Vivian Grey: Difference between revisions
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'''''Vivian Grey''''' is [[Benjamin Disraeli]]'s first novel, published by [[Henry Colburn]] in 1826. Originally published anonymously, ostensibly by a so-called "man of fashion", part 1 caused a considerable sensation in London society. Contemporary reviewers, suspicious of the numerous [[solecism]]s contained within the text, eventually identified the young Disraeli (who did ''not'' move in high society) as the author. Disraeli continued the tale in a second volume, also of 1826, and three subsequent volumes in 1827. The form in which ''Vivian Grey'' is published now is the revised 1853 edition, which was severely expurgated and, according to critic Wendy Burton, lost much of the charm and freshness of the 1826 edition.<ref |
'''''Vivian Grey''''' is [[Benjamin Disraeli]]'s first novel, published by [[Henry Colburn]] in 1826. Originally published anonymously, ostensibly by a so-called "man of fashion", part 1 caused a considerable sensation in London society. Contemporary reviewers, suspicious of the numerous [[solecism]]s contained within the text, eventually identified the young Disraeli (who did ''not'' move in high society) as the author. Disraeli continued the tale in a second volume, also of 1826, and three subsequent volumes in 1827. The form in which ''Vivian Grey'' is published now is the revised 1853 edition, which was severely expurgated and, according to critic Wendy Burton, lost much of the charm and freshness of the 1826 edition.<ref>{{Cite thesis |title=The mask of Vivian Grey :an examination of Benjamin Disraeli's Vivian Grey, Part 1, 1826 |last=Burton |first=Wendy Ellen |date=1976 |degree=MA |publisher=[[Queen's University at Kingston]] |oclc=15853215}}</ref> The book is a frequent touchstone for discussions of Disraeli's political and literary career. |
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==Synopsis== |
==Synopsis== |
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''Vivian Grey'' follows its eponymous hero from childhood through his attempt to succeed in the world of politics. The various systems of education through which Vivian Grey passes are analysed. The final system of education is experience, which proves the most instructive and the most shattering. Vivian chooses politics as his career and the novel traces his abortive attempt to gain political power through manipulation of an influential but ineffectual member of parliament. Vivian attempts to organise a party around the Marquess of Carabas, and is ultimately thwarted by his inexperience and naivete in dealing with the political machine. Vivian emerges as a misguided and arrogant young man who is ruthless in his pursuit of power. The catastrophe at the conclusion provides Vivian with a brutal but essential lesson in human behaviour. The novel offers a comment on the political and social temper of England in the early 1820s, and is specifically concerned with the question of personal advancement in a rigidly restrictive social structure. The plot is commonly considered to be a thinly-disguised re-telling of Disraeli's involvement with [[John Murray (publisher, born 1778)|John Murray]] in the publication and failure of a new newspaper, ''[[The Representative (newspaper)|The Representative]].''<ref name="Disraeli84–86">{{DisraeliRef|pages=84–86}}</ref> |
''Vivian Grey'' follows its eponymous hero from childhood through his attempt to succeed in the world of politics. The various systems of education through which Vivian Grey passes are analysed. The final system of education is experience, which proves the most instructive and the most shattering. Vivian chooses politics as his career and the novel traces his abortive attempt to gain political power through manipulation of an influential but ineffectual member of parliament. Vivian attempts to organise a party around the Marquess of Carabas, and is ultimately thwarted by his inexperience and naivete in dealing with the political machine. Vivian emerges as a misguided and arrogant young man who is ruthless in his pursuit of power. The catastrophe at the conclusion provides Vivian with a brutal but essential lesson in human behaviour. The novel offers a comment on the political and social temper of England in the early 1820s, and is specifically concerned with the question of personal advancement in a rigidly restrictive social structure. The plot is commonly considered to be a thinly-disguised re-telling of Disraeli's involvement with [[John Murray (publisher, born 1778)|John Murray]] in the publication and failure of a new newspaper, ''[[The Representative (newspaper)|The Representative]].''<ref name="Disraeli84–86">{{DisraeliRef|pages=84–86}}</ref> |
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==Criticism== |
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When published in 1826, ''Vivian Grey'' received largely negative reviews.<ref>{{cite journal |last1=Lansdown |first1=Richard |last2=Speck |first2=W. A. |title=Byron and Disraeli: The Mediterranean Tours |journal=The Wordsworth Circle |date=2012 |volume=43 |issue=2 |page=107 |url=https://www.jstor.org/stable/24043975 |access-date=8 November 2022 |publisher=University of Chicago Press |issn=0043-8006}}</ref> |
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| ⚫ | ''Vivian Grey'' provided a natural beginning for students of Disraeli, and a frequent touchstone for discussions of Disraeli's political and literary career. This situation is possible only when the scholar accepts the protagonist of ''Vivian Grey'' as a replica of the author, revealed in uncounselled and damaging testimony. The details of the composition of the first part of the novel, and the role of Sara Austen in that composition, as well as awareness of publishing practices in the 1820s in London, challenge the assumption that Vivian Grey is synonymous with the young Benjamin Disraeli. |
