

Makarovič started releasing her youth works after 1970. In her prose works, she developed her own individual style, which is known for its original naming of characters: the witch Sophie (coprnica Zofka, the hen Emily (kokoška Emilija, the baker Mišmaš (pek Mišmaš and others. These characters have premeditated character with archetypical motive of leaving home, hurt child, orphan child.

Svetlana Makarovič writes predominantly modern animal stories (picture books Pekarna Mišmaš ("Mišmaš Bakery"; 1974)[11] and Sapramiška ("Sapramouse"; 1976), collections Take živalske ("Such Animal Ones"; 1973), Mačja preja ("Cat Yarn"; 1992) and Veveriček posebne sorte ("A Special Kind of Squirrel"; 1994)), with primarily myth-based main characters, as well as fantastic fiction (Haramija; 2005). The protagonists are animals, living in a special world and who have similar characteristics as human (they talk and act like them). The reality in the stories is not idealised. It includes cruel, selfish, envious people; gossips, grown-ups who limit children's playfulness – the reasons why these animals go through moments of loneliness, despair and sadness. Noticeable innovation of her works are taboos (e.g. sex and elimination)[12] Škrat Kuzma dobi nagrado ("Kuzma the Gremlin Wins a Prize"; 1974) and Coprnica Zofka (1989) are regarded as stories with primarily myth-based main characters. Her stories point out, in its very core, non-understanding and non-acceptance of difference. Representative fantastic stories are Kosovirja na leteči žlici ("Cosies on the Flying Spoon"; 1974), Kam pa kam kosovirja? ("Where to, Oh Where to, Cosies"; 1975) and Mi, kosovirji ("We, Cosies"; 2009). The storyteller is taking the side of free being and opposes rules and demands of authorities. Some of her works were tape recorded (Pekarna Mišmaš (1976), Sapramiška (1986), Čuk na palici ("Owl on the Stick"; 1988), Mali kakadu ("The Little Cockatoo"; 1989), Sovica Oka ("Oka the Owl"; 1992) and others).

Curriculum for Slovenian language at schools[edit]

Her works have been recommended in Curriculum for Slovene language[13] (2011): Jaz sem jež ("I'm a Hedgehog"), Čuk na palici, Pismo ("A Letter"), Sovica Oka, Papagaj in sir ("The Parrot and the Cheese"), Zajček gre na luno ("The Bunny Goes to the Moon"), Razvajeni vrabček ("Spoilt Little Sparrow"), Pod medvedovim dežnikom ("Under the Bear's Umbrella"), Jazbec in ovčka ("The Badger and the Sheep"), Prašičkov koncert ("The Pig Concert"), Pekarna Mišmaš, Coprnica Zofka, Kosovirja na leteči žlici, Miška spi ("The Mouse Sleeps"), Volk in sedem kozličkov ("The Wolf and the Seven Little Goats"), Kam pa kam, kosovirja, Jutro ("The Morning").

Music participation[edit]

She published some chanson books, e.g. Krizantema na klavirju ("Chrysanthemum on piano"; 1990). She performed with her own works on author musical recitals before invitation-only audience. The subject of her chansons is very alike to the one in her poems. The difference is that in her chansons it is represented with more humor. It reaches in the field of modern family upbringing, social habits, moral norms and social conventions. She recorded a CD of her own interpretations of her chansons: Nočni šansoni; Dajdamski portreti (1998), Namesto rož ("Instead of Flowers"; 1999), Pelin žena ("Poison Woman"; 1999).[4]

She also wrote lyrics for some evergreens: Mesto mladih , Na na na (Neca Falk), V Ljubljano (Marjana Deržaj)[14] and intro song for a movie Sreča na vrvici (Marjeta Ramšak).

Cooperation with the Ljubljana Puppet Theatre[edit]

Her work named Sovica Oka was introduced in 1972 on the stage of Ljubljana Puppet Theatre.[15] Sapramiška is a puppet show which was played most times. It was first performed in 17 October. 1986. Svetlana Makarovič cooperated with LGL in many ways – she wrote and put music to lyrics; wrote and adapted text, made the designs for puppets and sets; she even performed sometimes. She played a part in 31 shows; she was a host in Italy, Austria, Mexico, Australia, and Croatia.

