List of compositions by Elisabeth Lutyens: Difference between revisions
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| 1974 || Op. 99 || Kareniana || vla, ens || 14' || unperformed || || || UYMP || |
| 1974 || Op. 99 || Kareniana || vla, ens || 14' || unperformed || || || UYMP || |
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| 1975 || Op. 100 || Plenum IV (What Is The Wind, What Is It) || 2 organs || duration || London 05.03.1975 || Stephen and Nicholas Cleobury || LP<ref>Stephen and Nicholas Cleobury, Vista VPS 1039 (1976)</ref> CD<ref name="ORG" /> || UYMP || |
| 1975 || Op. 100 || Plenum IV (What Is The Wind, What Is It) || 2 organs || duration || RFH, London 05.03.1975 || Stephen and Nicholas Cleobury || LP<ref>Stephen and Nicholas Cleobury, Vista VPS 1039 (1976)</ref> CD<ref name="ORG" /> || UYMP || |
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| 1975 || Op. 101 || Eos || orch || 10' || Nottingham 24.02.1975 || || CD<ref name="RES3">RES10315 (2023)</ref> || UYMP || |
| 1975 || Op. 101 || Eos || orch || 10' || Nottingham 24.02.1975 || || CD<ref name="RES3">RES10315 (2023)</ref> || UYMP || |
Revision as of 18:41, 16 August 2023
This is a list of compositions by Elisabeth Lutyens (1906–83), a British composer of contemporary classical music. Lutyens's music was published by numerous publishers.
Sources
This list is based on that compiled by Glyn Perrin in New Music 88[1], with corrections and additions from A Pilgrim Soul: Life and Work of Elisabeth Lutyens by Meirion and Susie Harries (1989)[2].
Publishers
- AUG = Augener
- dW = de Wolfe
- LEN = Lengnick
- MIL = Belwin Mills Music Ltd.
- NOV = Novello/Wise[3]
- SCH = Schott Music
- UYMP = University of York Music PressUYMP
- YOR = Yorke Edition
List of works
Year | Opus | Title | Scoring | Duration | Premiere | Performer(s) | Recording | Publisher | Note |
---|---|---|---|---|---|---|---|---|---|
1937 | — | The Check Book | piano (for children) | 10' | CD[4] | AUG | |||
1937 | Op. 5 No. 1 | String Quartet No. 1 | string quartet | London Februar 1939 | destroyed | ||||
1938 | Op. 5 No. 4 | Sonata for Solo Viola | viola | 11' | 1950-08-20 Darmstadt? | Michael Mann? | MIL | ||
1938 | Op. 5 No. 5 | String Quartet No. 2 | string quartet | 19' | probably Warsaw 17.04.1939 | LEN | |||
1939 | Op. 5 No. 6 | String Trio | 8' | London 03.05.1945 | MIL | ||||
1939 | Op. 7 | Three Pieces for Orchestra | 4' | London 07.09.1940 | MIL | ||||
1939 | Op. 8 No. 1 | Chamber Concerto | nine instruments | 9' | London 11.06.1943 | CD[5] | MIL[6] | ||
1940-41 | Op. 8 No. 2 | Chamber Concerto | clarinet, ten sax, piano, string orchestra | 10' | ?1945 | MIL | |||
1941 | Op. 9 | Five Intermezzi | piano | 6' | Paris 1946 or BBC 16.11.1947 | LP[7] CD[8] CD[4] | MIL | ||
1942 | — | Three Symphonic Preludes | orch | 12' | London 07.07.1946 | MIL | |||
1942 | — | Two Songs | voice, piano | Wigmore Hall, 17 November 1945 | Hedli Anderson/Norman Franklin | CD[9] | UYMP | Text: W. H. Auden | |
1942 | Op. 10 | Nine Bagatelles | cello, piano | 6' | CD[10] | MIL | |||
1944 | — | Suite Gauloise | violin, piano | 12' | dW | ||||
