The Magic of Blood: Difference between revisions
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E. Annie Proulx mentions many of the collection's themes, "a Southwest world of bills and debts and being laid off, of old trucks, paychecks that bounce, greedy landladies, fights, cheap girls, drugs, unemployment compensation, difficult bosses, color of skin, language games, a hunger for work," in her citation for PEN's Ernest Hemingway Foundation Award. |
E. Annie Proulx mentions many of the collection's themes, "a Southwest world of bills and debts and being laid off, of old trucks, paychecks that bounce, greedy landladies, fights, cheap girls, drugs, unemployment compensation, difficult bosses, color of skin, language games, a hunger for work," in her citation for PEN's Ernest Hemingway Foundation Award. |
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Revision as of 07:55, 23 November 2011
 cover | |
| Author | Dagoberto Gilb |
|---|---|
| Language | English |
| Genre | Short Story Collection |
| Publisher | Grove Press (publisher) |
Publication date | 1993 |
| Publication place |  USA |
| Media type | Print (Hardback) |
| Pages | 288 |
The Magic of Blood is a short story collection by Dagoberto Gilb. It received the 1994 Hemingway Foundation/PEN Award[1] and the 1993 Whiting Writers' Award.[2]
The Stories
Look on the Bright Side
An unnamed narrator refuses to pay his landlord when she raises the rent on him. In the end, his insistence upon maintaining his sense of "self-respect" results in the loss of his house. Consequently, he sends his family off to "visit" his parents, while he searches for a new job.
The Death Mask of Pancho Villa
When an unnamed narrator is visited by an old friend and his companion, he is struck with an epiphany concerning the man he used to be versus the man he now is.
Nancy Flores
Once Richie meets, and loses, his first love Nancy Flores, the protagonist revels in the ongoing debasement of the boy who stole her from him (Trey).
I Danced with the Prettiest Girl
When two musicians, on their way to Austin, stop at a roadside bar, the narrator finds "true love."
The Magic of Blood
A man meets his great-grandmother in Hollywood, only to then realize that her revered status as a great actress has largely been a fabrication, and that her previous glamor has dissipated with age.
Al, in Phoenix
Once a man's car breaks down near Phoenix, he tries to win the approval of his mechanic.
Romero's Shirt
A character named Romero asks an old gardener to trim the bushes in his yard. When Romero's shirt is stolen, he blames the gardener.
Churchgoers
At a construction site, a man named Smooth rebels against his superintendent.
Something Foolish
A son receives a phone call from his father who asks him to come pick him up. The father is afraid that his wife has committed suicide.
The Prize
A customer asks his barber to "wish" for a sack of money, which they will then split between themselves.
Truck
When Alex is given the company truck, he mars his reputation via the influence of his friend Martínez.
Where the Sun Don't Shine
A construction worker tries to cope with an abusive foreman, while still keeping his job and maintaining his sense of self-respect.
Parking Places
Neighboring couples, in a duplex, fight over the parking places in front of their house.
Recipe
A man goes to a poetry reading in East L.A., meets another man and two young women. The four of them go to a party in West L.A. The narrator takes one of the women home while dreaming of the other one.
Photographs Near a Rolls Royce
An unemployed man and his wife decide to go to a concert. It will be their first big night out since having their child. The day before the concert they go to pick up the tickets and the narrator takes a photo of his wife and child in front of a Rolls Royce. The couple ask a neighbor who is a single mother to watch their child. The couple prepare for the night down to the last detail but the babysitter never shows up.
The Desperado
A woman walks out on her husband and leaves him alone with their infant son. It is the first time the man is alone with his son.
Down in the West Texas Town
Around midday, four construction workers get off of a job, go to one of the worker's houses to do heroin, and go to work on another job.
Love in L.A.
Jake gets into a fender bender with Mariana. He lies about his name, address, and insurance. He tells Mariana he is an actor and walks away with her phone number.
Winners on the Pass Line
A man named Ray goes to Las Vegas after getting a divorce and getting laid off. A woman named Sylvia takes a trip to Las Vegas with her husband and son.
The Señora
Jesse and Jesus are two undocumented Mexicans who work for their landlady, a wealthy Mexican woman.
