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<!-- Deleted image removed: [[Image:Typologies.jpg|thumb|200px|right|Front cover of the book ''Typologies of Industrial Buildings'' (2004).]] -->

'''Bernd and Hilla Becher''' were a German [[photography|photographer]] team and a married couple, best- known for their collection of industrial building images examining the similarities and differences in structure and appearance.

Bernd (1931 &ndash; 2007) and Hilla (b. 1934) Becher first met at the [[Düsseldorf]] Academy. Both were studying [[painting]] at the time and in 1961, the two were married. They first collaborated on photographing and documenting the disappearing German industrial [[architecture]] in 1959, and had their first Gallery exhibition in 1963 at the Galerie Ruth Nohl in [[Siegen]]. They were fascinated by the similar shapes in which certain buildings were designed. In addition, they were intrigued by the fact that so many of these industrial buildings seemed to have been built with a great deal of attention toward [[design]]. Together, the Bechers went out with a [[view camera|large format camera]] and photographed these buildings from a number of different angles, but always with a straightforward "objective" point of view. The images of structures with similar functions were then displayed side by side to invite viewers to compare their forms and designs. These structures included barns, [[water tower]]s, [[storage silo]]s, and [[warehouse]]s.

The Bechers also photographed outside of [[Germany]], including buildings from the [[United States]] and other areas of [[Europe]]. Bernd taught at the Düsseldorf Art Academy and influenced students that later made a name for themselves in the photography industry. Former students of Bernd's included [[Andreas Gursky]], [[Thomas Ruff]], and [[Candida Höfer]].
They were the 2004 winners of the [[Hasselblad Award]]. The motivation for the award:

:''Bernd and Hilla Becher are among the most influential artists of our time. For more than forty years they have been recording the heritage of an industrial past. Their systematic photography of functionalist architecture, often organizing their pictures in grids, brought them recognition as conceptual artists as well as photographers. As the founders of what has come to be known as the ‘Becher school’ they have brought their influence in a unique way to bear on generations of documentary photographers and artists.''

==Famous Photographs==
* ''Industrial Facade #23'', c1980.
* ''Cooling towers, Wood n B'', 1976. (Sold for $150,000 at auction in 2004. It is one of couple's highest selling work.)<ref>[http://artsalesindex.artinfo.com/artsalesindex/asi/lots/7588133 Auction Result: Bernd and Hilla Becher's ''Cooling towers, Wood n B'']</ref>

==Books==
* ''Anonymous Sculptures: A Typology of Technical Construction'', 1970.
* ''Water Towers'', 1988.
* ''Blast Furnaces'', 1990.
* ''Pennsylvania Coal Mine Tipples'', 1991.
* ''Gas Tanks'', 1993.
* ''Industrial Facades'', 1995.
* ''Mineheads'', 1997.
* ''Framework Houses'', 2001.
* ''Industrial Landscapes'', 2002.
* ''Basic Forms of Industrial Buildings'', 2004. ISBN 3-8296-0150-6.
* ''Typologies'', 2004. ISBN 0-262-02565-5.
* ''Cooling Towers, 2006.
* ''Grain Elevators, 2006.

==Biography==
*{{cite book |first=Lange|last=Susanne| title=Bernd and Hilla Becher: Life and Work | year=2006 | publisher=[[The MIT Press]] | id=ISBN 0-262-12286-3}}

==References==
{{reflist}}

==External links==
*[http://www.signandsight.com/features/338.html ''High precision industrial age souvenirs''] with Cornelius Tittel about how Bernd and Hilla Becher saved an era from being forgotten forever and set in motion the German photography boom at signandsight.com.
*[http://www.tate.org.uk/research/tateresearch/tatepapers/04spring/stimson_paper.htm "The Photographic Comportment of Bernd and Hilla Becher" (BLAKE STIMSON) 2004 ]
* [http://www.goethe.de/kue/bku/dos/dfh/enindex.htm On German Photography Today - A dossier of the Goethe-Institut]
* [http://www.goethe.de/kue/bku/thm/kab/en2428585.htm Portrait of the artist by the Goethe-Institut]
* [http://www.goethe.de/kue/bku/dos/fbs/enindex.htm Photographers of the Becher School - A dossier of the Goethe-Institut]
* [http://www.mfa.org/collections/search_art.asp?coll_accession=&coll_name=&coll_artist=becher&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_keywords=&coll_sort=2&coll_sort_order=0&submit=Search Bernd and Hilla Becher], objects from the collection of the Museum of Fine Arts, Boston.