1945 | Op. 8 No. 3 | Chamber Concerto | bassoon, string orchestra, percussion | 10' | London 18.01.1946 | MIL[11] | |||
1945 | Op. 14 No. 1 | Five Little Pieces | clarinet, piano | 5' | London 03.11.1962 | CD[12] | SCH[13] | ||
1946 | Op. 13 | Ô Saisons, Ô Châteaux, Cantata | soprano, strings | 7' | London 11.02.1947 | LP[14] CD[15] | MIL[16] | Text: Arthur Rimbaud | |
1946 | - | Air-Dance-Ground | viola, piano | MIL | arrangement of Henry Purcell | ||||
1946-47 | Op. 8 no. 4 | Chamber Concerto | horn, small orchestra | 12' | Scheveningen 12.06.1948 | MIL | ded: Dennis Brain | ||
1946-47 | Op. 8 No. 5 | Chamber Concerto | string quartet, small orchestra | 12' | MIL | ||||
1947 | Op. 14 | The Pit, Dramatic Scene | tenor and bass soli, women's chorus, orchestra | 30' | MIL | Text: W. R. Rodgers | |||
1947 | Op. 15 | Concerto for Viola and Orchestra | vla, orch | 15' | London 08.09.1950 | MIL | |||
1948 | Op. 16 | Requiem for the Living | soli/chorus/orchestra | 30.09.1952 | |||||
1948 | Op. 17 | Suite | solo organ | 6' | London 16.06.1951 | CD[17] | ? | ded: Edward Clark | |
1948 | — | Aptote | solo violin | 9' | London ?02.03.1948 | LEN | |||
1948 | — | Three Improvisations | piano | 6' | CD[8] CD[4] | LEN | |||
1948 | — | Nine Songs | voice, piano | 13' | LP/CD[18] | UYMP | Text: Stevie Smith | ||
1948 | — | Ninepins | 2 violins (teacher/pupil) | MIL | |||||
1949 | Op. 18 | String Quartet No. 3 | string quartet | 14' | 23.01.1951 | MIL | |||
1949 | Op. 19 | Ballet | 9 wind and perc | unperformed | |||||
1950 | Op. 20 | Prelude and capriccio | solo cello | MIL | |||||
1950 | Op. 22 | Concertante for Five Players | 10' | Hampstead 11.02.1952 | MIL | ||||
1951 | — | Nativity | soprano, string orchestra (or organ) | 6' | London 05.06.1951 | CD[19] CD[17] | NOV | Text: W. R. Rodgers | |
1952 | - | String Quartet No. 4 | string quartet | unperformed | - | ||||
1952 | - | String Quartet No. 5 | string quartet | unperformed | - | ||||
1952 | Op. 25 | String Quartet No. 6 | string quartet | 8' | London 06.12.1954 | LP[20] LP/CD[21] | MIL | ||
1952 | Op. 27 | Excerpta Tractati Logico-Philosophici (Motet) | unaccompanied chorus | 10' | Dartington August 1954 | - | LP[22] CD[23] | SCH | Text: Wittgenstein. Commissioned by William Glock |
1953-54 | Op. 28 | Valediction | cl, pno | 10' | London 15.06.1954 | LP[24] CD[25] | Mills | ||
1954 | Op. 29 | Infidelio | sop, ten, 7 instr | 40' | 17 April 1973 | UYMP | |||
1955 | Op. 30 | Nocturnes | vln, gtr, vc | 6' | London 10.12.1954 | SCH | |||
1955 | Op. 31 | Music for Orchestra I | 20' | 1961-06-01 | BBC SO/Maderna | CD[26] | MIL | ||
1955 | Op. 32 | Sinfonia | organ | 7' | April 21, 1956, RFH | Ralph Downes | CD[17] | SCH[27] | |
1955 | Op. 33 | Capriccii | 2 hp, perc | 8' | December 4, 1984, Wigmore Hall - OR London 12.12.1955 | SCH[28] | |||
1956-57 | Op. 34 No. 1 | Sonance (Duo) | hn/pno | 10' | SCH | ||||
1956-57 | Op. 34 No. 2 | Duo | vc/pno | 10' | SCH | ||||
1956-57 | Op. 34 No. 3 | Duo | vln/pno | 11' | SCH | see Op. 41 | |||
1956 | Op. 36 | Chorale for Orchestra | orch[29] | 4' | 1971 | RPO | SCH[30] | ded: to | |
