Luiz Päetow: Difference between revisions
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==Career== |
==Career== |
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Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental ''Prêt-à-Porter''. For this specific project, he directed, wrote and starred in five plays: ''Passengers'', ''Under the Bridge'', ''No Concert'', ''Hours of Punishment'' and ''Wings of the Shadow''.<ref>{{cite web|url=http://jqz.zip.net/arch2009-12-01_2009-12-31.html|title=Prêt-à-Porter|publisher=uol}}</ref> In 1998, he worked as assistant director<ref>{{cite web|url=http://enciclopedia.itaucultural.org.br/evento576543/da-gaivota|title=Da Gaivota|publisher=itaucultural}}</ref> to [[Daniela Thomas]] on [[Anton Chekhov]]'s ''[[The Seagull]]'', starring [[Fernanda Montenegro]]. In 1999, he co-directed ''The Trojan Fragments''<ref>{{cite web|url=http://ww2.sescsp.org.br/sesc/hotsites/cpt_novo/areas.cfm?cod=4&esp=21|title=Fragmentos Troianos|publisher=sesc}}</ref> which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival<ref>{{cite web|url=http://tiyatro.iksv.org/en|title=Istanbul International Theatre Festival|publisher=iksv}}</ref> <ref>{{cite web|url=http://jqz.zip.net/images/radikaltur.jpg=interview in Turkish|publisher=radikal.newspaper}}</ref> and was also presented at the second [[Theatre Olympics]] in [[Shizuoka]]. In 2000, he debuted as an opera director with [[Henry Purcell]]'s ''[[The Fairy-Queen]]''.<ref>{{cite web|url=http://jqz.zip.net/images/operapurcell.jpg|title=Ópera Purcell|publisher=caderno2.newspaper}}</ref> |
Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental ''Prêt-à-Porter''. For this specific project, he directed, wrote and starred in five plays: ''Passengers'', ''Under the Bridge'', ''No Concert'', ''Hours of Punishment'' and ''Wings of the Shadow''.<ref>{{cite web|url=http://jqz.zip.net/arch2009-12-01_2009-12-31.html|title=Prêt-à-Porter|publisher=uol}}</ref> In 1998, he worked as assistant director<ref>{{cite web|url=http://enciclopedia.itaucultural.org.br/evento576543/da-gaivota|title=Da Gaivota|publisher=itaucultural}}</ref> to [[Daniela Thomas]] on [[Anton Chekhov]]'s ''[[The Seagull]]'', starring [[Fernanda Montenegro]]. In 1999, he co-directed ''The Trojan Fragments''<ref>{{cite web|url=http://ww2.sescsp.org.br/sesc/hotsites/cpt_novo/areas.cfm?cod=4&esp=21|title=Fragmentos Troianos|publisher=sesc}}</ref> which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival<ref>{{cite web|url=http://tiyatro.iksv.org/en|title=Istanbul International Theatre Festival|publisher=iksv}}</ref> <ref>{{cite web|url=http://jqz.zip.net/images/radikaltur.jpg|title=interview in Turkish|publisher=radikal.newspaper}}</ref> and was also presented at the second [[Theatre Olympics]] in [[Shizuoka]]. In 2000, he debuted as an opera director with [[Henry Purcell]]'s ''[[The Fairy-Queen]]''.<ref>{{cite web|url=http://jqz.zip.net/images/operapurcell.jpg|title=Ópera Purcell|publisher=caderno2.newspaper}}</ref> |
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In 2003, Päetow played the lead in the first Brazilian production of [[Sarah Kane]]'s ''[[4.48 Psychosis]]''.<ref>{{cite web|url=http://jqz.zip.net/arch2010-03-01_2010-03-31.html|title=Sarah Kane 4.48 Psychosis|publisher=uol}}</ref> After this, he presented, at the [[Volksbühne]], the marathon of five plays ''Rebellion in the Backlands'' staged by Brazilian director Zé Celso.<ref>{{cite web|url=http://www.taz.de/1/archiv/?dig=2005/09/16/a0258|title=Krieg im Sertão|publisher=taz.de}}</ref> In 2006, he created his first solo, entitled ''Plays'', based on the lecture written by [[Gertrude Stein]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2008-04-01_2008-04-30.html|title=Peças de Gertrude Stein|publisher=uol}}</ref> In the same year, he played the title role in [[Georg Buchner]]'s ''[[Leonce and Lena]]'', directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq0308200628.htm|title=Leonce & Lena|publisher=folha}}</ref> In 2008, he starred in two productions: ''[[Cascando]]'' and ''[[Words and Music (play)]]'' by [[Samuel Beckett]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-01-01_2009-01-31.html|title=Beckett's radio plays on stage|publisher=uol}}</ref> In 2009, he directed [[::fr::Music-hall (Lagarce)|Music-hall (Lagarce)]], which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.<ref>{{cite web|url=http://epoca.globo.com/regional/sp/blogs-epoca-sp/jogo-de-cena/noticia/2013/10/os-ingremes-caminhos-da-arte.html|title=Music Hall: os íngremes caminhos da arte|publisher=epoca.globo}}</ref> In 2010, he created his second solo, the pitch-dark ''Abracadabra'', nominated for the Shell Awards.<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-06-01_2009-06-30.html|title=Luiz Päetow Abracadabra|publisher=uol}}</ref> |
