Works of Herbert Maryon
The works of Herbert Maryon (1874–1965) were made in a variety of mediums, were intended to be decorative, functional, or commemorative, and were primarily made during the first four decades of the twentieth century, a span that marked the first half of Maryon's career. Maryon, who in addition to being a sculptor and a goldsmith was also an archaeologist, conservator, author, and authority on ancient metalwork, saw his career as an artist carry him through the Second World War; a second career as a conservator at the British Museum brought him note for his work on the finds from the Sutton Hoo ship-burial.[1][2][3][4]
Maryon designed, executed, and exhibited works while an art student, and as an art teacher.[4] In 1899, while still in school—an education that included studies at the Polytechnic (probably Regent Street), The Slade, Saint Martin's School of Art, and the Central School of Arts and Crafts[4]—Maryon used the Arts and Crafts Exhibition Society's event at the New Gallery to exhibit some of his earliest works: a shield of arms with silver cloisonné, and a silver cup that was designed by William Lethaby,[5] who taught Maryon at the Central School.[6] The following year Maryon became the first director of the Arts and Crafts-inspired Keswick School of Industrial Art, and until his departure in 1904 his work primarily consisted of designs and executions for the school.[4][7] Maryon's pieces for the school ranged from individual commissions to utilitarian tableware; particularly with more functional designs, multiple examples were sometimes executed.[8]
Maryon's career became more academic following his departure from Keswick.[4][9][10][11] During his time teaching sculpture and other forms of art, however—from 1907 until 1927 at the University of Reading, and from 1927 until 1939 at Durham University's Armstrong College—he continued taking commissions.[9][10][11] These included the designs for a statue,[12][13] memorial plaques,[14][15] and at least three war memorials:[16][17] including the University of Reading War Memorial, where Maryon worked.[18][19]
Works
The following is a substantially incomplete list of the works of Herbert Maryon.
Image | Title/Description | Date | Dimensions | Location | Comments |
---|---|---|---|---|---|
Shield of arms with silver cloisonné | 1899 | Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[20] | |||
Silver cup | 1899 | Designed by William Lethaby,[21] Maryon's teacher at the Central School of Arts and Crafts.[6] Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[21] | |||
Knocker | 1900 | Executed by Jeremiah Richardson.[22][23][24] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[22][23] | |||
Winged Victory | c. 1900 | Private collection | Similar to works by Maryon's teacher Alexander Fisher.[25][26] | ||
Copper casket | 1900 | 36.5 × 21.5 × 10 cm | Designed by Maryon; executed by Thomas Spark; ornamented by Thomas Clark and Maryon.[22][23][24] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[22][23] Auctioned in 2005 by Penrith Farmers’ & Kidd's, with an estimate of £800 to £1,200.[27][28] | ||
Enamelled copper box | 3.5 in diameter | Private collection | Sold on eBay twice, in 2008,[29] and in 2017.[30][31] | ||
Bryony | c. 1900–04 | Tray centre, said by a historian of the Keswick School to be "suggestive of tangled growth," and to be influenced by the wallpapers of William Morris.[32] | |||
Loving cup | 1901 | Exhibited at the 1901 Home Arts and Industries Exhibition.[33] | |||
Memorial to Bernard Gilpin | 1901 | 3 5/12 × 2 ft | St Cuthbert's Church, Kentmere | Bronze on oak.[34][35] Commissioned for £15, executed by Thomas Clark.[36] | |
Hot water jug | 1902 | 17 cm high | Private collection | Executed by Robert Temple.[37] Exhibited at the 1902 Home Arts and Industries Exhibition.[38][37] Possibly the same jug pictured on page 71 of Ian Bruce's The Loving Eye and Skilful Hand.[39] | |
Hot water jug | c. 1902 | 20 cm high | Private collection | Executed by Thomas Clark.[39] | |
Copper tea pot | c. 1902 | 12 cm high | Private collection | [39] | |
Silver cup | c. 1902 | Executed by Robert Temple.[40] | |||
Morse in silver and enamel | c. 1902 | Executed by Thomas Clark.[41] | |||
Copper and pewter work | c. 1902 | Executed by Jeremiah Richardson, Thomas Clark, and Robert Temple.[41] The casket may be the 1900 design above. | |||
Silver cream jug and sugar bowl | 1902–03 | 6 cm high | Private collection | Executed by Robert Temple.[39] | |
Altar cross | 1902 | Hexham Abbey | Commissioned for Hexham Abbey in Hexham, and displayed at the 1902 Home Arts and Industries Exhibition.[42][43] | ||
