The Player
| The Player | |
|---|---|
Theatrical release poster |
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| Directed by | Robert Altman |
| Produced by | David Brown Michael Tolkin Nick Wechsler |
| Written by | Michael Tolkin |
| Starring | Tim Robbins Greta Scacchi Fred Ward Whoopi Goldberg Peter Gallagher Brion James Cynthia Stevenson Vincent D'Onofrio |
| Music by | Thomas Newman |
| Cinematography | Jean Lepine |
| Editing by | Geraldine Peroni |
| Studio | Avenue Pictures Spelling Entertainment |
| Distributed by | Fine Line Features |
| Release date(s) | April 3, 1992 (Cleveland) April 10, 1992 |
| Running time | 124 minutes |
| Country | United States |
| Language | English |
| Budget | $8 million |
| Box office | $21,706,100 |
The Player is a 1992 American satirical film directed by Robert Altman from a screenplay by Michael Tolkin based on his own 1988 novel of the same name.[1] It is the story of Hollywood studio executive Griffin Mill (Tim Robbins) who murders an aspiring screenwriter he believed was sending him death threats.
The film is loaded with film references and Hollywood insider jokes and functions as a critique of a movie business that treats artists poorly and sacrifices quality for commercial success. It may seem surprising that around sixty Hollywood celebrities agreed to play themselves in the film, but Altman himself insisted, "It is a very mild satire," offending no one.[2]
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[edit] Plot
Griffin Mill (Tim Robbins) is a studio executive dating story editor Bonnie Sherow (Cynthia Stevenson). He hears story pitches from screenwriters and decides which have the potential to be made into films, green-lighting only 12 out of 50,000 submissions every year. His job is endangered when up-and-coming story executive Larry Levy (Peter Gallagher) begins working at the studio. Mill has also been receiving threatening postcards, assumed to be from a screenwriter whose pitch he rejected.
Mill surmises that the disgruntled writer is David Kahane (Vincent D’Onofrio). Mill lurks around Kahane's home and is told by Kahane's girlfriend, June Gudmundsdottir (Greta Scacchi), whom he watches while talking to her on the phone, that Kahane is at a showing of The Bicycle Thief. Mill goes to the theater, pretending to recognize Kahane after the film and offering him a scriptwriting deal, hoping this will stop the threats. The two go to a nearby bar and have some drinks. Kahane gets intoxicated and rebuffs Mill’s offer; he calls Mill a liar, pointing out that Mill only saw the last five minutes of The Bicycle Thief, and denying responsibility for sending Mill postcards. Kahane continues goading Mill about his job security at the studio. In the bar's parking lot the two men fight and Mill kills Kahane in a rage, making the death look like a robbery gone wrong.
The next day, Mill receives another postcard. Mill attends Kahane’s funeral and gets along with June; she knows none of the other mourners. Studio chief of security Walter Stuckel (Fred Ward) confronts Mill about the murder and says that the police know Mill was the last one to see Kahane alive. Detectives Avery (Whoopi Goldberg) and DeLongpre (Lyle Lovett) suspect Mill is guilty of murder. They question him and DeLongpre keeps an eye on him. Mill receives a postcard from the writer suggesting they meet at a club. While Mill is waiting, he is cornered by two screenwriters who pitch Habeas Corpus, a film featuring no major stars and with a depressing ending. Leaving the club, Mill receives a fax from the stalking writer in his Range Rover, advising him to look under his raincoat, where he discovers a live rattlesnake.
The near-death experience makes Griffin realize he has feelings for June. Having persuaded Bonnie to leave for New York on studio business, Griffin takes June to a Hollywood awards banquet and their relationship blossoms. Apprehensive that Levy continues encroaching on his job, Mill phones Levy and invites the two writers to pitch Habeas Corpus. Mill convinces Levy that the scenario is good and the movie will be an Oscar contender. Mill plans to let Levy shepherd the film through production and have it flop. Mill will step in at the last moment, suggesting some changes to salvage the film’s box office, letting him reclaim his position at the studio.
Mill asks June to go away with him to Acapulco, and Bonnie confronts him about his relationship with June. At the airport, Griffin discovers DeLongpre with police officers patrolling the terminal. He pretends to have left his passport at home and suggests a change of plans to June, and the pair head for an isolated desert resort and spa. During their weekend, Griffin and June consummate their relationship. Mill receives a call from his attorney, who informs him that studio head Joel Levison (Brion James) has been fired, and the police want Mill to participate in a lineup. An eyewitness has come forward who claims to have seen the murder and can identify the assailant. Mill gains a reprieve when the witness identifies DeLongpre, who was placed in the lineup with the other suspects.