Ballad
Cowboy Mike Duran is a construction worker convinced he has a reoccurring illness that prevents him from work. He has his photo taken at work for California magazine.
The Rat
The narrator is bothered by living in the city and the presence of a rat in his and his wife's apartment begins to bother him. He sends his wife and child away. There is a big storm and a power outage. The narrator kills the rat, decides his wife and child should come back, and the city begins to recover from the storm.
Franklin Delano Roosevelt Was a Democrat
FDR Was a Democrat is a story that discusses the old/young dynamic of two workers on a construction job and the validity of judging things at face value.
Hollywood!
A family takes a trip to Hollywood with their young son and argues over what will be valuable and important memories for him.
Vic Damone's Music
Vic Damone's Music is the story of a young teenager's job in a laundry plant and his first romantic experience with a co-worker.
Getting a Job in Dell City
Getting a Job in Dell City is the final story in The Magic of Blood collection. It begins with a man looking for work in El Paso, Texas. He finds work on a farm outside of town. The story discusses the fragility of relationships between workers, bosses and coworkers.
Publication
Dagoberto Gilb's short story collection was first published by the University of New Mexico Press in 1993. The paperback edition was later released by Grove Press in 1994. [3]
Critical Reception
The Magic of Blood was released to rave reviews from various critics and authors. It was also the winner of the PEN/Hemingway Award in 1994 and was a PEN Faulkner finalist. [4]
Praise
“Gilb’s fiction is the most exciting and emotionally draining since Raymond Carver’s.” —The Nation
“Dagoberto Gilb’s stories in The Magic of Blood, pulled from a working-class life, are like nothing else out there. The reader tumbles into a Southwest world of bills and debts and being laid off, of old trucks, paychecks that bounce, greedy landladies, fights, cheap girls, drugs, unemployment compensation, difficult bosses, color of skin, language games, a hunger for work. The stories are leavened with compassion and humor and there is not a shred of sentimentality. The Magic of Blood marks the introduction of an important new voice in American literature.” —E. Annie Proulx, from the citation for PEN’s Ernest Hemingway Foundation Award
“These are lovely, heartbreaking, finely crafted stories dealing with a portion of society literature scarcely ever reaches.” —Jim Harrison
“Gilb’s fiction is brutally realistic. Yet his characters are imbued with a wry sense of humor—and hope.” —Newsweek
“In stories both harsh and lovely, hopeful and heartbreaking, of men on the fringes of America, Dagoberto Gilb reveals a powerful new literary voice.” —The Philadelphia Inquirer
“The vast stretch of desert between LA and El Paso is a migration route for workers who move back and forth in search of work. In these artfully written stories, Dago introduces us to this world and its workers. This is a sharp, realistic view from la frontera!” —Rudolfo Anaya
“Nobody but Dagoberto has the information and the talent to write these stories. He reminds me of the best of Russian literature. Chekhov writes Gogol. Fresh and funny and sad.” —James Crumley
“Gilb tells these stories almost matter-of-factly, but behind this casualness is a talent that delivers. He offers a fierce and relentless eyeballing of people who are not going to make it . . . There is no exit in these pages.” —Gary Soto
“Neither narrowly ethnic nor fashionably minimalist, these are Chekhovian stories about very un-Chekhovian lives: those of construction workers, bums, day laborers, month-to-month tenants, on-the-edge families, and other people who led marginal existence during the Reagan-Bush years.” —Wendy Lesser
“A powerful, necessary voice in American literature whose emergence defies any pigeon-holing.” —Rick DeMarinis [5]
Genre
Dagoberto Gilb's The Magic of Blood is a collection of short stories about proletarian life from a Chicano perspective.
Themes
Major themes prominent throughout Gilb's collection include: proletarian work and love, vacations, the family, friendships, youth and aging.
E. Annie Proulx mentions many of the collection's themes, "a Southwest world of bills and debts and being laid off, of old trucks, paychecks that bounce, greedy landladies, fights, cheap girls, drugs, unemployment compensation, difficult bosses, color of skin, language games, a hunger for work," in her citation for PEN's Ernest Hemingway Foundation Award. [6]
Style
Gilb writes in a clear and simple style.
References
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