The Girl on the Train

Not to be confused with The Girl in the Train.

The Girl on the Train
Theatrical release poster
Directed by	André Téchiné
Written by	André Téchiné Odile Barski Jean-Marie Besset
Starring	Emilie Dequenne Catherine Deneuve Michel Blanc
Music by	Philippe Sarde
Cinematography	Julien Hirsch
Editing by	Martine Giordano
Distributed by	Strand Releasing
Release date(s)	18 March 2009 (2009-03-18)
Running time	105 minutes
Country	France
Language	French
Budget	5.834380 €
Box office	$1,538,762

The Girl on the Train (French: La fille du RER) is a 2009 French drama film directed by André Téchiné, starring Emilie Dequenne, Catherine Deneuve and Michel Blanc. The plot centers on an aimless girl who lies about being the victim of a hate crime.

Plot

Jeanne Fabre, a carefree loner, spends her time rollerblading through Paris and job-hunting, a nuisance she endures to indulge her widowed mother, Louise, who runs a day-care center out of their house. As they are watching a news program on television about anti-semitic attacks, Louise recognizes the person on TV: Samuel Bleistein, a prestigious Jewish lawyer, who was many years ago in love with her. Louise arranges a job interview for her daughter at Bleistein’s law firm.

On his part, Samuel Bleistein receives the visit of his son Alex, who has comes to Paris to celebrate his son Nathan’s upcoming Bar mitzvah. Alex's encounter with his ex-wife Judith, who is Samuel’s assistant, is tense since they do no get along.

Jeanne’s job interview is a disaster. Evidently she is ill qualified and badly prepared. Unfazed by the interview, Jeanne resumes rollerblading and unexpectedly meets Franck a young wrestler, who takes an instant interest on her. A relationship ensues and the couple eventually move-in together when Franck finds a job as the caretaker in an electrical shop in the owner’s absence. The place turns out to contain hidden drugs and Franck is badly wounded in a fight with a drug dealer, who flees. The police let Jeanne go but arrest Franck, who rejects her when she visits him at the hospital. He knows she was lying the whole time during the relationship about having a job. Heartbroken and angered, she goes home to live with her mother. During the night, she wakes up from her bed and grabs a black marker. Drawing three swastikas on her body, she then grabs a knife and proceeds to cut herself. She then grabs a pair of scissors and cuts off part of her hair. She then sneaks quietly outside into the night. She alleges to have been brutally attacked by hoodlums on the RER suburban train because they thought she was Jewish. The incident becomes a huge national cause celebre. Louise, however, guesses that her daughter has been lying.

Meanwhile Alex, indisposed towards his ex wife, decides not to go to Nathan’s upcoming Bar Mitzvah. Judith begs him to reconsider. Behind their mutual apparent animosity, they still love each other. At his hotel room, they make love and reconcile.

Louise, convinced that her daughter is lying about the attack on the train, asks Samuel for help. Samuel suggests that they hear this through, and wants her to come and stay at his house for the night. Louise and Jeanne board a train and travel to meet Samuel and his family at his house country by a lake. At Samuel’s house, Nathan accuses Jeanne of lying about the whole affair. When all gather for dinner, Jeanne repeats the same story she told the police: that six youths approached her and, assuming she was Jewish (which she is not), proceeded to beat her. After some extensive questioning, she decides to call it a night, but runs away and crosses a lake. Nathan helps Jeanne when it starts to rain hard and invites her into his little shack, a safe haven to get away from his parents once in a while. He notices she is all wet, and has her take off her clothes. Jeanne strips down and sits next to the fireplace with Nathan. She shows him her scars, as he still does not believe her story, but confesses in the end she made it up. Nathan convinces her to confess she lied. The next morning Jeanne tells the truth. Samuel has her write an apology. They travel back to Paris by train and Samuel and Louise share one more goodbye.

