Wilhelmine Schröder-Devrient

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Not to be confused with Wilhelmine Schröder.
Wilhelmine Schröder-Devrient
Wilhelmine Schröder-Devrient

Wilhelmine Schröder-Devrient, born Wilhelmine Schröder (6 December 1804 – 26 January 1860), was a German operatic soprano. As a singer, she combined a rare quality of tone with dramatic intensity of expression, which was as remarkable on the concert platform as in opera.

Biography[edit]

Schröder was born in Hamburg, the daughter of the actress Sophie Schröder and the tenor Friedrich Schröder.[1]

Her first role was at the age of 15 as Aricia in Schiller's translation of Racine's Phèdre, and in 1821, aged 17, she was received with so much enthusiasm as Pamina in Mozart's The Magic Flute that her future career in opera was assured.[1]

In 1823, she married Karl Devrient, becoming known as Wilhelmine Schröder-Devrient, but separated from him in 1828. Meanwhile she had maintained her popularity at Dresden and elsewhere. She made her first Paris appearance in 1830, and sang in London in 1833 and 1837.[1]

Richard Wagner claims to have seen her as Leonore in Fidelio when he was 16, but this is almost certainly fanciful. He did hear (and conduct) her in numerous roles after 1834, however, and continued to laud her stage artistry right up until his essay "On Actors and Singers" (1872) which is dedicated to her memory. She created several roles for Wagner – Adriano in Rienzi, Senta in The Flying Dutchman and Venus in Tannhäuser. Had Wagner's political profile not been compromised by his involvement with the Dresden uprising in May 1849, Schröder-Devrient would have created Elsa in Lohengrin which was advertised in 1849 as a forthcoming production in Dresden.

In 1847 she married a Mr Döring, an officer, but divorced him in 1848. She took part in the Revolution of 1848 and the May Uprising in Dresden and was later imprisoned. In 1850 she married Heinrich von Bock, a wealthy Livonian land owner, but left him in 1852.

She died in Coburg, Germany, on 26 January 1860.

Apocryphal memoirs[edit]

After her death, a two-volume work entitled Memoiren einer Sängerin (Memoirs of a [female] singer), purporting to be her erotic memoirs, was published in two instalments in 1868 and 1875. The first volume is a plausible account of her sex life, though various discrepancies with known facts have led many to doubt its complete veracity. The erotic adventures contained in the second volume, however seem to descend into complete sexual fantasy. These include the author indulging in lesbian sadomasochism, group sex, sodomy, bestiality, scatology, necrophilia, prostitution, and vampirism: all before she had reached the age of 27. Whether true or not, this work is Germany's most famous work of erotic literature, many times reprinted, and translated into English as Pauline the Prima Donna.[2]

Bibliography[edit]

  • Glümer, Claire von (de) (1862). Erinnerungen an Wilhelmine Schröder-Devrient. Leipzig.
  • Wolzogen, Alfred von (1863). Wilhelmine Schröder-Devrient. Leipzig.
  • Pleasants, Henry (1966/81). The Great Singers. New York.
  • Kutsch, Karl Josef and Riemens, Leo (2000). Großes Sängerlexikon. Munich.

References[edit]

  1. ^ a b c Chisholm 1911.
  2. ^ Clifford J. Scheiner (1996) The Essential Guide to Erotic Literature, Part One: Before 1920. Ware: Wordsworth: 91–113. ISBN 978-1-85326-630-0
Attribution

 This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Schröder-Devrient, Wilhelmine". Encyclopædia Britannica (11th ed.). Cambridge University Press. ; Endnotes:

  • E. von Glümer, Erinnerungen an Wilhelmine Schröder-Devrient (Leipzig, 1862)
  • A. von Wolzogen, Wilhelmine Schröder-Devrient (Leipzig, 1863).

External links[edit]