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During the first half of the XVIII century the family still maintains its centre of interests in the region South of Siena which remains the city of reference for education, with its university.
During the first half of the XVIII century the family still maintains its centre of interests in the region South of Siena which remains the city of reference for education, with its university.
A member of international relevance is Leonardo [http://www.google.co.uk/books?id=mv8EAAAAQAAJ&pg=PA177&dq=vegni+leonardo+caterina&as_brr=1&hl=it], born from Francesco Vegni and Caterina Apolloni in 1731.
A member of international relevance is Leonardo [http://www.google.co.uk/books?id=mv8EAAAAQAAJ&pg=PA177&dq=vegni+leonardo+caterina&as_brr=1&hl=it], born from Francesco Vegni and Caterina Apolloni in 1731.
[[Image:Devegni.jpg|thumb|400px]]Leonardo, who was pleased to add a "De" to the surname Vegni in order to stress his ancient nobility, graduated with a degree in civil and canon law from the University of Siena in 1750, but he was also very much interested in design, architecture, poetry and science. He invented a new technique for the creation of bas-reliefs: Tartar modelling [La plastica dei tartari], which exploited the cementing properties of the calcareous waters of the Baths of San Filippo. De Vegni opened a factory for the production of bas-reliefs, which the Grand Duke Peter Leopold visited in 1769. He was much esteemed by his contemporaries, not least for his creation of the theatre of Montalcino, the gate at Sole di Chianciano, the Albergotti palace in Arezzo. He also published a series of critical works on architecture. He died in 1801, in Rome. His adopted child, Luigi, continued his works with less success during the first half of the XIX century, and he had no children. The entire collection of engravings and Leonardo's library went lost. Leonardo de Vegni prints of italian arts and landscapes are a rarity for today's antique lovers, and his legacy in architecture is only recently being rediscovered by experts.
[[Image:Devegni.gif|thumb|400px]]Leonardo, who was pleased to add a "De" to the surname Vegni in order to stress his ancient nobility, graduated with a degree in civil and canon law from the University of Siena in 1750, but he was also very much interested in design, architecture, poetry and science. He invented a new technique for the creation of bas-reliefs: Tartar modelling [La plastica dei tartari], which exploited the cementing properties of the calcareous waters of the Baths of San Filippo. De Vegni opened a factory for the production of bas-reliefs, which the Grand Duke Peter Leopold visited in 1769. He was much esteemed by his contemporaries, not least for his creation of the theatre of Montalcino, the gate at Sole di Chianciano, the Albergotti palace in Arezzo. He also published a series of critical works on architecture. He died in 1801, in Rome. His adopted child, Luigi, continued his works with less success during the first half of the XIX century, and he had no children. The entire collection of engravings and Leonardo's library went lost. Leonardo de Vegni prints of italian arts and landscapes are a rarity for today's antique lovers, and his legacy in architecture is only recently being rediscovered by experts.
A first noticeable physician of the family was Ignazio Vegni, son of Giacomo, who studied medicine in Siena, and after a few years at the university was called as court physician to the Grand Ducal Court in Florence.
A first noticeable physician of the family was Ignazio Vegni, son of Giacomo, who studied medicine in Siena, and after a few years at the university was called as court physician to the Grand Ducal Court in Florence.

Revision as of 15:10, 7 December 2007

Vegni is an ancient Italian family from Siena. The origin of the family are, as often, uncertain and with limited documentation. A notary of the royal chamber, called Bencivennis [1], is active in Siena in the first part of the XIII century. The patronymic of Bencivennis (the latin genitive) is used, abbreviated as BCVennis in the documents signed by Luca, a notary, in documents he instructed during late XIII[2]. The surname Bencivennis remains in official documents during all the Repubblican period, to disappear at the end of the XVI century, substituted by Vegni. Pietro olim(of) Luca bcVennis was active in Siena until 1321. The sons of Pietro had settled in the area of Chianciano, focusing the centre of interests of the family in the South of the Siena Republic until the fall of it in 1555. Besides the local government positions held by family members, the only member worth of notice in these early period is Andrea, bishop of Chiusi in the middle of the XVI century. Biagio, Giovanni Andrea [(http://www.tesselle.it/siena/chianciano/chianciano_arte_dw1.htm)] and Giovanni Battista and Ventura consolidated the family presence in Chianciano during the XVII. At the turn of the XVIII century we find three main branches of the family, second cousins, one in Chianciano, headed by Francesco, of Deo'(Adeodato of Ventura), a lawyer and then local judge. Pietro, a landowner in Montisi, son of Giovanni Andrea, with his three sons, Giacomo, Giuseppe and Luca, and a daughter, Laura. Luca became a priest, with Giuseppe and Giacomo dividing, but only in 1745, the properties of the father Pietro, who died in 1728. The third branch, that of Montegiovi, near Pienza and Castel del Piano, is headed by Carlo Giuseppe of Ventura.

During the first half of the XVIII century the family still maintains its centre of interests in the region South of Siena which remains the city of reference for education, with its university. A member of international relevance is Leonardo [1], born from Francesco Vegni and Caterina Apolloni in 1731.

