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==Career==
==Career==
Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental ''Prêt-à-Porter''. For this specific project, he directed, wrote and starred in five plays: ''Passengers'', ''Under the Bridge'', ''No Concert'', ''Hours of Punishment'' and ''Wings of the Shadow''.<ref>{{cite web|url=http://jqz.zip.net/arch2009-12-01_2009-12-31.html|title=Prêt-à-Porter|publisher=uol}}</ref> In 1998, he worked as assistant director<ref>{{cite web|url=http://enciclopedia.itaucultural.org.br/evento576543/da-gaivota|title=Da Gaivota|publisher=itaucultural}}</ref> to [[Daniela Thomas]] on [[Anton Chekhov]]'s ''[[The Seagull]]'', starring [[Fernanda Montenegro]]. In 1999, he worked on ''The Trojan Fragments''<ref>{{cite web|url=http://ww2.sescsp.org.br/sesc/hotsites/cpt_novo/areas.cfm?cod=4&esp=21|title=Fragmentos Troianos|publisher=sesc}}</ref> which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival<ref>{{cite web|url=http://jqz.zip.net/images/radikaltur.jpg|title=interview in Turkish|publisher=radikal newspaper}}</ref> <ref>{{cite web|url=http://tiyatro.iksv.org/en|title=Istanbul International Theatre Festival|publisher=iksv}}</ref> and was also presented at the second [[Theatre Olympics]] in [[Shizuoka, Shizuoka|Shizuoka]], where Päetow represented Brazil on the International Committee, with [[Tadashi Suzuki]], [[Robert Wilson (director)|Robert Wilson]], [[Yuri Lyubimov]], [[Nuria Espert]] and Theodoros Terzopoulos. At this meeting, they discussed the performing arts of the next century.<ref name=interview /> In 2000, he debuted as an opera director with [[Henry Purcell]]'s ''[[The Fairy-Queen]]''.<ref>{{cite web|url=http://jqz.zip.net/images/operapurcell.jpg|title=Ópera Purcell|publisher=caderno2 newspaper}}</ref>
Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental ''Prêt-à-Porter''. For this specific project, he directed, wrote and starred in five plays: ''Passengers'', ''Under the Bridge'', ''No Concert'', ''Hours of Punishment'' and ''Wings of the Shadow''.<ref name=porter>{{cite web|url=http://jqz.zip.net/arch2009-12-01_2009-12-31.html|title=Prêt-à-Porter|publisher=uol}}</ref> In 1998, he worked as assistant director<ref>{{cite web|url=http://enciclopedia.itaucultural.org.br/evento576543/da-gaivota|title=Da Gaivota|publisher=itaucultural}}</ref> to [[Daniela Thomas]] on [[Anton Chekhov]]'s ''[[The Seagull]]'', starring [[Fernanda Montenegro]]. In 1999, he worked on ''The Trojan Fragments''<ref>{{cite web|url=http://jqz.zip.net/images/spt.jpg|title=Fragmentos Troianos|publisher=sesc}}</ref> which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival<ref>{{cite web|url=http://jqz.zip.net/images/radikaltur.jpg|title=interview in Turkish|publisher=radikal newspaper}}</ref> <ref>{{cite web|url=http://tiyatro.iksv.org/en|title=Istanbul International Theatre Festival|publisher=iksv}}</ref> and was also presented at the second [[Theatre Olympics]] in [[Shizuoka, Shizuoka|Shizuoka]], where Päetow represented Brazil on the International Committee, with [[Tadashi Suzuki]], [[Robert Wilson (director)|Robert Wilson]], [[Yuri Lyubimov]], [[Nuria Espert]] and Theodoros Terzopoulos. At this meeting, they discussed the performing arts of the next century.<ref name=interview/> In 2000, he debuted as an opera director with [[Henry Purcell]]'s ''[[The Fairy-Queen]]''.<ref>{{cite web|url=http://jqz.zip.net/images/operapurcell.jpg|title=Ópera Purcell|publisher=caderno2 newspaper}}</ref>


