Jin Meyerson: Difference between revisions
m update ref section |
|||
| Line 15: | Line 15: | ||
==Sources== |
==Sources== |
||
{{refbegin}} |
{{refbegin}} |
||
* [http://www. |
* [http://www.galerieperrotin.com/artiste-Jin_meri-101.html Jin Meyerson bio] on Galerie Emmanuel Perrotin |
||
* [http://www.galeriemichaeljanssen.de/index.php?/artist/jin-meyerson/ Jin Meyerson bio] on Michael Janssen |
* [http://www.galeriemichaeljanssen.de/index.php?/artist/jin-meyerson/ Jin Meyerson bio] on Michael Janssen |
||
{{refend}} |
{{refend}} |
||
Revision as of 10:20, 1 March 2008
Jin Meyerson (born 1972, Inchon City, South Korea) is an American artist based in Brooklyn, New York.
Biography
Jin Meyerson grew up in rural Minnesota, adopted into a Jewish-Swedish family, before pursuing his education in fine arts.[1] He received his BFA from Minneapolis College of Art and Design in 1995, and his MFA from Pennsylvania Academy of Fine Arts in 1997.
Meyerson has shown work internationally in several exhibitions and galleries including “High Cholesterol Moment” at Zach Feuer Gallery in New York, “The Triumph of Painting” at the Saatchi Gallery in London and at Galerie Emmanuel Perrotin in Paris. With a disposition for large scale painting of high detail, the work draws varied responses from critics, claiming to recognize a wide range of influences, and identifying Meyerson's underlying ambition "to hold his own with the big guns".[2][3] The work has been termed "hybrid fiction, born from photojournalistic fact".[4]
Meyerson is represented by Zach Feuer Gallery in New York, and Emmanuel Perrotin in Paris. His most recent exhibition titled Progress is No Longer a Guarantee opened at Galerie Michael Janssen on September 29, 2007.[5]
Interpretation
 |
Jin Meyerson’s paintings are schizophrenic semi-abstractions based on throwaway images from magazines and other random pieces of visual culture. Although the use of media imagery is common ground for many contemporary painters, Meyerson’s take on the topic is more manic than most; while artists such as Ulrich Lamsfuss, Johannes Kahrs and Gerhard Richter are more concerned with the faithful – almost obsessive – copy, Meyerson’s takes his source material as a sketch which he can distort, tear apart, rearrange and fill with psychedelic colour. Meyerson does not completely destroy or obscure the images, but by the end of his more-or-less unplanned interventions the painting’s origin is severely disguised. Most of Mayerson’s work displays his fascination with moving images, but for him a moment of speed or activity caught on film is not enough; the addition of swirling bands of striking colour add to the sense of motion to create something that functions beyond the limits of painting and photography, making the viewer ‘feel’ the energy of the image and invoke the spectacle of real life action when the moment itself is long over.
Sources
- Jin Meyerson bio on Galerie Emmanuel Perrotin
- Jin Meyerson bio on Michael Janssen
- Footnotes
- ^ ChelseaArtGalleries.com. "High Cholesterol Moment".
- ^ Henry, Max (February, 2006). "Jin Meyerson, "High Cholesterol Moment"". Time Out.
{{cite web}}: Check date values in:|date=(help) - ^ Douaire, Pierre-Evariste (November, 2004). "Jin Meyerson, Social Distorsion" (in French). Paris Art.
{{cite web}}: Check date values in:|date=(help) - ^ Sharp, Jasper (September, 2007). "Critics' Picks-Berlin". Artforum.
{{cite web}}: Check date values in:|date=(help) - ^ Galerie Michael Janssen (September, 2007). "Progress is No Longer a Guarantee".
{{cite web}}: Check date values in:|date=(help)
External links
- Progress is No Longer a Guarantee exhibition at Galerie Michael Janssen
- Jin Meyerson work at Zach Feuer Gallery
- Jin Meyerson at Galerie Emmanuel Perrotin
- Selected Works by Jin Meyerson at the Saatchi Gallery