1956/65 | Op. 37 | In The Temple Of A Bird's Wing | bar, pno | duration | 1966, Arts Council Drawing Room | Benjamin Luxon, Paul Hamburger | UYMP | ||
1957 | Op. 38 | Variations | flute | 4'30" | London 18.11.1960 | CD[31] | MIL | ||
1957 | Op. 39 | De Amore | soprano, tenor, mixed chorus and orchestra | 40' | 1973-09-07, BBC Proms | Jane Manning, Philip Langridge, BBC Singers, London Choral Society, BBC SO, Leon Lovett | SCH[32] | UA 1970? | |
1957 | Op. 41 | Fantasie-Variations | vln/pno | 11' | - | - | - | - | see Op. 34 no. 3 |
1957 | Op. 42 | Six Tempi | 10 instr | 13' | London 1959 | CD[5] | MIL | ||
1956 | Op. 43 | Piano e Forte | piano | 15' | London 1960 | LP[7] CD[4] | MIL | ||
1960 | Op. 44 | Quincunx | bar, sop, orch | 20' | Cheltenham 12.07.1962. | LP[33]=[34] | UYMP | ||
1960 | Op. 45 | Wind Quintet | fl.ob.cl.bsn.hn | 12' | LP[20] | MIL | |||
1961 | Op. 46 | Symphonies for solo piano, wind, harps and percussion | wind/hp/perc[35] | 17' | July 28, 1961, Proms | Katharina Wolpe, Malcom Sargent, BBC SO | SCH[36] | ||
1961 | Op. 47 | Catena | sop, ten, 21 instruments | 40' | SCH | ||||
1962 | Op. 48 | Music for Orchestra II | orch[37] | 11' | March 23, 1969 or Straßburg September 1962 | BBC SO | SCH[38] | ||
1962 | Op. 49 | Five Bagatelles | piano | 5' | Liverpool 10.10.1963 | Katharina Wolpe | LP[20] LP[7] CD[8] CD[4] | SCH | |
1957/1963 | Op. 50 | The Country of the Stars | unaccompanied chorus | 10' | 20.03.1963 | CD[23], IonianUsk | NOV | ||
1963 | Op. 51 | String Quintet | 21' | Manchester 12.05.1976 | SCH | ||||
1963 | Op. 52 | Wind Trio | fl, cl, bsn | 10' | December 10, 1963, Concert Hall, BBC Broadcasting House | Douglas Whittaker, Colin Bradbury, Geoffrey Gambold | CD[23] | SCH[39] | |
1963 | Op. 53 | Présages | ob | 9' | 1965, Wigmore Hall | Janet Craxton | CD[23] | UYMP | |
1963 | Op. 54 | Encomion | chorus, brass, percussion | 17' | 1964-04-15 Liverpool Metrropolitan Cathedral | Sandon Ensemble | SCH | ||
1963 | Op. 55 | Fantasie Trio | fl, cl, pno | 11' | Dec 1963, Dublin | Chantry Ensemble | CD[23] | UYMP | |
1963 | Op. 56 | Music for Orchestra III | orch[40] | 14' | 1967-07-19 or c1967-07-17 | Polish Radio Orchestra | SCH[41] | ||
1964 | Op. 57 | String Trio | vln, via, vc | 10' | London 05.12.1965 | CD[23] | SCH[42] | ||
1964 | Op. 58 | Scena | vln, vc, perc | 13' | London 10.12.1965 | SCH[43] | |||
1963 | Op. 59 | Music for Piano and Orchestra | orchestra [44] | 10’ | 1975-12-17 Hilversum (NL) | Radio Filharmonisch Orkest | CD[45] | SCH | |
1964 | Op. 60 | Music for Wind | double quintet | 11' | 1965-12-15 or Liverpool 24.06.1965 | Portia Ensemble | SCH[46] | ||
1964/5 | Op. 61 | The hymn of a man | mixed choir | 10' | - | see Op. 61 below | |||
1965 | Op. 62 | The Valley Of Hatsu-Se | sop, ens | 10' | Dartington 06.08.1965 | CD[5] | UYMP | ||
1965 | - | Magnificat and Nunc Dimitis | SATB | 11' | - | - | CD[23] | SCH | |
1965-67 | Op. 63 | The Numbered, opera | 120' | unperformed | UYMP | opera in prologue and two acts, with libretto by | |||