Oxidised silver casket | 1902 | Presented to Princess Louise upon her 1902 visit to the Keswick School.[44] Designed by Maryon; executed by Jeremiah Richardson, Robert Temple, and Thomas Clark; enamelled by Maryon's sister Mildred Maryon.[45] | |||
Copper hot water jug | 1903 | 18.5 cm high; 10 cm diameter (base) | Manchester School of Art Arts and Crafts Museum | Possibly executed by Thomas Clark, whose last name is inscribed on the base. Exhibited at the 1903 Home Arts and Industries Exhibition, and purchased by the Manchester School of Art for its Arts and Crafts Museum.[46] | |
Processional cross | 1903 | [47] | |||
Fire-Irons and Stand | 1904 | Designed by Maryon; executed by Matthew Armstrong.[48] Displayed at the Leeds City Art Gallery for the 1904 Arts and Crafts Exhibition Society exhibition, where it was priced at £10 10s.[48] | |||
Silver loving cup | c. 1904 | 1.5 × 1 ft (without plinth) | Commissioned by the Cumberland County Council for presentation to HMS Cumberland.[49][50][51] Presented by Albert Grey, 4th Earl Grey in August 1905.[52] | ||
Processional cross | c. 1904 | Executed by members of the Keswick School.[49][50] Featured in The Studio in December 1905.[49][50] | |||
Silver challenge shield | c. 1904 | Executed by members of the Keswick School.[53][54] Featured in The Studio in December 1905.[53][54] | |||
Victory | 1906 | Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £7 7s.[55] | |||
Mermaid Ring | 1906 | Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £5 5s.[56] | |||
Silver chalice | 1906 | Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £5 5s.[57] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[58] | |||
Silver cup: "St. George" | 1906 | Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £12 12s.[57] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[58] | |||
Pewter tray | 1906 | Executed by Matthew Armstrong.[59] Displayed with three other items from the Keswick School at the 1907–07 New Zealand International Exhibition in Christchurch.[59] | |||
Child's bowl with signs of the zodiac in repoussé | 1910 | Displayed at the Grafton Galleries for the 1910 Arts and Crafts Exhibition Society exhibition.[60][61] | |||
Pan pipes | 1914 | Statuette. Exhibited at the Royal Academy of Arts in 1914.[62] | |||
East Knoyle War Memorial | 1920 | East Knoyle | Unveiled on 26 September 1920.[17][63] | ||
Mortimer War Memorial | 1921 | Mortimer Common | Unveiled on 9 October 1921.[16] | ||
Chorlton Road Congregational Church war memorial | 1923 | Gilded bronze.[64] Erected in Chorlton Road Congregational Church (later Chorlton Road United Reformed Church; demolished c. 2010–14) in Manchester.[64] Displayed in The Builder in April 1923.[64] | |||
University of Reading War Memorial | 1924 | University of Reading | Unveiled in June 1924.[18][19] | ||
Berkshire County Council medal | 1927 | Designed by Maryon.[65] Multiple copies executed. One medal awarded in 1928 to the winner of an egg-laying competing;[66] another awarded in 1929 to the winner of the Annual Farriery Competition, and auctioned in 2012 for £45.[67] | |||
National Pig Breeders' Association medal | 1927 | Designed by Maryon.[68] Multiple copies executed. | |||
University of Reading medal | 1927 | Designed by Maryon.[69] Multiple copies executed. | |||
Merchant Adventurer | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £125.[70] | |||
An Invocation to Isis | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £31 10s.[71] | |||
Shepherd | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[72] | |||
Nymph | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[73] | |||
Garden Figure | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £52 10s.[74] | |||
Statue of Industry | 1929 | Made for the 1929 North East Coast Exhibition, a world's fair held at Newcastle upon Tyne.[12][13] Tarred and feathered on the night of 25 October 1929 by several hundred students from Armstrong College.[12][13] | |||
Memorial to George Stephenson | 1929 | George Stephenson's Birthplace, Wylam | Unveiled 8 June 1929.[14][75][76][77] A replica of the memorial was cast at the works of Sir Archibald Ross,[78] and unveiled in the headquarters of the Institution of Mechanical Engineers on 20 February 1931.[75] | ||
Memorial to Charles Parsons | 1932 | Discovery Museum, Newcastle upon Tyne | Bronze tablet, cast at the Thames Ditton Foundry, mounted on green marble from Connemara.[79] Unveiled on 2 December 1932 at C. A. Parsons and Company.[80][15][81] Sometime after 2003 the building was demolished and the plaque was donated to the Discovery Museum, where as of 2016 there were plans to place it on display.[81] | ||
Memorial to Henry Ayrton Chaplin | St Michael's church, Woodham Walter | [82] |
References
- ^ Easby 1966.