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| ⚫ | ''Vivian Grey'' provided a natural beginning for students of Disraeli, and a frequent touchstone for discussions of Disraeli's political and literary career. This situation is possible only when the scholar accepts the protagonist of ''Vivian Grey'' as a replica of the author, revealed in uncounselled and damaging testimony. The details of the composition of the first part of the novel, and the role of Sara Austen in that composition, as well as awareness of publishing practices in the 1820s in London, challenge the assumption that Vivian Grey is synonymous with the young Benjamin Disraeli.{{cn|date=October 2022}} |
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==Legacy== |
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| ⚫ | Some commentators have suggested that ''Vivian Grey'' influenced [[Oscar Wilde]] in the writing of his only novel, ''[[The Picture of Dorian Gray#Literary significance|The Picture of Dorian Gray]]''.<ref |
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| ⚫ | Some commentators have suggested that ''Vivian Grey'' influenced [[Oscar Wilde]] in the writing of his only novel, ''[[The Picture of Dorian Gray#Literary significance|The Picture of Dorian Gray]]''.<ref>{{cite news |last1=McCrum |first1=Robert |title=The 100 best novels: No 11 – Sybil by Benjamin Disraeli (1845) |url=https://www.theguardian.com/books/2013/dec/02/sybil-benjamin-disraeli-100-best-novels |access-date=8 November 2022 |work=The Guardian |date=2 December 2013 |language=en}}</ref><ref>{{cite journal |last=Clausson |first=Nils |title=Lady Alroy's Secret: 'Surface and Symbol' in Wilde's 'The Sphinx without a Secret' |journal=The Wildean |issue=28 |date=January 2006 |pages=24–32 |publisher=Oscar Wilde Society |jstor=45269274}}</ref> |
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==References== |
==References== |
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Revision as of 03:09, 8 November 2022
 First edition title page. | |
| Author | Benjamin Disraeli |
|---|---|
| Language | English |
| Publisher | Henry Colburn |
Publication date | 1826 |
| Media type | |
Vivian Grey is Benjamin Disraeli's first novel, published by Henry Colburn in 1826. Originally published anonymously, ostensibly by a so-called "man of fashion", part 1 caused a considerable sensation in London society. Contemporary reviewers, suspicious of the numerous solecisms contained within the text, eventually identified the young Disraeli (who did not move in high society) as the author. Disraeli continued the tale in a second volume, also of 1826, and three subsequent volumes in 1827. The form in which Vivian Grey is published now is the revised 1853 edition, which was severely expurgated and, according to critic Wendy Burton, lost much of the charm and freshness of the 1826 edition.[1] The book is a frequent touchstone for discussions of Disraeli's political and literary career.
Synopsis
Vivian Grey follows its eponymous hero from childhood through his attempt to succeed in the world of politics. The various systems of education through which Vivian Grey passes are analysed. The final system of education is experience, which proves the most instructive and the most shattering. Vivian chooses politics as his career and the novel traces his abortive attempt to gain political power through manipulation of an influential but ineffectual member of parliament. Vivian attempts to organise a party around the Marquess of Carabas, and is ultimately thwarted by his inexperience and naivete in dealing with the political machine. Vivian emerges as a misguided and arrogant young man who is ruthless in his pursuit of power. The catastrophe at the conclusion provides Vivian with a brutal but essential lesson in human behaviour. The novel offers a comment on the political and social temper of England in the early 1820s, and is specifically concerned with the question of personal advancement in a rigidly restrictive social structure. The plot is commonly considered to be a thinly-disguised re-telling of Disraeli's involvement with John Murray in the publication and failure of a new newspaper, The Representative.[2]
Criticism
When published in 1826, Vivian Grey received largely negative reviews.[3]
Vivian Grey provided a natural beginning for students of Disraeli, and a frequent touchstone for discussions of Disraeli's political and literary career. This situation is possible only when the scholar accepts the protagonist of Vivian Grey as a replica of the author, revealed in uncounselled and damaging testimony. The details of the composition of the first part of the novel, and the role of Sara Austen in that composition, as well as awareness of publishing practices in the 1820s in London, challenge the assumption that Vivian Grey is synonymous with the young Benjamin Disraeli.[citation needed]
Legacy
The British poet Mary Montgomerie Lamb took her pen name 'Violet Fane' from a character in this novel.[citation needed]
Some commentators have suggested that Vivian Grey influenced Oscar Wilde in the writing of his only novel, The Picture of Dorian Gray.[4][5]
References
- ^ Burton, Wendy Ellen (1976). The mask of Vivian Grey :an examination of Benjamin Disraeli's Vivian Grey, Part 1, 1826 (MA thesis). Queen's University at Kingston. OCLC 15853215.
- ^ Blake, Robert (1966). Disraeli. New York: St. Martin's Press. pp. 84–86. ISBN 0-19-832903-2. OCLC 8047.
- ^ Lansdown, Richard; Speck, W. A. (2012). "Byron and Disraeli: The Mediterranean Tours". The Wordsworth Circle. 43 (2). University of Chicago Press: 107. ISSN 0043-8006. Retrieved 8 November 2022.
- ^ McCrum, Robert (2 December 2013). "The 100 best novels: No 11 – Sybil by Benjamin Disraeli (1845)". The Guardian. Retrieved 8 November 2022.
- ^ Clausson, Nils (January 2006). "Lady Alroy's Secret: 'Surface and Symbol' in Wilde's 'The Sphinx without a Secret'". The Wildean (28). Oscar Wilde Society: 24–32. JSTOR 45269274.