1966 | Op. 64 | Akapotik Rose | sop, ens | 18' | August 1966, Dartington | Jane Manning, Vesuvius Ensemble | UYMP | ||
1966 | Op. 65 | Music for Three | ob, fl, pno | 12' | UYMP | comm: Mabillon Trio | |||
1966 | Op. 66 | And Suddenly it's Evening | tenor and ensemble | 25' | 3 March 1967, QEH, London | Herbert Handt, Members of the BBC SO | LP/CD[47][34] | SCH | |
1966 | - | A Sleep of Prisoners | organ | 11' | 1966-02-28, St George’s Cath., Perth, Aus. | CD[17] | - | ||
1967 | Op. 67 No. 1 | Novenaria | orch | 12' | 16 February 1969 | BBC Training Orchestra, Walter Susskind | UYMP | ||
1967 | Op. 67 No. 2 | Helix | piano duet | 9' | London 16.02.1968 | Bradshaw/RRB? | UYMP | ||
1967 | Op. 67 No. 3 | Scroll For Li-Ho | vln, pno | 17' | London 8 April 1968 | Peter Carter, Sally Mays | UYMP | ||
1968 | Op. 67 No. ?3 or Op. 86? | Epithalamion | sop, org | 8' | St Mary’s
Church, Disley || || CD[17] || UYMP || | ||||
1968 | Op. 67 No. 4 | Horai | hn, vln, pno | 16' | Stoke-on-Trent, 24 April 1969 | Liverpool Horn Trio | UYMP | ||
1967-8 | Op. 68 | Time Off? — Not A Ghost Of A Chance! | 80' | 01.03.1972, London | UYMP | ||||
1968 | Op. 69 | Essence Of Our Happinesses | ten, ch, orch | 26' | 8.09.1970, Proms | UYMP | |||
1968 | Op. 70 | The Tyme Doth Flete | chorus, optional brass | 8'/10' | UYMP | ||||
1968 | Op. 71 | A Phoenix | sop, cl, von, pno | 6' | UYMP | ||||
1968 | Op. 71a | A Phoenix | sop, pno | 6' | 6 Oct 1969 | Jane Manning, Susan McGraw | UYMP | ||
1969 | Op. 72 | Temenos | organ | 9' 30" | CD[17] | UYMP | |||
1969 | Op. 73 | The Dying Of The Sun | guitar | 6' | 1969, Wigmore Hall | Gilbert Biberian | UYMP | ||
1969-70 | Op. 74 | Isis and Osiris, lyric drama | 8 voices, orch | 135' | 1976-11-26 Morley College | UYMP | |||
1969 | Op. 74a | Lament of Isis on the death of Osiris | sop | 5' | BBC, 6 October 1969 | Jane Manning | CD[5] | UYMP | |
1969 | OP. 74b | Trois Pièces Brèves | org | 9' | 1969-12-9 Dartington | Nicholas Danby | CD[17] | UYMP | |
1969 | Op. 75 | The Tides of Time | doublebass, piano | 6' | London 22.10.1970 | Rodney Slatford | CD [48] | YOR[49] | |
1970 | Op. 61a | The hymn of a man | mixed choir | 10' | UYMP | revision of Op. 61 | |||
1970 | Op. 76 | In The Direction Of The Beginning | bass, piano | 16' | 1979-09-08 BBC | Ian Caddy, Jennifer Coultas | UYMP | ||
1970 | Op. 77 | Anerca | speaker/actress, 10 gt, perc | 9' | Wigmore Hall, 4 May 1971 | Freda Dowie, Omegia Ensemble, Gilbert Biberian | UYMP | ||
1970 | Op. 78 | Oda A La Tormenta | mez, pno | 18' | PLG, Purcell Room, 15 January 1971 | Eiko Nakamura/Roger Smalley | UYMP | ||
1970 | Op. 79 | Vision Of Youth | sop, ens[50] | 23' | London 13.11.1972 | Matrix | UYMP | comm: Matrix | |
1970 | Op. 80 | Islands | sop, ten, narr, ens | 26' | 1971-06-07, St John's Smith Square | LS/Atherton | UYMP | ||
1971? | - | Verses of Love | choir | 7' | CD[23], CD[51], UskIonian | NOV | |||
1971 | Op. 81 | Driving Out The Death | ob, str trio | 15' | Wigmore Hall, 20 February 1972 | London Oboe Quartet | CD[52] | UYMP | |
1971 | Op. 82 | The Tears of Night | voices and ens | 13' | London 03.03.1972 | UYMP | |||