In 2003, Päetow played the lead in the first Brazilian production of [[Sarah Kane]]'s ''[[4.48 Psychosis]]''.<ref>{{cite web|url=http://jqz.zip.net/arch2010-03-01_2010-03-31.html|title=Sarah Kane 4.48 Psychosis|publisher=uol}}</ref> After this, he presented, at the [[Volksbühne]], the marathon of five plays ''Rebellion in the Backlands'' staged by Brazilian director Zé Celso.<ref>{{cite web|url=http://www.taz.de/1/archiv/?dig=2005/09/16/a0258|title=Krieg im Sertão|publisher=taz.de}}</ref> In 2006, he created his first solo, entitled ''Plays'', based on the lecture written by [[Gertrude Stein]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2008-04-01_2008-04-30.html|title=Peças de Gertrude Stein|publisher=uol}}</ref> In the same year, he played the title role in [[Georg Buchner]]'s ''[[Leonce and Lena]]'', directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq0308200628.htm|title=Leonce & Lena|publisher=folha}}</ref> In 2008, he starred in two productions: ''[[Cascando]]'' and ''[[Words and Music (play)]]'' by [[Samuel Beckett]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-01-01_2009-01-31.html|title=Beckett's radio plays on stage|publisher=uol}}</ref> In 2009, he directed [[::fr::Music-hall (Lagarce)|Music-hall (Lagarce)]], which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.<ref>{{cite web|url=http://epoca.globo.com/regional/sp/blogs-epoca-sp/jogo-de-cena/noticia/2013/10/os-ingremes-caminhos-da-arte.html|title=Music Hall: os íngremes caminhos da arte|publisher=epoca.globo}}</ref> In 2010, he created his second solo, the pitch-dark ''Abracadabra'', nominated for the Shell Awards.<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-06-01_2009-06-30.html|title=Luiz Päetow Abracadabra|publisher=uol}}</ref> |
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Revision as of 09:18, 1 January 2016
Luiz Päetow (born 1979) is a Brazilian theatre director, actor and playwright.
Early life and education
Päetow started his theatrical career, at age 11, taking part in several productions of the British Council Theatre Group in São Paulo, including plays by William Shakespeare, Federico Garcia Lorca, Nelson Rodrigues and musicals by Cole Porter with guest director Nancy Diuguid. Later, he entered the Conservatory for Dramatic Arts and acted in Peter Weiss' Marat/Sade, Tennessee Williams' The Glass Menagerie, Arnold Wesker's The Kitchen, Bertolt Brecht's The Baden-Baden Lesson on Consent.[1]
Career
Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental Prêt-à-Porter. For this specific project, he directed, wrote and starred in five plays: Passengers, Under the Bridge, No Concert, Hours of Punishment and Wings of the Shadow.[2] In 1998, he worked as assistant director[3] to Daniela Thomas on Anton Chekhov's The Seagull, starring Fernanda Montenegro. In 1999, he co-directed The Trojan Fragments[4] which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival[5] [6] and was also presented at the second Theatre Olympics in Shizuoka. In 2000, he debuted as an opera director with Henry Purcell's The Fairy-Queen.[7]
In 2003, Päetow played the lead in the first Brazilian production of Sarah Kane's 4.48 Psychosis.[8] After this, he presented, at the Volksbühne, the marathon of five plays Rebellion in the Backlands staged by Brazilian director Zé Celso.[9] In 2006, he created his first solo, entitled Plays, based on the lecture written by Gertrude Stein.[10] In the same year, he played the title role in Georg Buchner's Leonce and Lena, directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.[11] In 2008, he starred in two productions: Cascando and Words and Music (play) by Samuel Beckett.[12] In 2009, he directed [[::fr::Music-hall (Lagarce)|Music-hall (Lagarce)]], which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.[13] In 2010, he created his second solo, the pitch-dark Abracadabra, nominated for the Shell Awards.[14]
References
- ^ "interview in Portuguese". teatrochik.
- ^ "Prêt-à-Porter". uol.
- ^ "Da Gaivota". itaucultural.
- ^ "Fragmentos Troianos". sesc.
- ^ "Istanbul International Theatre Festival". iksv.
- ^ "interview in Turkish". radikal.newspaper.
- ^ "Ópera Purcell". caderno2.newspaper.
- ^ "Sarah Kane 4.48 Psychosis". uol.
- ^ "Krieg im Sertão". taz.de.
- ^ "Peças de Gertrude Stein". uol.
- ^ "Leonce & Lena". folha.
- ^ "Beckett's radio plays on stage". uol.
- ^ "Music Hall: os íngremes caminhos da arte". epoca.globo.
- ^ "Luiz Päetow Abracadabra". uol.