In 2003, Päetow played the lead in the first Brazilian production of [[Sarah Kane]]'s ''[[4.48 Psychosis]]'', which ran nonstop until April 2004.<ref>{{cite web|url=http://jqz.zip.net/images/wsfsp.jpg|title=theatre article|publisher=folhasp newspaper}}</ref> <ref>{{cite web|url=http://jqz.zip.net/arch2010-03-01_2010-03-31.html|title=Sarah Kane 4.48 Psicose|publisher=uol}}</ref> After this, he presented, at the [[Volksbühne]], the marathon of five plays ''[[Os Sertões|Rebellion in the Backlands]]'' staged by [[::pt::José Celso Martinez Corrêa|Zé Celso]].<ref>{{cite web|url=http://www.taz.de/1/archiv/?dig=2005/09/16/a0258|title=Krieg im Sertão|publisher=die tageszeitung}}</ref> In 2006, he created his first solo, entitled ''Plays'', based on the lecture written by [[Gertrude Stein]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2008-04-01_2008-04-30.html|title=Peças de Gertrude Stein|publisher=uol}}</ref> In the same year, he performed the title role in [[Georg Büchner]]'s ''[[Leonce and Lena]]'', directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq0308200628.htm|title=Leonce & Lena|publisher=folhasp newspaper}}</ref> In 2008, he starred in two productions: ''[[Cascando]]'' and ''[[Words and Music (play)|Words & Music]]'' by [[Samuel Beckett]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-01-01_2009-01-31.html|title=Beckett's radio plays on stage|publisher=uol}}</ref> In 2009, he directed ''[[::fr::Music-hall (Lagarce)|Music-Hall]]'' by Jean-Luc Lagarce, which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.<ref>{{cite web|url=http://epoca.globo.com/regional/sp/blogs-epoca-sp/jogo-de-cena/noticia/2013/10/os-ingremes-caminhos-da-arte.html|title=Music Hall: os íngremes caminhos da arte|publisher=época magazine}}</ref> In 2010, he created his second solo, the endless ''Abracadabra'', nominated for the Shell Awards.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq1801201011.htm|title=Luiz Päetow Abracadabra|publisher=folhasp newspaper}}</ref> <ref>{{cite web|url=http://jqz.cv.zip.net/images/rvtbrv.jpg|title=theatre review|publisher=bravo magazine}}</ref>
In 2003, Päetow played the lead in the first Brazilian production of [[Sarah Kane]]'s ''[[4.48 Psychosis]]'', which ran nonstop until April 2004.<ref>{{cite web|url=http://jqz.zip.net/images/wsfsp.jpg|title=theatre article|publisher=folhasp newspaper}}</ref> <ref name=psychosis>{{cite web|url=http://jqz.zip.net/arch2010-03-01_2010-03-31.html|title=Sarah Kane 4.48 Psicose|publisher=uol}}</ref> After this, he presented, at the [[Volksbühne]], the marathon of five plays ''[[Os Sertões|Rebellion in the Backlands]]'' staged by [[::pt::José Celso Martinez Corrêa|Zé Celso]].<ref>{{cite web|url=http://www.taz.de/1/archiv/?dig=2005/09/16/a0258|title=Krieg im Sertão|publisher=die tageszeitung}}</ref> In 2006, he created his first solo, entitled ''Plays'', based on the lecture written by [[Gertrude Stein]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2008-04-01_2008-04-30.html|title=Peças de Gertrude Stein|publisher=uol}}</ref> In the same year, he performed the title role in [[Georg Büchner]]'s ''[[Leonce and Lena]]'', directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq0308200628.htm|title=Leonce & Lena|publisher=folhasp newspaper}}</ref> In 2008, he starred in two productions: ''[[Cascando]]'' and ''[[Words and Music (play)|Words & Music]]'' by [[Samuel Beckett]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2009-01-01_2009-01-31.html|title=Beckett's radio plays on stage|publisher=uol}}</ref> In 2009, he directed ''[[::fr::Music-hall (Lagarce)|Music-Hall]]'' by Jean-Luc Lagarce, which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.<ref>{{cite web|url=http://epoca.globo.com/regional/sp/blogs-epoca-sp/jogo-de-cena/noticia/2013/10/os-ingremes-caminhos-da-arte.html|title=Music Hall: os íngremes caminhos da arte|publisher=época magazine}}</ref> In 2010, he created his second solo, the endless ''Abracadabra'', nominated for the Shell Awards.<ref>{{cite web|url=http://www1.folha.uol.com.br/fsp/ilustrad/fq1801201011.htm|title=Luiz Päetow Abracadabra|publisher=folhasp newspaper}}</ref> <ref>{{cite web|url=http://jqz.cv.zip.net/images/rvtbrv.jpg|title=theatre review|publisher=bravo magazine}}</ref>