1971 | - | Requiescat | sop, string trio | 5' | BBC, 15 August 1971 | Jane Manning, Tunnell String Trio | CD[5] CD[53] | UYMP | In Memoriam Igor Stravinsky |
1971 | Op. 83 | Dirge For The Proud World | sop, c-ten, vc, hpd | 9' | Paris 13.12.1971 | UYMP | |||
1972 | Op. 84 | Voice of Quiet Waters | ch, orch | 16' | Huddersfield 14.04.1973 | UYMP | |||
1972 | Op. 85 | Counting Your Steps | ch | 16' | London 22.05.1972 | UYMP | |||
1972 | Op. 86 | Chimes and Cantos | bar, ens | 7' | London 23.04.1972 | UYMP | |||
1972 | Op. 87 | Plenum I | piano | 12' | 1972 | Katharina Wolpe | LP[7] CD[54] | UYMP | |
1972 | Op. 88 | Dialogo | ten, lute | 14' | London 12.11.1972 | UYMP | |||
1972 | Op. 89 | The Linnet From The Leaf | singers, ens | 40' | 11.11.1979 | UYMP | |||
1973 | Op. 90 | Rape Of The Moone | ens | 14' | UYMP | ||||
1973 | Op. 91 | The Waiting Game, 3 scenes | mez, bar, orch | 40' | unperformed | UYMP | |||
1973 | Op. 92 | Plenum II | ob, ens | 23' | 1974-06-14, QEH | Janet Craxton, LS, Andrew Davis | UYMP | ||
1973 | Op. 93 | Plenum III (String Quartet No. 7) | string quartet | 9‘ | London 06.05.1974 | UYMP | |||
1973 | Op. 94 | Tre | clarinet | 9' | 1977-02-27 | Alan Hacker | UYMP | ||
1973 | Op. 95 | Roads | 2 sop, c-ten, ten, bar, bs | 14' | Cheltenham 06.07.1974 | UYMP | |||
1973 | Op. 96 | Laudi | sop, ens[55] | 16' | 1974-11-11, University of Nottingham | Matrix | UYMP | ||
1973 | Op. 97 | One And The Same | 27' | York 21.06.1976 | UYMP | ||||
1974 | Op. 98 | The Winter of The World | 2 orchs | 16' | London 05.05.1974 | UYMP | |||
1974 | Op. 99 | Kareniana | vla, ens | 14' | unperformed | UYMP | |||
1975 | Op. 100 | Plenum IV (What Is The Wind, What Is It) | 2 organs | duration | RFH, London 05.03.1975 | Stephen and Nicholas Cleobury | LP[56] CD[17] | UYMP | |
1975 | Op. 101 | Eos | orch | 10' | Nottingham 24.02.1975 | CD[45] | UYMP | ||
1975 | Op. 102 | The Goldfish Bowl | opera | 120' | UYMP | ||||
1975 | Op. 103 | This Green Tide | basset horn, pno | 10' | LP[24] | UYMP | |||
1975 | Op. 104 | Pietà | harpsichord | 9' | 06.02.1977 | Colin Tilney? | UYMP | comm: Colin Tilney in memory of Dallapiccola | |
1975 | Op. 105 | Go, Said the Bird | e-guitar, string quartet | 12' | Bath 02.07.1976 | UYMP | |||
1975 | Op. 106 | The Ring of Bone | piano, optional speaking voice | 10' | Manchester 12.05.1976 | Peter Lawson | LP[57] CD[58] CD[8] CD[4] | UYMP | |
1975 | - | Fanfare for a Festival | 3 tpt, 3 tbn | 4’ | 1976-06-05 York Festival | Equale Brass | CD[59] | UYMP | |
1976 | Op. 107 | Mare et Minutiae (String Quartet No. 8) | string quartet | 17’ | York 12.06.1976 | Medici Quartet | UYMP | ||
1976 | Op. 108 | Rondel | chamber orchestra | 15' | Liverpool 25.04.1978 | RLPO | UYMP | ||
1976 | Op. 109 | Like A Window | actor, singers, flute, cello | 25' | 24.11.1977 | UYMP | |||
1976 | Op. 110 | Constants | cello and piano | 15' | London 30.01.1977 | Joan Dickson/Joyce Rathbone? | CD[60] | UYMP | comm: Joan Dickson and Joyce Rathbone |
1976 | Op. 111 | Nocturnes and Interludes | sop, pno | 18' | unperformed | UYMP | |||
1976 | Op. 111a | It Is The Hour | mixed unaccompanied chorus | 5' | Malton 29.09.1976 | UYMP | |||