Leonardo, who was pleased to add a "De" to the surname Vegni in order to stress his ancient nobility, graduated with a degree in civil and canon law from the University of Siena in 1750, but he was also very much interested in design, architecture, poetry and science. He invented a new technique for the creation of bas-reliefs: Tartar modelling [La plastica dei tartari], which exploited the cementing properties of the calcareous waters of the Baths of San Filippo. De Vegni opened a factory for the production of bas-reliefs, which the Grand Duke Peter Leopold visited in 1769. He was much esteemed by his contemporaries, not least for his creation of the theatre of Montalcino, the gate at Sole di Chianciano, the Albergotti palace in Arezzo. He also published a series of critical works on architecture. He died in 1801, in Rome. His adopted child, Luigi, continued his works with less success during the first half of the XIX century, and he had no children. The entire collection of engravings and Leonardo's library went lost. Leonardo de Vegni prints of italian arts and landscapes are a rarity for today's antique lovers, and his legacy in architecture is only recently being rediscovered by experts.

A first noticeable physician of the family was Ignazio Vegni, son of Giacomo, who studied medicine in Siena, and after a few years at the university was called as court physician to the Grand Ducal Court in Florence.

Religion is once again at centre stage with the family branch of Montegiovi, near Pienza: Antonio, born in 1686, after a long period in Rome, was bishop of Sovana and Pitigliano from 1739 to 1746. His nephew, Andrea Domenico, also born in Montegiovi in 1711, was Bishop of Montalcino from 1767 to his death, in November 1773.

Another member of the family dedicated his life to the people, but in a slightly different way. Andrea was born in Montisi in 1751 from Giuseppe of Pietro. After qualifying in civil and canon law from the University of Siena, he started his career as a judge, in 1772, in Siena. He lived exceptional times for his profession, with the Peter Leopold penal code reform, which, among other important advances, abolished the death penalty in Tuscany, first country in the world, well before the others. In 1777 he is at the Court of Justice in Radicofani, then from 1783 he works in Asinalunga, as head of cabinet of the Imperial Royal Vicar (head of the governmental authority in the area - a sort of a Prefect) Siminetti, later the Ministry of Justice in Florence. In 1792, under the rule of the new Grand-Duke, Ferdinand III, Andrea was finally Royal Vicar in Pienza, responsible for the peaceful living of citizens in the area from Val di Chiana to the hills towards the Amiata, in the South Tuscany. His frequent travels obliged him to move the family (he married with Josepha Filugelli) to Asciano, mid way between Siena and Pienza, where his brothers and cousins lived. His brother, Girolamo, was Canonico( prior) of the Collegiata of Asciano. Andrea's son, Giuseppe, born in 1785, was educated by his uncle in Asciano, and then sent to Siena to study medicine.

Siena, in the first years of the XIX century, was under the rule of Napoleon, and the region was called Ombrone. Giuseppe graduated in 1813, at the time of his marriage with Maria Carolina Neri. She was a beatiful and rich woman, living close to the old hospital (Ospedale Santa Maria della Scala) where he was intern. Giuseppe, after a brief period of activity as a physician, dedicated his life to the family and to Siena's cultural and social life(he was a member of the Accademia dei Rozzi). He had three children, Adelaide (1816-1883), Girolamo (1826-1857) and Giovanni (1830-1907). They moved to the house which was part of her dowry, in via Franciosa, just at the end of the splendid square of the baptistry, Piazza S. Giovanni. On the opposite side of the square lived Andrea's second cousin Niccola(1783-1864), a lawyer son of Eustachio of Giacomo, who lived at the corner with via dei Pellegrini. With the acquisition of these two houses in Siena, the family's centre of interests had finally moved to Siena, with both the remaining branches of the family maintaining only land ownership links to the val di Chiana and Asciano.

By that time the coats of arms were split, with the branch of Joseph, or Giuseppe, bearing the vertical serpent, the one of Niccola an horizontal serpent. The family was part of the nobility of Chianciano and of the Siena republic before the fall, in 1555, of the Republic, and as per the law of 1750 of the Grand-Duchy of Tuscany it belonged to the Patriziato, of ancient nobility, confirmed by a decree of Leopold II in 1838. Giuseppe dies in 1856, after a short marriage with a young girl from whom he had no children. Girolamo, son of Giuseppe, a judge, dies at 34 in 1857, his wife and son leaving to Brasil in the 1870s. Whith the death of Niccola in 1864 and and the lack of offspring from the cousins in Asciano, only Angelo (son of Niccola, born in 1811) and Giovanni remains. They grew up in the same square, but the characters of the two were certainly very different, with Giovanni remaining all his life in Siena, getting married to the daughter of an industrialist, dedicating the rest of his life to the family and his own pleasure; Angelo, travelled the world, became a professor of engineering and an industrialist himself, finally, having no children, he left all his vast fortune to the "son who will never die", a school which still proudly bears his name and his coat of arms.

References

  1. ^ Bencivenni notaro della camera reale: Archivio di Stato di Siena(ASS) DOM 1222 febbraio 19, casella 39 Ms. B 39, n. 147 and 148
  2. ^ Luca BCvennis: ASS Diplomatico, Archivio Generale 1290