One year later, studio power players are watching the end of Habeas Corpus with its tacked-on upbeat ending. Mill's plan to "save" the movie worked and he is head of the studio. June is now Griffin's wife and pregnant with his child. Bonnie objects to the changes and is fired, a decision Griffin does not overrule; he rebuffs Bonnie when she appeals her termination to him. Mill receives a pitch over the phone from a man who reveals himself as the postcard writer. The man pitches an idea about a studio executive who kills a writer and gets away with murder. Mill recognizes the pitch as blackmail and gives the writer a deal. The writer’s title for the film is The Player.
[edit] Cast
- Tim Robbins as Griffin Mill
- Greta Scacchi as June Gudmundsdottir
- Fred Ward as Walter Stuckel
- Whoopi Goldberg as Detective Avery
- Peter Gallagher as Larry Levy
- Brion James as Joel Levison
- Cynthia Stevenson as Bonnie Sherow
- Vincent D'Onofrio as David Kahane
- Dean Stockwell as Andy Civella
- Richard E. Grant as Tom Oakley
- Sydney Pollack as Dick Mellon
- Lyle Lovett as Detective DeLongpre
- Dina Merrill as Celia
[edit] Cameos
Most of the notable Hollywood actors who appeared as themselves in the film received no payment for their cameo appearances.[2]
[edit] Production
Altman had troubles with the Hollywood studio system in the 1970s after a number of studio films (McCabe & Mrs. Miller, The Long Goodbye) lost money or had trouble finding audiences despite the critical praise and cult adulation they received. Altman continued to work outside the studios in the late 1970s and throughout the 1980s, often doing small-budget projects or filmed plays to keep his career alive. The Player was a comeback to making films in Hollywood, although it was distributed by Fine Line Features rather than a major studio (though FLF in itself was a division of New Line Cinema, Fine Line was reorganized into Picturehouse in 2005). It ushered in a new period of filmmaking for Altman, who continued on to an epic adaptation of Raymond Carver's short stories, Short Cuts (1993).
[edit] Opening sequence shot
The opening sequence shot lasts 7 minutes and 47 seconds without a single camera break. Fifteen takes were required to shoot this scene, which pays homage to Orson Welles' Touch of Evil and Alfred Hitchcock's Rope (which are both mentioned during the scene).
[edit] Reception
The film received critical acclaim; Altman won a number of European best-director awards (the BAFTA, Best Director at the 1992 Cannes Film Festival)[3] and he was nominated for an Academy Award and a Golden Globe as best director (the film won the Golden Globe for best "comedy or musical"). Tolkin was nominated for a Screenwriting Academy Award, and he received an Edgar Award for Best Motion Picture Screenplay. Geraldine Peroni was nominated for the Academy Award for Film Editing. Tim Robbins also won the Golden Globe for "best actor in a comedy or musical" and the Best Actor at the Cannes Film Festival.[3]
American Film Institute recognition:
- AFI's 100 Years... 100 Laughs - Nominated[4]
[edit] References
- Notes
- ^ Tolkin, Michael, "The Player", 1st ed., New York : Atlantic Monthly Press, 1988. ISBN 0871132281
- ^ a b DVD commentary on The Player.
- ^ a b "Festival de Cannes: The Player". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/15/year/1992.html. Retrieved 2009-08-15.
- ^ AFI's 100 Years...100 Laughs Nominees
[edit] External links
- The Player at the Internet Movie Database
- The Player at the TCM Movie Database
- The Player at AllRovi
- The Player at Box Office Mojo
- The Player at Rotten Tomatoes
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- 1992 films
- American films
- English-language films
- 1990s comedy films
- American comedy films
- American satirical films
- Films directed by Robert Altman
- Best Musical or Comedy Picture Golden Globe winners
- Edgar Award winning works
- Films about film directors and producers
- Films about filmmaking
- Films based on novels
- Films featuring a Best Musical or Comedy Actor Golden Globe winning performance
- Films set in Los Angeles, California
- Films shot in California
- Films shot in Los Angeles, California
- Metafictional works
- Self-reflexive films
- New Line Cinema films
- Hollywood in fiction