In 2011, Päetow premiered his third solo, ''Ex-Machines''. Back to [[Berlin]], he developed a partnership with two musical ensembles, Klank and Trio Nexus, in order to create his play ''Der Hausierer'', freely based on the novel ''The Peddler'' by [[Peter Handke]].<ref>{{cite web|url=http://jqz.zip.net/arch2012-02-01_2012-02-29.html|title=der hausierer|publisher=uol}}</ref> The next year, he directed two dance pieces: ''Occurrences'' and ''Or Memory Reinvented'', both recipients of the São Paulo City Hall Dance Sponsorship.<ref>{{cite web|url=http://jqz.zip.net/arch2012-01-01_2012-01-31.html|title=Ocorrências|publisher=uol}}</ref><ref>{{cite web|url=http://jqz.zip.net/arch2012-03-01_2012-03-31.html|title=Ou Memória Reinventada|publisher=uol}}</ref> In 2014, he presented a new solo, ''Lazarus'', his adaptation of [[Hilda Hilst]]'s homonymous short story.<ref>{{cite web|url=http://www.sescsp.org.br/programacao/26769_LAZARO|title=Lázaro|publisher=sesc}}</ref> Then, he coordinated an artistic residency inside the ruins of an historic movie theater, where he presented open rehearsals for ''W'', his next creation.<ref>{{cite web|url=http://jqz.cv.zip.net/images/z8w.jpg|title=Cine Art Palacio|publisher=folhasp newspaper}}</ref> In 2015, invited by Felipe Hirsch, he took part in ''Puzzle'', performing the poetry of [[Haroldo de Campos]], [[Paulo Leminski]] and [[Gregório de Matos]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2013-06-01_2013-06-30.html|title=puzzle sesc|publisher=uol}}</ref>
In 2011, Päetow premiered his third solo, ''Ex-Machines''. Back to [[Berlin]], he developed a partnership with two musical ensembles, Klank and Trio Nexus, in order to create his play ''Der Hausierer'', freely based on the novel ''The Peddler'' by [[Peter Handke]].<ref>{{cite web|url=http://jqz.zip.net/arch2012-02-01_2012-02-29.html|title=der hausierer|publisher=uol}}</ref> The next year, he directed two dance pieces: ''Occurrences'' and ''Or Memory Reinvented'', both recipients of the São Paulo City Hall Dance Sponsorship.<ref>{{cite web|url=http://jqz.zip.net/arch2012-01-01_2012-01-31.html|title=Ocorrências|publisher=uol}}</ref><ref>{{cite web|url=http://jqz.zip.net/arch2012-03-01_2012-03-31.html|title=Ou Memória Reinventada|publisher=uol}}</ref> In 2014, he presented a new solo, ''Lazarus'', his adaptation of [[Hilda Hilst]]'s homonymous short story.<ref>{{cite web|url=http://www.sescsp.org.br/programacao/26769_LAZARO|title=Lázaro|publisher=sesc}}</ref> Then, he coordinated an artistic residency inside the ruins of an historic movie theater, where he presented open rehearsals for ''W'', his next creation.<ref>{{cite web|url=http://jqz.cv.zip.net/images/z8w.jpg|title=Cine Art Palacio|publisher=folhasp newspaper}}</ref> In 2015, invited by Felipe Hirsch, he took part in ''Puzzle'', performing the poetry of [[Haroldo de Campos]], [[Paulo Leminski]] and [[Gregório de Matos]].<ref>{{cite web|url=http://jqz.cv.zip.net/arch2013-06-01_2013-06-30.html|title=puzzle sesc|publisher=uol}}</ref>