Jeanne goes to the police and is put in jail for 48 hours as punishment for her serious false statements. When Franck is interviewed about Jeanne, Franck says he was in love with her, despite her lying, and would do it all over again given the chance.

Samuel attends Nathan’s Bar Mitzvah, where he sees the television footage of the reporters interviewing Louise. When they asked about how her daughter knew the name of Bleistein Louise lies and says she does not know. Jeanne returns to live with her mother. She receives a postcard from Nathan, who is in love with her. Jeanne takes on rollerblading down the street.

Cast

• Emilie Dequenne as Jeanne
• Catherine Deneuve as Louise
• Michel Blanc as Samuel Bleistein
• Mathieu Demy as Alex
• Ronit Elkabetz as Judith
• Nicolas Duvauchelle as Franck
• Jérémie Quaegebeur as Nathan

Production

The Girl on the Train has its genesis on a real life case that made headlines in France. Marie Leonie Leblanc, a woman in her twenties, walked into a police station in Paris on 9 July 2004 claiming she had been the victim of an antisemitic attack on a suburban RER train. According to her account, six men of North African descent ripped her clothes, cut some of her hair and daubed a swastika on her stomach, knocking over the pram containing her baby. Fellow passengers did nothing to help. The case provoked national outrage for its virulent antisemitism; politicians and the media seized on the incident. President Jacques Chirac, condemned the "shameful act", while Israel's prime minister Ariel Sharon advised French Jews to emigrate to Israel to avoid " the wildest antisemitism". Four days later Leblanc, who was not Jewish herself, admitted she had made the whole affair up. The revelation that the incident was a total invention created consternation and further outrage, particularly criticized was the media sensational exploration of the affair.

The case inspired Jean-Marie Besset's 2006 play RER which in turn was the base for Téchiné's film script. Téchiné was interested in what he calls " human truth" behind the case." " I wanted to explore the genealogy of a lie, how it came to being. That's why I divided the film into two parts. The first is the circumstances, so you see the context under which the young woman was able to construct her lie. You see the difference elements that she takes from the context around her and puts into. Bleinstein, whose name she has taken. Its the name on the business card found in her bag, which she claims is the reason for being attacked. That was how I constructed the story."

Téchiné cast in the leading role Belgian actress Emilie Dequenne, known intentionally for her starring role in the Cannes Film Festival winner film Rosetta (1999). " I didn't want Jeanne to be depressive or a melancholic character" Téchiné explained. " I wanted her to be physical and athletic, which is why we came up with the idea of her rollerblading. It's significant that she falls in love with a top class athlete, which is based on the fact that the girl's real life lover was an athlete. And alongside her athleticism, Emilie has a day dreaming quality. In real life she is about 30, but in the film she looks much younger and more childlike."

Reception

The film garnered a favorable critical reaction, holding a fresh rating of 79% on Rotten Tomatoes. Critics single out the performances of Emilie Dequenne. Metacritic gave the film an average score of 68/100, indicating "generally favorable reviews". James Berardinelli from ReelViews called the film "a compelling piece of cinema". In his review for Los Angeles Times, Kevin Thomas wrote: " The movie seems likely to be about anti-Semitism, but that's more the occasion than the subject". Mick LaSalle from the San Francisco Chronicle commented that "What it's really about - and this sounds so boring, and so nothing, when in fact it's really rather wonderful - is people. Just regular people, a mother and daughter, whose lives are observed with economy and precision, and with an eye for the telling detail and the tense, revealing moment." In Variety Ronnie Scheib said that in the Girl on the Train "Téchiné fashions a brilliantly complex, intimate multi-strander, held together but somewhat skewed by the central performance of Emilie Dequenne." Steven Rea from the Philadelphia Inquirer commented that "Presented with an economy and emotional cool that add to, rather than subtract from, its dramatic impact, The Girl on the Train reverberates with a quiet, seductive power." In the New York Times Manohla Dargis called the film "A seductive drama."

External links

• La fille du RER at the Internet Movie Database