Selection of stage acts from Svetlana Makarovič[edit]

  • Sovica Oka, 1972 (author and adaptation) (Oka the Owl)
  • Hiša tete Barbare, 1975 (author) (The Aunt Barbara's House)
  • Pekarna Mišmaš, 1977 (author, text adaptation) (The Mišmaš Bakery)
  • Igra o letu, 1983 (author) (The Flying Game)
  • Mačja prodajalna, 1984 (author, music, role) (Cat Store)
  • Mrtvec pride po ljubico, 1986 (author) (Dead Man Comes for his Mistress)
  • Sapramiška, 1986 (author, roles /Sapramiška, Regica, aunt Grizelda/, music) (Sapramouse)
  • Mi, kosovirji, 1988 (author, text adaptation) (We, the Cosies)
  • Korenčkov Palček, 1989 (author, roles /Sapramiška, Kukavec, Regica, Belouška Jarmila/, music, puppet design) (The Carrot Dwarf)
  • Gal med lutkami, 1992 (author, music, puppet design) (Gal among Puppets)
  • Medena pravljica, 1994 (direction, author,vloge /Sapramiška, Regica, Zajček/, glasba, likovna zasnova lutk, likovna zasnova scen) (Honey Fairy Tale)
  • Jólakötturinn, 1997 (direction, translation and adaptation of text, song texts, adaptation of Iceland music motifs, music performance, roles (Jartruda, Mačkursson, Gryla)
  • Kokoška Emilija, 1997 (direction, author, role /kokoška Kika/, music, music arrangement) (The Hen Emily)
  • Tacamuca, 1998 (author, music) (Catty Paw)

Criticism of Slovenian society[edit]

Svetlana Makarovič quit the Slovene Writers' Association, because she disagreed with the standards for allocation of membership. She believed that the main criterion should be quality, not quantity. She defied official publishers, claiming they only exploit authors. Besides that, she strived for social rights of freelance artists. She stood up for the founding of a new, opened to pluralism and only-literature dedicated magazine (1980), but did not cooperate with Nova revija, which started to come out in 1982. Current political and ideological issues supposedly pushed out the art. She forbade publishing of her works in any anthologies or school books, based on her belief that her black and deathlike poetry would be a big reason that young people hate literature. She regards her works not as national goods but as a protected author property. She opposes communist saying that art is for all people. She declined her placement in the Anthology of Slovenian female writers, because the criterion was gender and not quality.[4]

She expresses her criticism of her social environment through columns.[16] In 2000, she declined the public reception of the Prešeren Award.

Slovenceljni[edit]

Makarovič perceives image of Slovenes as cold-hearted, primitive, hypocritical and servile. She contemptously calls them Slovenceljni.[10] In her satirical poems Pesmi o Sloveniji za tuje in domače goste ("Poems about Slovenia for Domestic and Foreign Guests"; 1984), she disintegrated mythicised self-image of Slovenes using quite witty irony. She portrayed them as narcissistic, primitive, aggressive on the inside, naive on the outside through travesty of popular tale of Martin Krpan and through allusion on Holy Bible. She mocked the same image in her chansons, collected in Krizantema na klavirju (1990)[4]

Anti-Catholic stance[edit]

In January 2012, Svetlana Makarović caused a controversy with her statement: "In my opinion the Catholic Church in Slovenia is something one must hate. I feel it as my civic duty." The statement was part of an interview published by the Planet Siol.net web portal.[17]

The Council of Lay Catholics of Slovenia designated the statement "crooked, primitive and unacceptable", and in contradiction with the Constitution of Slovenia.[18] The office of the Human Rights Ombudsman in Slovenia as well as the Slovenian police have received several initiatives for intervention. The office did not take a stance in this particular case, but has denounced all forms of publicly expressed hatred and intolerance pointed towards individuals and individual groups due to their personal circumstances. Zdenka Čebašek Travnik, the ombudsman, explained: "For me as a person and the human rights ombdusman, it is unacceptable that the artist used her gift in such a harsh way, which hurts and wounds people." Nataša Pirc Musar, the Information Commissioner of the Republic of Slovenia, did not study the case as it was out of her jurisdiction, but condemned the statement. Aleš Gulič, the director of the Office for Religious Communities, explained that he does not see the statement as a call to lynch and added: "It's not nice what the poet said, but actually, she was just angered due to the acts that are really controversial, and due to the concealement of these acts. From her statements, I've only read her personal stance towards the Catholic Church as an institution."[19]