== Awards and nominations ==
== Awards and nominations ==
* Theatre Shell - nomination for ''Abracadabra'' (2011)<ref>[http://jqz.cv.zip.net/arch2009-06-01_2009-06-30.html]</ref>
* Theatre Shell<ref name=shell>[http://www.shell.com.br/sustentabilidade/premio-shell-de-teatro.html]</ref> - nomination for ''Abracadabra'' (2011)<ref>[http://jqz.cv.zip.net/arch2009-06-01_2009-06-30.html]</ref>
* Theatre Shell - award for ''Music-Hall'' (2010)<ref>[http://jqz.cv.zip.net/arch2009-03-01_2009-03-31.html]</ref>
* Theatre Shell<ref name=shell/> - award for ''Music-Hall'' (2010)<ref>[http://jqz.cv.zip.net/arch2009-03-01_2009-03-31.html]</ref>
* [[Associação Paulista de Críticos de Arte|Art Critics' Association]] - leading actor nomination for ''Leonce and Lena'' (2007)<ref>[http://jqz.cv.zip.net/arch2008-05-01_2008-05-31.html]</ref>
* [[Associação Paulista de Críticos de Arte|Art Critics' Association]] - leading actor nomination for ''Leonce and Lena'' (2007)<ref>[http://jqz.cv.zip.net/arch2008-05-01_2008-05-31.html]</ref>
* Brazil's Artistic Quality - leading actor nomination for ''4.48 Psychosis'' (2004)<ref>[http://jqz.zip.net/arch2010-03-01_2010-03-31.html]</ref>
* Brazil's Artistic Quality<ref>[http://premioartequalidade.org.br/site/sala-de-imprensa/]</ref> - leading actor nomination for ''4.48 Psychosis'' (2004)<ref name=psychosis/>
* Theatre Shell - award for ''Prêt-à-Porter'' (1998-2008)<ref>[http://jqz.zip.net/arch2009-12-01_2009-12-31.html]</ref>
* Theatre Shell<ref name=shell/> - award for ''Prêt-à-Porter'' (1998-2008)<ref name=porter/>
* Art Critics' Association - award for ''The Trojan Fragments'' (2000)<ref>[http://jqz.zip.net/arch2009-11-01_2009-11-30.html]</ref>
* [[Associação Paulista de Críticos de Arte|Art Critics' Association]] - award for ''The Trojan Fragments'' (2000)<ref>[http://jqz.zip.net/arch2009-11-01_2009-11-30.html]</ref>
* Theatre Shell - award for ''The Trojan Fragments'' (2000)<ref>[http://jqz.zip.net/arch2009-11-01_2009-11-30.html]</ref>
* Theatre Shell<ref name=shell/> - award for ''The Trojan Fragments'' (2000)<ref>[http://jqz.zip.net/arch2009-11-01_2009-11-30.html]</ref>


==References==
==References==

Revision as of 12:17, 6 April 2016

Luiz Päetow

Luiz Päetow (born 1979) is a Brazilian theatre director, actor and playwright.

Early life and education

Päetow started his theatrical career, at age 11, with several productions of the British Council Theatre Group in São Paulo, including plays by William Shakespeare, Federico Garcia Lorca, Nelson Rodrigues, and also musicals by Cole Porter with guest director Nancy Diuguid. Later, he entered the Conservatory for Dramatic Arts and acted in Peter Weiss' Marat/Sade, Tennessee Williams' The Glass Menagerie, Arnold Wesker's The Kitchen, Bertolt Brecht's The Baden-Baden Lesson on Consent.[1]

Career

Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental Prêt-à-Porter. For this specific project, he directed, wrote and starred in five plays: Passengers, Under the Bridge, No Concert, Hours of Punishment and Wings of the Shadow.[2] In 1998, he worked as assistant director[3] to Daniela Thomas on Anton Chekhov's The Seagull, starring Fernanda Montenegro. In 1999, he worked on The Trojan Fragments[4] which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival[5] [6] and was also presented at the second Theatre Olympics in Shizuoka, where Päetow represented Brazil on the International Committee, with Tadashi Suzuki, Robert Wilson, Yuri Lyubimov, Nuria Espert and Theodoros Terzopoulos. At this meeting, they discussed the performing arts of the next century.[1] In 2000, he debuted as an opera director with Henry Purcell's The Fairy-Queen.[7]

