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For the electronic band, see Joujouka (band).

Jajouka, Joujouka or Zahjoukah^[1] (جوجوكة or جهجوكة) is a village in the Ahl-Srif mountains in the southern Rif, Morocco. The mountains are named after the Ahl-Srif tribe who populate the region.

The musical heritage

Jajouka or Zahjouka is well known as home to the Sufi trance musicians the Master Musicians of Jajouka Featuring Bachir Attar. The village attracted the attention of writers Paul Bowles and William Burroughs in the 1950s because the Sufi trance musicians there appeared to still celebrate the rites of the god Pan. Brion Gysin, who had been introduced to the master musicians by Mohamed Hamri, propagated this idea. Gysin linked the village's Boujeloud festival, where a boy sewn in goat skins danced with sticks while the musicians play to keep him at bay, to the ancient "Rites of Pan". Though it should be noted that as devout Muslims, the Master Musicians of Jajouka highly reject the association with "Pan" or any other pagan deity. In 1967 and 1968 Brian Jones, lead guitarist with The Rolling Stones, visited the village; at the end of his stay, he recorded the master musicians for the LP Brian Jones Presents The Pipes Of Pan At Joujouka. The LP was released on Rolling Stones Records in 1971, some two years after Jones' death. This original recording was controversially reissued in 1995 by Point Music as Brian Jones Presents The Pipes of Pan At Jajouka. Hamri launched an international protest to highlight the usurpation of the villagers heritage and non payment of royalties to the original musicians. The music from this village attracted an influx of westerners, including some who later recorded there, such as Ornette Coleman and Bill Laswell.

Life

Subsistence farming is the main activity of most of the villagers living in Jajouka. The main crops are olives, tillage of vegetables such as carrots, turnips, potatoes, and the raising of sheep, which are grazed out on common land. Poultry are raised by the women. In the summer shepherd boys bring the herds to the higher slopes. They can be heard practicing on bamboo flutes from miles away. The livestock, chickens and high quality olive oil provide a cash element in this economy. There is also small-scale honey production by some enterprising villagers. In recent years, electricity and mobile telephony have arrived in the village and there is a passable road, which has reduced the cost of transporting essential goods to the village. The cost of transportation had previously made many items unavailable or prohibitively expensive to the villagers. The Ahl-Srif was also an area where kif (cannabis) was grown, but its cultivation has been recently prohibited. However, there seems to be no alternative cash crop for those who had depended on it in the past.

Brian Jones 40th Anniversary Festival

The village hosts a festival on 29 July 2008 to celebrate the 40th anniversary of Brian Jones recording, on 29 July 1968, the most famous L.P. recorded in the village Brian Jones Presents The Pipes Of Pan At Joujouka on 29 July 2008.^[2]

References and notes

^ Geiger, John (2005). Nothing Is True - Everything Is Permitted: The Life of Brion Gysin. The Disinformation Company. p. 114. ISBN 1-9328-5712-5. Joujouka/Jajouka/Zahjoukah in Walter Armbrust (ed.), Mass Mediations, New Approaches to Popular Culture in the Middle East and beyond, (Berkeley: University of California Press, 2000 p.151). Another spelling is Joujouka and a more unusual variant is Zahjoukah, although Jajouka, considered more accurate phonetically, seems to have become more common. {{cite book}}: Cite has empty unknown parameters: |accessyear=, |origmonth=, |accessmonth=, |month=, |chapterurl=, |origdate=, and |coauthors= (help)
^ www.joujouka.net

External links

Link to Interview with Bachir Attar on KBoo FM Portland, Oregon, 19 February 2009 on Jajouka music and it's history.

35°02′N 5°44′W / 35.033°N 5.733°W / 35.033; -5.733

[1] Geiger, John (2005). Nothing Is True - Everything Is Permitted: The Life of Brion Gysin. The Disinformation Company. p. 114. ISBN 1-9328-5712-5. Joujouka/Jajouka/Zahjoukah in Walter Armbrust (ed.), Mass Mediations, New Approaches to Popular Culture in the Middle East and beyond, (Berkeley: University of California Press, 2000 p.151). Another spelling is Joujouka and a more unusual variant is Zahjoukah, although Jajouka, considered more accurate phonetically, seems to have become more common. {{cite book}}: Cite has empty unknown parameters: |accessyear=, |origmonth=, |accessmonth=, |month=, |chapterurl=, |origdate=, and |coauthors= (help)

[2] www.joujouka.net

[1]

[2]

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 ==The musical heritage==
-Jajouka or Zahjouka is well known as home to the [[Sufi]] trance musicians the [[Master Musicians of Joujouka]] and some members of [[Master Musicians of Jajouka Featuring Bachir Attar]]. The village attracted the attention of writers [[Paul Bowles]] and [[William Burroughs]] in the 1950s because the Sufi trance musicians there appeared to still celebrate the rites of the [[Pan (mythology)|god Pan]]. [[Brion Gysin]], who had been introduced to the master musicians by [[Mohamed Hamri]], propagated this idea. Gysin linked the village's Boujeloud festival, where a boy sewn in [[goat skin]]s danced with sticks while the musicians play to keep him at bay, to the ancient "Rites of Pan". In 1967 and 1968 [[Brian Jones]], lead guitarist with [[The Rolling Stones]], visited the village; at the end of his stay, he recorded the master musicians for the LP [[Brian Jones Presents The Pipes Of Pan At Joujouka]]. The LP was released on [[Rolling Stones Records]] in 1971, some two years after Jones' death. This original recording was controversially reissued in 1995 by Point Music as ''Brian Jones Presents The Pipes of Pan At Jajouka''. Hamri launched an international protest to highlight the usurpation of the villagers heritage and non payment of royalties to the original musicians. The music from this village attracted an influx of westerners, including some who later recorded there, such as [[Ornette Coleman]] and [[Bill Laswell]].
+Jajouka or Zahjouka is well known as home to the [[Sufi]] trance musicians the [[Master Musicians of Jajouka Featuring Bachir Attar]]. The village attracted the attention of writers [[Paul Bowles]] and [[William Burroughs]] in the 1950s because the Sufi trance musicians there appeared to still celebrate the rites of the [[Pan (mythology)|god Pan]]. [[Brion Gysin]], who had been introduced to the master musicians by [[Mohamed Hamri]], propagated this idea.  Gysin linked the village's Boujeloud festival, where a boy sewn in [[goat skin]]s danced with sticks while the musicians play to keep him at bay, to the ancient "Rites of Pan". Though it should be noted that as devout Muslims, the Master Musicians of Jajouka highly reject the association with "Pan" or any other pagan deity.  In 1967 and 1968 [[Brian Jones]], lead guitarist with [[The Rolling Stones]], visited the village; at the end of his stay, he recorded the master musicians for the LP [[Brian Jones Presents The Pipes Of Pan At Joujouka]]. The LP was released on [[Rolling Stones Records]] in 1971, some two years after Jones' death. This original recording was controversially reissued in 1995 by Point Music as ''Brian Jones Presents The Pipes of Pan At Jajouka''. Hamri launched an international protest to highlight the usurpation of the villagers heritage and non payment of royalties to the original musicians. The music from this village attracted an influx of westerners, including some who later recorded there, such as [[Ornette Coleman]] and [[Bill Laswell]].
 ==Life==