- ^ Who Was Who 2014.
- ^ Bruce-Mitford 1965.
- ^ a b c d e Mapping Sculpture 2011.
- ^ Arts & Crafts Exhibition Catalogue 1899, pp. 49, 91.
- ^ a b International Studio 1908.
- ^ Bruce 2001, pp. 54–76, 95, 137.
- ^ Bruce 2001, pp. 59, 61–62, 65–66, 68–71, 74–77.
- ^ a b Institution of Mechanical Engineers 1918.
- ^ a b Studies in Conservation 1960a.
- ^ a b Studies in Conservation 1960b.
- ^ a b c Manchester Guardian 1933a.
- ^ a b c Manchester Guardian 1933b.
- ^ a b Lake Wakatip Mail 1929.
- ^ a b The Times 1932.
- ^ a b Mortimer War Memorial.
- ^ a b Western Gazette 1920.
- ^ a b Reading University Memorial.
- ^ a b Historic England Reading.
- ^ Arts & Crafts Exhibition Catalogue 1899, p. 49.
- ^ a b Arts & Crafts Exhibition Catalogue 1899, p. 91.
- ^ a b c d Wood 1900a, p. 85.
- ^ a b c d Wood 1900b, p. 85.
- ^ a b Bruce 2001, pp. 55–57.
- ^ Baldry 1900, p. 4.
- ^ Paul Reeves Israfel.
- ^ Cumberland & Westmorland Herald 2005.
- ^ The Salesroom 2005.
- ^ WorthPoint box 2008.
- ^ Delucca 2017.
- ^ WorthPoint box 2017.
- ^ Bruce 2001, pp. 65, 69.
- ^ Gregory 1901, p. 139.
- ^ Northern Counties Magazine 1901, p. 55.
- ^ Bruce 2001, pp. 65, 70.
- ^ Northern Counties Magazine 1901, pp. 54–55.
- ^ a b Bruce 2001, pp. 66, 71.
- ^ Wood 1902, pp. 131–132.
- ^ a b c d Bruce 2001, p. 71.
- ^ The International Studio 1903, p. 211.
- ^ a b The International Studio 1903, p. 212.
- ^ Bruce 2001, pp. 59, 61–62, 74.
- ^ Hexham Abbey Heritage.
- ^ Bruce 2001, pp. 71, 74–75.
- ^ The Magazine of Art 1903, pp. 155–156.
- ^ Bruce 2001, pp. 61, 67.
- ^ The Art Workers' Quarterly 1903, p. 25.
- ^ a b Mapping Sculpture Fire-Irons 2011.
- ^ a b c The Studio 1905, p. 263.
- ^ a b c International Studio 1906, p. 263.
- ^ Bruce 2001, pp. 74, 76–77.
- ^ Curtis 1907, pp. 25–26.
- ^ a b The Studio 1905, pp. 263–264.
- ^ a b International Studio 1906, pp. 263–264.
- ^ Mapping Sculpture Victory 2011.
- ^ Mapping Sculpture Mermaid Ring 2011.
- ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 110.
- ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 68.
- ^ a b New Zealand International Exhibition Catalogue 1906, p. 86.
- ^ "The Studio" Year Book 1909.
- ^ Arts & Crafts Exhibition Catalogue 1910, p. 83.
- ^ Royal Academy of Arts 1914, p. 64.
- ^ Historic England East Knoyle.
- ^ a b c The Builder 1923.
- ^ Berkshire County Council medal 2011.
- ^ OmniCoin Berkshire medal 2012.
- ^ DNW Berkshire medal 2012.
- ^ Pig Breeders medal 2011.
- ^ Mapping Sculpture Reading medal 2011.
- ^ Mapping Sculpture Merchant Adventurer 2011.