In 2003, Päetow played the lead in the first Brazilian production of Sarah Kane's 4.48 Psychosis, which ran nonstop until April 2004.[8] [9] After this, he presented, at the Volksbühne, the marathon of five plays Rebellion in the Backlands staged by [[::pt::José Celso Martinez Corrêa|Zé Celso]].[10] In 2006, he created his first solo, entitled Plays, based on the lecture written by Gertrude Stein.[11] In the same year, he performed the title role in Georg Büchner's Leonce and Lena, directed by Gabriel Villela, nominated as best actor by the Art Critics' Association Prize.[12] In 2008, he starred in two productions: Cascando and Words & Music by Samuel Beckett.[13] In 2009, he directed [[::fr::Music-hall (Lagarce)|Music-Hall]] by Jean-Luc Lagarce, which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award.[14] In 2010, he created his second solo, the endless Abracadabra, nominated for the Shell Awards.[15] [16]

In 2011, Päetow premiered his third solo, Ex-Machines. Back to Berlin, he developed a partnership with two musical ensembles, Klank and Trio Nexus, in order to create his play Der Hausierer, freely based on the novel The Peddler by Peter Handke.[17] The next year, he directed two dance pieces: Occurrences and Or Memory Reinvented, both recipients of the São Paulo City Hall Dance Sponsorship.[18][19] In 2014, he presented a new solo, Lazarus, his adaptation of Hilda Hilst's homonymous short story.[20] Then, he coordinated an artistic residency inside the ruins of an historic movie theater, where he presented open rehearsals for W, his next creation.[21] In 2015, invited by Felipe Hirsch, he took part in Puzzle, performing the poetry of Haroldo de Campos, Paulo Leminski and Gregório de Matos.[22]

Awards and nominations

  • Theatre Shell[23] - nomination for Abracadabra (2011)[24]
  • Theatre Shell[23] - award for Music-Hall (2010)[25]
  • Art Critics' Association - leading actor nomination for Leonce and Lena (2007)[26]
  • Brazil's Artistic Quality[27] - leading actor nomination for 4.48 Psychosis (2004)[9]
  • Theatre Shell[23] - award for Prêt-à-Porter (1998-2008)[2]
  • Art Critics' Association - award for The Trojan Fragments (2000)[28]
  • Theatre Shell[23] - award for The Trojan Fragments (2000)[29]

References

  1. ^ a b "interview in Portuguese". SP theatre magazine.
  2. ^ a b "Prêt-à-Porter". uol.
  3. ^ "Da Gaivota". itaucultural.
  4. ^ "Fragmentos Troianos". sesc.
  5. ^ "interview in Turkish". radikal newspaper.
  6. ^ "Istanbul International Theatre Festival". iksv.
  7. ^ "Ópera Purcell". caderno2 newspaper.
  8. ^ "theatre article". folhasp newspaper.
  9. ^ a b "Sarah Kane 4.48 Psicose". uol.
  10. ^ "Krieg im Sertão". die tageszeitung.
  11. ^ "Peças de Gertrude Stein". uol.
  12. ^ "Leonce & Lena". folhasp newspaper.
  13. ^ "Beckett's radio plays on stage". uol.
  14. ^ "Music Hall: os íngremes caminhos da arte". época magazine.
  15. ^ "Luiz Päetow Abracadabra". folhasp newspaper.
  16. ^ "theatre review". bravo magazine.
  17. ^ "der hausierer". uol.
  18. ^ "Ocorrências". uol.
  19. ^ "Ou Memória Reinventada". uol.
  20. ^ "Lázaro". sesc.
  21. ^ "Cine Art Palacio". folhasp newspaper.
  22. ^ "puzzle sesc". uol.
  23. ^ a b c d [1]
  24. ^ [2]
  25. ^ [3]
  26. ^ [4]
  27. ^ [5]
  28. ^ [6]
  29. ^ [7]


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