Bibliography[edit]

Adult poetry[edit]

  • Somrak, Cankarjeva založba, 1964 COBISS 735031 (Twilight)
  • Kresna noč, DZS, 1968 COBISS 2035976 (Midsummer night)
  • Volčje jagode, Obzorja, 1972 COBISS 7036673 (Wolfberries)
  • Srčevec, Cankarjeva založba 1973 COBISS 7931905
  • Pelin žena, Mladinska knjiga, 1974 COBISS 8474625 (Poison Woman)
  • Vojskin čas (pesniški list), Založništvo Tržaškega tiska, 1974 COBISS 7115009 (Time of the Army)
  • Izštevanja, Cankarjeva založba, 1977 COBISS 10117377 (Count out)
  • Pesmi (besedila sodobnih jugoslovanskih pisateljev / Svetlana Makarovič, Niko Grafenauer, Tomaž Šalamun), Mladinska knjiga, 1979 COBISS 11433729 (Poems)
  • Sosed gora, Obzorja, 1980 COBISS 18300160 (Neighbour mountain)
  • Pesmi o Sloveniji za tuje in domače goste, Lutkovno gledališče, 1984 COBISS 1122590 (Poems of Slovenia for foreign and domestic guests)
  • Svetlana Makarovič, France Mihelič – Pesmi Svetlane Makarovič in Risbe Franceta Miheliča, Cankarjeva založba, 1987 COBISS 92471
  • Krizantema na klavirju. Šansonska besedila Svetlane Makarovič, Printing, 1990 COBISS 21714688 (Chrysanthemum on piano)
  • Tisti čas, Mladika, 1993 COBISS 34033152 (That time)
  • Bo žrl, bo žrt (izbrane pesmi), Mladinska knjiga 1998 COBISS 75903232 (Will eat, will be eaten)
  • Samost, samozaložba, 2002 COBISS 115857664 (Aloneness)

Adult prose[edit]

  • Prekleti kadilci, Center za slovensko književnost, 2001 COBISS 110859008 (Damn smokers)
  • S krempljem podčrtano, Center za slovensko književnost, 2005 COBISS 7772980 (Underlined with a claw)
  • Saga o Hallgerd, Arsem, 2010 COBISS 252384512 (The Hallger Saga)

Youth literature[edit]

  • Maček Titi, Samozaložba, 1980 COBISS 63025 (Titi the Cat)
  • Gal v galeriji, Mladinska knjiga, 1981 COBISS 19585537 (Gal in the gallery)
  • Dedek mraz že gre, Lutkovno gledališče, 1982 COBISS 311838 (Dedek Mraz is coming)
  • Krokodilovo kosilo: pesnitev – grozovitev, samozaložba, 1983 COBISS 10431537 (Crocodile lunch: poem – dreadness)
  • Čuk na palici, Delavska enotnost, 1986 COBISS 16260865 (Owl on the stick)
  • Črni muc, kaj delaš?, Dokumentarna, 1987 COBISS 2672898 (Black cat, what are you doing?)
  • Kaj bi miška rada?, Dokumentarna, 1987 COBISS 2673410 (What would a mouse want?)
  • Poprtnjački, Dokumentarna, 1988 COBISS 2492930 (Clothers)
  • Kaj lepega povej, DZS, 1993 COBISS 37062656 (Tell me something nice)
  • Show strahov: pesnitev grozovitev, DZS, 1995 COBISS 50371584 (The fear show: poem – dreadness)
  • Veliki kosovirski koncert, Lutkovno gledališče, 2001 COBISS 110869760 (The grand kosovirian concert)
  • Strahec v galeriji, Narodna galerija, [2003 COBISS 124647424 (Spook in the gallery)
  • Mačnice, Center za slovensko književnost, 2006 COBISS 228643072 (Catters)
  • Coprniški muc: pesnitev coprnitev, Miš, 2008 COBISS 238920448 (Witchy Cat: poem of witcherness)

Prose and poetry works[edit]

  • Kosovirja na leteči žlici, Mladinska knjiga, 1974 COBISS 295454 (Kosovirs and flying spoon)
  • Kam pa kam, kosovirja?, DZS, 1975 COBISS 1111048 (Where to, Kosovirs?)
  • Mačje leto, Dokumentarna, 1987 COBISS 93239 (Year of the Cat)
  • Zajčkovo leto, Državna založba Slovenije, 1993 COBISS 33629184 (Year of the bunny)
  • Mi, kosovirji, Miš, 2009 COBISS 245904640 (We, the Kosovirs)

