Boston crab: Difference between revisions
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Revision as of 16:10, 22 February 2007
 | This article possibly contains original research. (February 2007) |
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The Boston crab is a professional wrestling hold that typically starts with the opponent laying back-first on the mat, with the wrestler standing and facing them. It is a type of spinal lock where the wrestler hooks each of the opponent’s legs in one of his arms, and then turns the opponent face-down, stepping over him in the process. The final position has the wrestler in a semi-sitting position and facing away from his opponent, with the opponent’s back and legs bent back toward his face. This often sees the attacking wrestler perform double leg takedown while remaining upright with the opponent's legs hook so they can be turned into the Boston crab.
In modern wrestling, the Boston crab isn't treated as a lethal submission maneuver, even though it was considered a finishing hold in the past, used by such wrestlers as Rick "The Model" Martel in the WWF and Nobuhiko Takada in the original Japanese UWF.
Many different variations are used today, including the Elevated Boston Crab used by Chris Jericho, who calls it the Walls of Jericho.
Jericho's original version while in WCW (known then as the Liontamer) involved placing his knee in the small of his opponent’s back, thus further wrenching the neck and delivering more pain. Jericho would later alter the move not long after arriving to WWF/E, however, and now the move is nothing more than a higher version of the Boston Crab.
Variations
Cross-legged Boston crab
This variation of a normal Boston crab sees the attacking wrestler get a hold of both of the opponent's feet, then crossing both legs over before tucking both legs under its opposite armpit (i.e. left leg under wrestler’s right armpit). After completing this, the attacking wrestler turns the opponent face-down, stepping over him/her in the process to secure the hold.
Inverted Boston crab
Identical to a Boston crab, but with the wrestler facing in the same direction as the opponent. The wrestler squats over the opponent with the opponent’s legs positioned under their arms.
Single leg Boston crab
Also known as a Half Boston Crab or Half Crab, a move that typically starts with the opponent on his back, and the attacking wrestler standing and facing them. The attack wrestler hooks one of the opponent's legs in one of his/her arms, and then turns the opponent face-down, stepping over him in the process. The final position has the wrestler is in a semi-sitting position and facing away from his/her opponent, with the opponent's back and leg bent back toward his/her face, sometimes the attacking wrestler will place their leg so that his/her knee digs into the back of the opponent. A variation with the attacking wrestler kneeling side-ways while having the leg hooked can be performed.
Lance Storm's Canadian Maple Leaf is a variation of this in which he performs a back somersault roll on the mat, catching a running opponent into a single leg crab.
Single leg Boston crab with armlock
The attacking wrestler approaches a supine opponent and seizes one of their arms before walking around the opponent's head to their other side, thus forcing the opponent to roll onto their stomach. The wrestler then kneels on the back of the opponent, clinching the opponent's arm behind their knee, and applies a single leg Boston crab.
Rope hung Boston crab
This move involves a wrestler hooking each of an opponent's legs in one of his/her arms, and draping the opponent over the top rope, at this point the wrestler would hook the arms of the opponent with his/her legs securing the hold.
As this move involves the use of the ropes the wrestler utilizing it must break before the referee uses up a five-count.
The Tarantula variation of this move (mainly used by Yoshihiro Tajiri) involves the wrestler hooking an opponent's arms around the top rope and legs around the bottom rope, so the move is performed upside down. It is rare to gain a submission with the Tarantula, since it is technically illegal and must be broken on a count of five.