The Exterminating Angel (film)
|The Exterminating Angel|
El ángel exterminador poster
|Directed by||Luis Buñuel|
|Produced by||Gustavo Alatriste|
|Written by||Luis Buñuel|
|Distributed by||Gustavo Alatriste|
|Running time||93 minutes|
The Exterminating Angel (Spanish: El ángel exterminador), is the second Buñuel film of the Buñuel/Alatriste/Pinal film trilogy, written and directed by Luis Buñuel, starring Silvia Pinal, and produced by her then-husband Gustavo Alatriste.
Following his long exile from Spain, since the Spanish Civil War (1936–39), Luis Buñuel was invited back to his country of origin in 1960 by General Francisco Franco and asked to direct a movie of his choice. Buñuel wrote and directed Viridiana, which starred Silvia Pinal and was produced by her then husband, Gustavo Alatriste. It was the first film Buñuel made in his native country. Released in 1961, the film sparked controversy both in Spain and the Vatican, and as a result all existing negatives were ordered to be destroyed. The film, however, won the Palme d'Or at the 1961 Cannes Film Festival, and copies of the film that had been shipped to Paris survived and were subsequently distributed. Viridiana would be released in Spain 16 years later, in 1977.
Following the Viridiana scandal, Buñuel returned to Mexico, but kept his production team and decided to make another movie starring Pinal. The film, originally called The Outcasts of Providence Street, was renamed The Exterminating Angel after Buñuel picked it from an unfinished play his friend José Bergamín was writing at the time. The film was released in Mexico in 1962, and was just as controversial as its predecessor had been.
Buñuel would complete a trilogy of sorts working with Pinal and Alatriste in a third film released in 1965 - Simon of the Desert.
During a formal dinner party at the lavish mansion of Señor Edmundo Nobile and his wife, Lucia, the servants unaccountably leave their posts until only the major-domo is left. After dinner the guests adjourn to the music room, where one of the women, Blanca, plays a piano sonata. Later, when they might normally be expected to return home, the guests unaccountably remove their jackets, loosen their gowns, and settle down for the night on couches, chairs and the floor.
By morning it is apparent that, for some inexplicable reason, they are psychologically, but not physically, trapped in the music room. Unable to leave, the guests consume what little water and food is left from the previous night's party. Days pass, and their plight intensifies; they become quarrelsome, hostile, and hysterical - only Dr. Carlos Conde, applying logic and reason, manages to keep his cool and guide the guests through the ordeal. One of the guests, the elderly Sergio Russell, dies, and his body is placed in a large cupboard. Béatriz and Eduardo, a young couple about to be married, lock themselves in a closet and commit suicide.
The guests manage to break open a wall enough to break a water pipe. Eventually, several sheep and a bear break loose from their bonds and find their way to the room; the guests take in the sheep and proceed to slaughter and roast them on fires made from floorboards and broken furniture. Dr. Conde reveals to Nobile that one of his patients, Leonora, is dying from cancer and accepts a secret supply of morphine from the host to keep her fit. The supply of drugs is however stolen by Francis and Juana, a brother and sister. Ana, a Jew and a practitioner of Kabbalah, tries to free the guests by performing a mystical ceremony, which fails.
Eventually, Raúl suggests that Nobile is responsible for their predicament and that he must be sacrificed. Only Dr. Conde and the noble Colonel Alvaro oppose the angry mob claiming Nobile's blood. As Nobile offers to take his own life, a young, foreign guest, Letitia (nicknamed "La Valkiria") sees that they are all in the same positions as when their plight began. Obeying her instructions, the group starts reconstructing their conversation and movements from the night of the party and discover that they are then free to leave the room. Outside the manor, the guests are greeted by the local police and the servants, who had left the house on the night of the party and who had similarly found themselves unable to enter it.
To give thanks for their salvation, the guests attend a Te Deum at the cathedral. When the service is over, the churchgoers along with the clergy are also trapped. It is not entirely clear though, whether those that were trapped in the house before are now trapped again. They seem to have disappeared. The situation in the church is followed by a riot on the streets and the military step in to brutally clamp down on the rioters. The last scene shows a pack of sheep entering the church in a row, accompanied by the sound of gunshots.
- Silvia Pinal as Leticia 'La Valkiria'
- Enrique Rambal as Edmundo Nobile
- Claudio Brook as Julio, Mayordomo; Steward
- José Baviera as Leandro Gomez
- Augusto Benedico as Carlos Conde; Doctor
- Antonio Bravo as Sergio Russell
- Jacqueline Andere as Alicia de Roc
- César del Campo as Alvaro, Coronel; Colonel
- Rosa Elena Durgel as Silvia
- Lucy Gallardo as Lucía de Nobile
- Enrique García Álvarez as Alberto Roc
- Ofelia Guilmáin as Juana Avila
- Nadia Haro Oliva as Ana Maynar
- Tito Junco as Raúl
- Xavier Loyá as Francisco Avila
- Xavier Massé as Eduardo
In the 2011 film Midnight in Paris the main character, Gil (Owen Wilson), travels back in time to 1920s Paris and suggests a story to a perplexed young Buñuel (Adrien de Van) about guests who arrive for a dinner party and can’t leave. Buñuel asks, "But why can’t they leave? I don’t understand." After Gil leaves, Buñuel is still muttering to himself, "...What's holding them in the room?..."
The alternative rock band The Creatures have a song called "Exterminating Angel".
A 1995 episode of the sitcom One Foot in the Grave is called "The Exterminating Angel", in reference to a scene in the episode in which a large number of characters are trapped in a conservatory (though unlike the film, they are physically locked in).
This film received the FIPRESCI award of the international critics and the Screenwriters Guild at the 1962 Cannes Film Festival. At the 1963 Bodil Awards, the film won the Bodil Award for Best Non-European Film.
- The Film Critics of the New York Times (2004). "The Best 1,000 Movies Ever Made". The New York Times. Retrieved 21 March 2010.
- "Festival de Cannes: Viridiana". festival-cannes.com. Retrieved 2009-02-22.
- "Festival de Cannes: The Exterminating Angel". festival-cannes.com. Retrieved 2009-02-22.
- "Amerikanske film". bodilprisen.dk. Retrieved 2011-10-23.