Storytelling for youth[edit]

Fairy tale collections

  • Miška spi, Mladinska knjiga, 1972 COBISS 8669953 (Sleepin mouse)
  • Take živalske, Borec, 1973 COBISS 2652161 (Those beastlies)
  • Vrček se razbije, Mladinska knjiga, 1975 COBISS 9129473 ((Jug is broken)
  • Glavni petelinček, Mladinska knjiga, 1976 COBISS 9308417 ((The chief rooster)
  • Vrtirepov koledar: 1977, Partizanska knjiga, 1976 COBISS 19116801 ((Tailwhippers calendar)
  • Pravljice iz mačje preje, Borec, 1980 COBISS 2657537 ((Cat yarn fairy tales)
  • Mačja preja, Mladika, 1992 COBISS 32244992 ((Cat yarn)
  • Smetiščni muc in druge zgodbe, Mladinska knjiga, 1999 COBISS 104616192 ((The garbage tomcat and other stories)
  • Svetlanine pravljice = Svetlana's fairytales, Miš, 2008 COBISS 241976832 ((Svetlana's fairytales)

Author translations and adaptions[edit]

Discography[edit]

Albums[edit]

Awards[edit]

Recognition awards[edit]

Awards[edit]

References[edit]

  1. ^ The Columbia literary history of Eastern Europe since 1945 by Harold B. Segel, pgs 241–242
  2. ^ History and poetics of intertextuality by Marko Juvan, pg 159
  3. ^ STA
  4. ^ a b c d (Novak Popov: 2006)
  5. ^ Pesem Midva, Naša sodobnost (1959)dLib
  6. ^ Pesem Nokturno, Naša sodobnost (1959) dLib
  7. ^ Makarovič, Lirika mladih, Tribuna: list slovenskih študentov, 1963, letnik 13, št. 19, Tribuna str. 6 dLib
  8. ^ Makarovič, Pesmi, Problemi: revija za kulturo in družbena vprašanja, 1962/1963, letnik 1, št. 2, str. 156 dLib
  9. ^ Pesem Mlinska vešča, Sodobnost (1963–) dLib
  10. ^ a b "Svetlana Makarovič o temni lepoti, ki se rodi iz gorja" [Svetlana Makarovič About a Dark Beauty, Which is Born from Woe] (in Slovenian). MMC RTV Slovenia. 16 February 2012. 
  11. ^ http://books.google.com/books?id=MtRgzgAACAAJ&dq=svetlana+makarovi%C4%8D&hl=sl&ei=fXH8TZOrG87tsgaR4tXtDQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDIQ6AEwAg
  12. ^ (Novak Popov: 2006).
  13. ^ Učni načrt za slovenščino
  14. ^ Intervju, Irena Pan, Jana, 6. 1. 2009
  15. ^ http://www.lgl.si/
  16. ^ Recenzija knjige S krempljem podčrtano, zbirke časopisnih kolumn iz Naših Razgledov (1992–1993), Jane[[{{subst:DATE}}|{{subst:DATE}}]] [disambiguation needed] (1994) in Sobotne priloge Dela (2004).
  17. ^ Stojiljković, Gordana (6 January 2012). "Nekatere stvari je treba sovražiti" [Some Things Must be Hated]. Planet Siol.net (in Slovenian) (TSmedia, medijske vsebine in storitve, d. o. o.). 
  18. ^ "Makarovičin sovražni govor: Pirc Musarjeva ne bo podala ovadbe" [The Hate Speech of Makarovič: Pirc Musar will not File a Criminal Complaint] (in Slovenian). MMC RTV Slovenia. 25 January 2012. 
  19. ^ "Varuhinja: Svetlana Makarovič je talent uporabila na način, ki prizadeva in rani ljudi" [The Ombudsman: Svetlana Makarovič Used her Talent in a Way that Hurts and Wounds People] (in Slovenian). MMC RTV Slovenia. 25 January 2012. 
  20. ^ Makarovičevi in Sepetu naziv častni meščan, Delo, 2011
  21. ^ Sterijino pozorje
  22. ^ Predsednik odlikoval Svetlano Makarovič, 5. 5. 2009

External links[edit]