The Reluctant Dragon

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For the 1941 Disney film, see The Reluctant Dragon (film).

"The Reluctant Dragon" is an 1898 children's story by Kenneth Grahame (originally published as a chapter in his book Dream Days), which served as the key element to the 1941 feature film with the same name from Walt Disney Productions. The story has also been set to music as a children's operetta by John Rutter, with words by David Grant. In 1960, it was presented as a live-action episode starring John Raitt as St. George, on the television anthology The Shirley Temple Show. On March 21, 1968, Burr Tillstrom and Kukla, Fran and Ollie starred in a puppet version on NBC. In 1970–1971, it formed part of the anthology television program The Reluctant Dragon and Mr. Toad Show. In 1987, Cosgrove Hall Films adapted it for Thames ITV. In 2008 Tony DiTerlizzi wrote Kenny & the Dragon as a tribute to Grahame's story, including naming the two heroes Kenneth and Grahame.

Plot[edit]

The story takes place in the Berkshire Downs in Oxfordshire (where the author lived and where, according to legend, St George did fight a dragon). It is Grahame's most famous short story. It is arguably better known than Dream Days itself or the related The Golden Age.[1] It can be seen as a prototype to most modern stories in which the dragon is a sympathetic character rather than a threat.[2]

In Grahame's story, a young boy discovers an erudite, poetry-loving dragon living in the Downs above his home. The two become friends, but soon afterwards the dragon is discovered by the townsfolk, who send for St George to rid them of it. The boy introduces St George to the dragon, and the two decide that it would be better for them not to fight. Eventually, they decide to stage a fake joust between the two combatants. As the two have planned, St George harmlessly spears the dragon through a shallow fold of skin suggested by the dragon, and the townsfolk rejoice (though not all of them, as some had placed bets on the dragon winning). St George then proclaims that the dragon is reformed in character, and he assures the townsfolk that the dragon, he is not dangerous. So the dragon is then accepted by the people.

Reviews[edit]

One scholar describes the book as "a story about language", such as the "dialect of the illiterate people", and the "literary aspirations of the dragon".[3] The story also has an opening scene in which a little girl named Charlotte (a character from Grahame's The Golden Age) and a grown-up character find mysterious reptilian footprints in the snow and follow them, eventually finding a man who tells them the story of the Reluctant Dragon; two abridged versions (one by Robert D. San Souci and illustrated by John Segal and another abridged and illustrated by Inga Moore) both omit this scene. A New York Times review by Emily Jenkins notes that this framework is somewhat long-winded and might cause some parents to worry about whether the story can keep children's attention. However, she finds the unabridged version preferable to both abridgments (although she says that "Moore retains the pure joy of the author's descriptive passages").[4]

Peter Green, in his 1959 biography of Grahame, writes that while the story can be viewed as a satire like Don Quixote, the characters can be seen on a deeper level as representing different sides of the author himself: St. George represents Grahame as a public servant who works for the Establishment while the Dragon represents his anarchic, artistic, and anti-social side.[5]

References[edit]

  1. ^ Sale, Roger (1978). Fairy Tales and After. Harvard University Press. p. 167. ISBN 0-674-29157-3. 
  2. ^ Blount, Margaret (1974). Animal Land: The Creatures of Children's Fiction. New York: William Morrow & Company. p. 117. ISBN 0-688-00272-2. 
  3. ^ Lerer, Seth (2008). Children's Literature. University of Chicago Press. p. 220. ISBN 0-226-47300-7. 
  4. ^ Jenkins, Emily (2004-10-17). "Abridging 'The Reluctant Dragon'". The New York Times. Retrieved 2008-11-04. 
  5. ^ Green, Peter (1959). Kenneth Grahame: A Biography. Great Britain: John Murray. pp. 182–183. 

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