The Vicar of Bray
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- For alternative meanings, see: Vicar of Bray (disambiguation).
The Vicar of Bray is a satirical description of an individual fundamentally changing his principles to remain in ecclesiastical office as external requirements change around him. The religious upheavals in England from 1533 to 1559 and from 1633 to 1715 made it almost impossible for any individual to comply with the successive religious requirements of the state.
A satirical 18th century song, "The Vicar of Bray", recounts the career of a vicar of Bray, Berkshire, towards the end of this period and his contortions of principle in order to retain his ecclesiastic office despite the changes through the course of several monarchs from Charles II to George I. A comic opera covers a later period in 18th century history, while a film set in Bray, County Wicklow, in Ireland, covers Charles I, the English Civil War, the Commonwealth of England, The Protectorate, and restoration of Charles II.
Several individuals have been proposed as the model for the Vicar of Bray.
- Thomas Fuller and the English dramatist Richard Brome argue that the model for the song was the 16th century cleric and vicar of Bray, Berkshire, Simon Aleyn (1540–1588), who lived in the reigns of Henry VIII, Edward VI, Mary, and Elizabeth.
- The most frequently sung words refer to 17th-century monarchs. Therefore, a later proposed model is Simon Simonds, who was an Independent in the Protectorate, a Church of England cleric under Charles II, a Roman Catholic under James II, and a moderate Anglican under William and Mary.
- Francis Carswell, who is buried in the church of Bray, was Vicar of Bray for 42 years, dying in 1709, and so lived through the period relevant to the song.
- Other candidates include Thomas Barlow (1607–1691), bishop of Lincoln; Timothy Bray (1480–1539), abbot of Heath, Derbyshire; and Edmund Waller (1606–1687), poet and politician.
Description of the song and lyrics
In the song, "The Vicar of Bray", the eponymous vicar was the clergyman of St Michael's Church, Bray. The most familiar version of the lyrics recount his adaptability (some would say amorality) over half a century, from the reigns of Charles II to George I. Over this period, he embraced whichever form of liturgy, Protestant or Catholic, was favoured by the monarch of the day in order to retain his position as vicar of Bray.
The following lyric is a version of the song recorded by Richard Dyer-Bennet in 1955:
- In good King Charles' golden time, when loyalty no harm meant,
- A zealous high churchman was I, and so I gained preferment.
- To teach my flock, I never missed: Kings are by God appointed
- And damned are those who dare resist or touch the Lord's annointed!
- And this be law, that I'll maintain until my dying day, sir
- That whatsoever king may reign, Still I'll be the Vicar of Bray, sir.
- When royal James possessed the crown, and popery came in fashion,
- The penal laws I hooted down, and read the Declaration.
- The Church of Rome, I found, did fit full well my constitution
- And I had been a Jesuit, but for the Revolution.
- When William was our King declared, to ease the nation's grievance,
- With this new wind about I steered, and swore to him allegiance.
- Old principles I did revoke; Set conscience at a distance,
- Passive obedience was a joke, a jest was non-resistance.
- When Royal Anne became our queen, the Church of England's glory,
- Another face of things was seen, and I became a Tory.
- Occasional conformists base; I blamed their moderation;
- And thought the Church in danger was from such prevarication.
- When George in pudding time came o'er, and moderate men looked big, sir
- My principles I changed once more, and I became a Whig, sir.
- And thus preferment I procured From our new Faith's Defender,
- And almost every day abjured the Pope and the Pretender.
- The illustrious House of Hanover and Protestant succession
- To these I do allegiance swear - while they can hold possession.
- For in my faith and loyalty I never more will falter,
- And George my lawful king shall be - until the times do alter.
The Vicar of Bray is an 1882 comic opera by Sydney Grundy and Edward Solomon. The opera is based on the character described in the 18th century song, as well as on The History of Sandford and Merton, a series of 18th century moral tales.
1937 film version
A film version of the tale was released in 1937 starring Stanley Holloway as the vicar. In the film, the vicar (of Bray, County Wicklow in Ireland) is given a more positive character and events are placed at a slightly earlier period, during the English Civil War. He successfully protects his parishioners by adopting a diplomatic approach during the turbulent events and secures forgiveness for moderate rebels from the restored Charles II.
The Tower of Bray is also referenced in the song Parlour Songs in the Stephen Sondheim musical, Sweeney Todd, although the song has been removed from more recent performances of that musical. George Orwell wrote an essay called A Good Word for the Vicar of Bray.
Vicar of Bray is the name of the last known surviving Whitehaven wooden-built ship. It was launched on 22 April 1841 by Robert Hardy.
- The Vicar of Bray at the Internet Movie Database
- Wilson, David Sloan and Scott K. Gleeson. A Big Book on Sex (1982) Society for the Study of Evolution
- Tannenbaum, Emmanuel and José F. Fontanari. "A quasispecies approach to the evolution of sexual replication in unicellular organisms", Theory in Biosciences, Springer: Berlin/Heidelberg, ISSN 1431-7613, Issue Volume 127, Number 1, March 2008
- "Vicar of Bray", MyWhitehaven.net, 6 December 2007