[[Category:Architectural photographers|Becher, Bernd and Hilla]]
[[Category:Erasmus Prize winners|Becher, Bernd and Hilla]]
[[Category:German photographers|Becher, Bernd and Hilla]]
[[Category:Married couples|Becher, Bernd and Hilla]]
[[Category:People from Düsseldorf|Becher, Bernd and Hilla]]
[[Category:Women photographers|Becher, Hilla]]

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[[es:Bernd y Hilla Becher]]
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[[it:Bernd e Hilla Becher]]
[[lb:Bernd an Hilla Becher]]
[[nl:Bernd en Hilla Becher]]
[[pl:Bernd i Hilla Becher]]
[[sv:Bernd och Hilla Becher]]

Revision as of 02:14, 24 November 2008


Bernd and Hilla Becher were a German photographer team and a married couple, best- known for their collection of industrial building images examining the similarities and differences in structure and appearance.

Bernd (1931 – 2007) and Hilla (b. 1934) Becher first met at the Düsseldorf Academy. Both were studying painting at the time and in 1961, the two were married. They first collaborated on photographing and documenting the disappearing German industrial architecture in 1959, and had their first Gallery exhibition in 1963 at the Galerie Ruth Nohl in Siegen. They were fascinated by the similar shapes in which certain buildings were designed. In addition, they were intrigued by the fact that so many of these industrial buildings seemed to have been built with a great deal of attention toward design. Together, the Bechers went out with a large format camera and photographed these buildings from a number of different angles, but always with a straightforward "objective" point of view. The images of structures with similar functions were then displayed side by side to invite viewers to compare their forms and designs. These structures included barns, water towers, storage silos, and warehouses.

The Bechers also photographed outside of Germany, including buildings from the United States and other areas of Europe. Bernd taught at the Düsseldorf Art Academy and influenced students that later made a name for themselves in the photography industry. Former students of Bernd's included Andreas Gursky, Thomas Ruff, and Candida Höfer.

They were the 2004 winners of the Hasselblad Award. The motivation for the award:

Bernd and Hilla Becher are among the most influential artists of our time. For more than forty years they have been recording the heritage of an industrial past. Their systematic photography of functionalist architecture, often organizing their pictures in grids, brought them recognition as conceptual artists as well as photographers. As the founders of what has come to be known as the ‘Becher school’ they have brought their influence in a unique way to bear on generations of documentary photographers and artists.

Famous Photographs

  • Industrial Facade #23, c1980.
  • Cooling towers, Wood n B, 1976. (Sold for $150,000 at auction in 2004. It is one of couple's highest selling work.)[1]

Books

  • Anonymous Sculptures: A Typology of Technical Construction, 1970.
  • Water Towers, 1988.
  • Blast Furnaces, 1990.
  • Pennsylvania Coal Mine Tipples, 1991.
  • Gas Tanks, 1993.
  • Industrial Facades, 1995.
  • Mineheads, 1997.
  • Framework Houses, 2001.
  • Industrial Landscapes, 2002.
  • Basic Forms of Industrial Buildings, 2004. ISBN 3-8296-0150-6.
  • Typologies, 2004. ISBN 0-262-02565-5.
  • Cooling Towers, 2006.
  • Grain Elevators, 2006.

Biography

  • Susanne, Lange (2006). Bernd and Hilla Becher: Life and Work. The MIT Press. ISBN 0-262-12286-3.

References

  1. ^ Auction Result: Bernd and Hilla Becher's Cooling towers, Wood n B
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