- ^ Mapping Sculpture Invocation 2011.
- ^ Mapping Sculpture Shepherd 2011.
- ^ Mapping Sculpture Nymph 2011.
- ^ Mapping Sculpture Garden Figure 2011.
- ^ a b Institution of Mechanical Engineers 1931, pp. 249–250.
- ^ Locomotive Magazine 1929a.
- ^ Locomotive Magazine 1929b.
- ^ The Telegraph 1931.
- ^ The Telegraph 1933.
- ^ The Gazette 1933.
- ^ a b Friends of Discovery Museum 2016.
- ^ Knott 2017.
Bibliography
- "1928–29 UK Berkshire County Council Egg Laying Competition Medal". OmniCoin. 15 May 2013. Retrieved 9 January 2020.
- "Alexander Fisher a bronze sculpture "Israfel"". Paul Reeves. Retrieved 10 January 2020.
- "Art School Notes: Reading". The International Studio. XXXIV (136). New York: John Lane Co.: 342 June 1908.
- "Arts and Crafts". New Zealand International Exhibition, 1906–7: Fine Art Section, Official Catalogue (PDF). Christchurch: Christchurch Press Company Limited. 1906. pp. 58–90.
- "Arts & Crafts Copper/Enamel Trinket Box c. 1910". WorthPoint. 3 August 2008. Retrieved 27 December 2018.
- Baldry, Alfred Lys (June 1900). "The Art of 1900". The Studio. XX (87): 3–36.
- "The Bernard Gilpin Memorial in Kentmere Church". The Northern Counties Magazine. II (7): 2, 54–55. April 1901.
- "British Medals from the Collection of James Spencer, Lot 96". Dix Noonan Webb. 30 May 2012. Retrieved 9 January 2020.
- Bruce, Ian (2001). The Loving Eye and Skilful Hand: The Keswick School of Industrial Arts. Carlisle: Bookcase.
- Bruce-Mitford, Rupert (23 July 1965). "Mr. Herbert Maryon". Obituary. The Times. No. 56381. London. p. 14.
- Catalogue of the Sixth Exhibition. London: Arts & Crafts Exhibition Society. 1899.
- Catalogue of the Eighth Exhibition. London: Arts & Crafts Exhibition Society. 1906.
- Catalogue of the Ninth Exhibition. London: Arts & Crafts Exhibition Society. 1910.
- "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (1). February 1960. JSTOR 1505065.
- "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (2). May 1960. JSTOR 1504958.
- "Chronicle of Art—January". The Magazine of Art. 1: 153–156. 1903.
- Curtis, W. D. (1907). The Log of H.M.S. 'Cumberland'. The Log Series. London: The Westminster Press.
- Delucca, David (8 September 2017). "Herbert James Maryon Hammered Copper & Enamel Oak Tree Box c1900". California Historical Design. Retrieved 27 December 2018.
- Easby, Dudley T. Jr. (July 1966). "Necrology". American Journal of Archaeology. 70 (3). Archaeological Institute of America: 287. JSTOR 501899.
- "East Knoyle War Memorial". The Western Gazette. No. 9557. Yeovil. 1 October 1920. p. 8.
- "Eden and Keswick Links to Antiques and Collectibles". Cumberland & Westmorland Herald. 25 June 2005. Retrieved 18 October 2018.
- The Exhibition of the Royal Academy of Arts. Vol. 146. London: Royal Academy of Arts. 1914.
- "A Fine and Extremely Rare Late Victorian Signed and Documented Keswick School of Industrial Arts (KSIA) Enamelled Copper Casket". The Salesroom. 29 June 2005. Retrieved 18 October 2018.
- "Fire-Irons and Stand". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "Garden Figure". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "George Stephenson Memorial". The Telegraph. No. 18, 205. Brisbane. 13 April 1931. p. 9.
- "George Stephenson Memorial at Wylan". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (442): 202. 15 June 1929.
- "George Stephenson's Birthplace". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (443): 235. 15 July 1929.
- Gregory, Edward W. (June–September 1901). "Home Arts and Industries". The Artist: An Illustrated Monthly Record of Arts Crafts and Industries. XXXI. New York: Truslove, Hanson & Comba: 135–140. doi:10.2307/25581626.
- "Herbert James Maryon". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 13 September 2016.
