Cornelis de Bondt: Difference between revisions
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'''Cornelis de Bondt''' (born 9 December 1953) is a [[Netherlands|Dutch]] [[composer]]. Born in [[The Hague]], de Bondt attended the [[Royal Conservatory of The Hague|Royal Conservatory]] there and currently teaches [[Musical composition|composition]] and [[music theory]] at the same institution.<ref>{{cite web |title=Bondt, Cornelis de |publisher=[[Donemus]]|work=Donemus Webshop |url=https://webshop.donemus.com/action/front/composer/Bondt%2C+Cornelis+de |accessdate=22 August 2016}}</ref> |
'''Cornelis de Bondt''' (born 9 December 1953) is a [[Netherlands|Dutch]] [[composer]]. Born in [[The Hague]], de Bondt attended the [[Royal Conservatory of The Hague|Royal Conservatory]] there and currently teaches [[Musical composition|composition]] and [[music theory]] at the same institution.<ref>{{cite web |title=Bondt, Cornelis de |publisher=[[Donemus]]|work=Donemus Webshop |url=https://webshop.donemus.com/action/front/composer/Bondt%2C+Cornelis+de |accessdate=22 August 2016}}</ref> |
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In 2011 all of de Bondt's scores were withdrawn by the composer as a protest against arts funding cuts in the Netherlands. He has stated that he now sees the orchestral "score", the music in fixed notated form, as a symbol of neo-liberalism, and is therefore exploring non-fixed notational methods.<ref> |
In 2011 all of de Bondt's scores were withdrawn by the composer as a protest against arts funding cuts in the Netherlands. He has stated that he now sees the orchestral "score", the music in fixed notated form, as a symbol of neo-liberalism, and is therefore exploring non-fixed notational methods.<ref>[http://www.koncon.nl/en/departments-study-programmes/composition/teachers/532/cornelis-de-bondt.html]</ref> |
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==Works== |
==Works== |
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*''Bint'', written for [[Hoketus]] (1979-1980) |
*''Bint'', written for [[Hoketus]] (1979-1980) |
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*''Karkas'', for large ensemble (1981-1983, first performed Holland Festival, 10 June 2002)<ref> |
*''Karkas'', for large ensemble (1981-1983, first performed Holland Festival, 10 June 2002)<ref>[http://www.hollandfestival.nl/nl/programma/2002/karkas/]</ref> |
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*''The Broken Ear'', cycle of works (1984-1996) |
*''The Broken Ear'', cycle of works (1984-1996) |
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*''Bloed'', for voices and orchestra (1997–2001) |
*''Bloed'', for voices and orchestra (1997–2001) |
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[[Category:1953 births]] |
[[Category:1953 births]] |
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[[Category:Living people]] |
[[Category:Living people]] |
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[[Category:Dutch male classical composers]] |
[[Category:Dutch male classical composers]] |
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[[Category:21st-century classical composers]] |
[[Category:21st-century classical composers]] |
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Revision as of 23:10, 31 January 2017
Cornelis de Bondt (born 9 December 1953) is a Dutch composer. Born in The Hague, de Bondt attended the Royal Conservatory there and currently teaches composition and music theory at the same institution.[1]
In 2011 all of de Bondt's scores were withdrawn by the composer as a protest against arts funding cuts in the Netherlands. He has stated that he now sees the orchestral "score", the music in fixed notated form, as a symbol of neo-liberalism, and is therefore exploring non-fixed notational methods.[2]
Works
Compositions by Cornelis de Bondt include the following:
- Bint, written for Hoketus (1979-1980)
- Karkas, for large ensemble (1981-1983, first performed Holland Festival, 10 June 2002)[3]
- The Broken Ear, cycle of works (1984-1996)
- Bloed, for voices and orchestra (1997–2001)
- Bloed II, written for the Hilliard Ensemble and Netherlands Wind Ensemble (1997–98)
- Die wahre Art, piano concerto (2000)
- Gli toccha la mano, written for Cristina Zavalloni, Orkest de Volharding and Icebreaker (2002)
- Gran Sinfonia – Il tempo giusto, for orchestra (2010)
References
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