- "Herbert J. Maryon Hammered Copper & Enamel Oak Tree Box Lot 109". WorthPoint. 4 December 2017. Retrieved 27 December 2018.
- "High Altar Cross". Hexham Abbey Heritage. Retrieved 29 January 2020.
- Historic England. "East Knoyle War Memorial (1438366)". National Heritage List for England. Retrieved 11 October 2018.
- Historic England. "University of Reading War Memorial (1113620)". National Heritage List for England. Retrieved 11 October 2018.
- "Illustrations of Memorial, Birds, Woven hangings, Wood Work, Book Covers, Silver Work, Jewellery, Gesso Work, etc". The Art Workers' Quarterly. II (5): 17–28. January 1903.
- The Institution of Mechanical Engineers (1918). "Herbert James Maryon, in To be considered by the Applications Committee on Wednesday, 24th April, and by the Council on Friday, 3rd May 1918.". Proposals for Membership, Etc. London. pp. 337–339. Retrieved 23 October 2016 – via Ancestry.com.
{{cite book}}
: CS1 maint: location missing publisher (link) - The Institution of Mechanical Engineers (June 1931). "Unveiling of Replica of Tablet Affixed to George Stephenson's Cottage at Wylam-on-Tyne". Proceedings of the Institution of Mechanical Engineers. 120: iv, 249–251. doi:10.1243/PIME_PROC_1931_120_012_02.
- "Inventor of Turbine: Memorial to Sir Charles Parsons Unveiled". The Gazette. No. 51. Montreal. 1 March 1933. p. CLXII.
- "An Invocation to Isis". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- Knott, Simon (12 April 2017). "Take up the White Man's Burden - Henry Chaplin Memorial by Herbert Maryon". Flickr. Retrieved 15 October 2018.
- "Late Sir Charles Parsons: Memorial Unveiled". The Telegraph. Brisbane. 28 January 1933. p. 14.
- "Maryon, Herbert". "The Studio" Year Book of Decorative Art. London: The Studio. 1909. p. 148.
- "Maryon, Herbert". Who Was Who. Oxford University Press. April 2014. Retrieved 13 September 2016.
- "Medal - Berkshire County Council". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 1 February 2019.
- "Medal - National Pig Breeders' Association". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 1 February 2019.
- "Medal - University of Reading". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 1 February 2019.
- "Merchant Adventurer". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "Mermaid Ring". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "Mortimer War Memorial". War Memorials Register. Imperial War Museums. Retrieved 9 October 2018.
- "Nymph". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "Reading University". War Memorials Register. Imperial War Museums. Retrieved 9 October 2018.
- ""Rocket" Centenary: Tablet on George Stephenson's House". Lake Wakatip Mail. No. 3, 909. Queenstown, New Zealand. 6 August 1929. p. 7.
- "Shepherd". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "Sir Charles Parsons Memorial Plaque". Friends of Discovery Museum. 30 October 2016. Retrieved 11 October 2018.
- "Sir Charles Parsons: Memorial Unveiled at Wallsend". Home News. The Times. No. 46308. London. 5 December 1932. pp. 9, 16. Retrieved 25 November 2016.
- "Statue Tarred and Feathered: Outrage in Full View of Crowds". The Manchester Guardian. No. 25, 945. Manchester. 26 October 1929. p. 13.
- "Studio Talk: Keswick". The Studio. XVIII (71): 210–212. January 1903.
- "Studio Talk: Keswick". The Studio. XXXVI (153): 263–264. December 1905.
- "Studio Talk: Keswick". The Studio. XXVII (107): 263–264. January 1906.
- "Tarred Statue of Industry: Sculptor's Defence of his Work". The Manchester Guardian. No. 25, 947. Manchester. 29 October 1929. p. 3.
- "Victory". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 17 February 2020.
- "War Memorial in Gilded Bronze, Erected in Chorlton Road Congregational Church, Manchester". The Builder. CXXIV (4185): 664. 20 April 1923.
- Wood, Esther (June 1900a). "The Home Arts and Industries Exhibition at the Albert Hall". The Studio. XX (87): 78–88.
- Wood, Esther (July 1900b). "The Home Arts and Industries Exhibition at the Albert Hall". The International Studio. XI (41). New York: John Lane Co.: 78–88.
- Wood, Esther (July 1902). "The Home Arts and Industries Association". The Studio. XXVI (112): 129–134.