1976 | Op. 112 | Concert Aria | female voice, orchestra | 12' | unperformed | UYMP | Text: anon French | ||
1976 | Op. 113 | Six Bagatelles | Chamber orch | 14' | CD[61] | UYMP | |||
1977 | Op. 114 | Fantasia | alto sax and 3 instrumental groupa | 13' | unperformed | UYMP | |||
1977 | Op. 115 | Winter Series — Spring Sowing | sop, pno | 40' | RNCM, 21 February 1979 | Jane Manning, Richard Rodney Bennett | UYMP | ||
1977 | Op. 116 | Five Impromptus | piano | 10' | 2018-10-30 Wigmore | Nicolas Hodges | CD[54] | UYMP | |
1977 | Op. 117 | Cascando | contralto, violin, string orchestra | 10' | Hilversum 04.12.1979 | UYMP | |||
1977 | Op. 118 | Nox | solo piano and 2 chamber orchestras | 14' | London 15.12.1983 | UYMP | |||
1977 | Op. 119 | Madrigal | oboe & violin | 8' | 21 January 1981, Redcliffe Concert | Janet Craxton, Perry Hart | UYMP | ||
1977 | Op. 120 | By All These | sop, gtr | 7' | BMIC, 30 March 1981 | Alison Horriben, Nick Hooper | UYMP | ||
1977 | Op. 121 | Romanza | solo guitar | 9' | unperformed | UYMP | |||
1977 | Op. 122 | O Absalom... | oboe (cor anglaise), vn, via, vc | 12' | London 14.06.1978 | CD[62] | UYMP | ||
1977 | Op. 123 | Chorale Prelude and Paraphrase | string quintet, tenor, piano, 3 percussion | 16' | unperformed | UYMP | |||
1978 | Op. 124 | Tides | chamber orchestra | 12-13' | UYMP | ||||
1978 | Op. 125 | Doubles (String Quartet No. 9) | string quartet | 10‘ | Hampstead, 18 March 1979 | Medici Quartet | UYMP | comm: Medici Quartet | |
1978 | Op. 126 | Seven Preludes | piano | 22' | London 04.09.1978 | CD[8] CD[54] | UYMP | ||
1978 | Op. 127 | Elegy of the Flowers | tenor, 3 instrumental groups | 13' | London 26.01.1980 | Philip Langridge | UYMP | ||
1978 | Op. 128 | Footfalls | flute/piano | 8' | 1979-02-07, Purcell Room | Ann Cherry, Jeremy Brown | LP[63] | UYMP | |
1979 | Op. 129 | Echoi | mezzo-soprano, orchestra | 13' | 01.07.1980 | BBC Scottish | UYMP | ||
1979 | Op. 130 | Cantata | dramatic soprano, instrumental ensemble | 16' | UYMP | ||||
1979 | Op. 131 | She Tells Her Love While Half Asleep | soprano | 5' | UYMP | ||||
1979 | Op. 132 | The Great Seas | piano | 20' | CD[54] | UYMP | |||
1979 | Op. 133 | Prelude | violin | 9' | 21.01.1981 | UYMP | comm: Perry Hart | ||
1979 | Op. 134 | Cantata | sop, alto, baritone, 8 instruments | 13' | unperformed | UYMP | |||
1979 | Op. 135 | Trio | cl, vc, pno | 13' | 22 May 1980 | Muhifeld Trio | CD[64] | UYMP | |
1979 | Op. 136 | The Roots Of The World | mixed chorus, cello | 12' | 14 April 1988 | The Ionian Singers, James Wood | - | UYMP | |
1979 | Op. 137 | That Sun | contralto, piano | 11' | Purcell Room, 7 January 1980 | Susan Tyrrell, David Owen Norris | - | UYMP | |
1979 | Op. 138 | Echoes | contralto, afl, ca, 2 vn, va, vc | 11' | Bracknell, 28 June 1981 | Sue Anderson, Suoraan | - | UYMP | |
1979 | Op. 139 | String Quartet No. 10 | 10’ | Edinburgh 09.11.1980 | Edinburgh Quartet | UYMP | |||
1979 | Op. 140 | Morning Sea | ob/ob d'amore, pno | 13' | Wigmore Hall, 18 December 1981 | Robin Canter, Lynn Hendry | UYMP | ||
1979 | Op. 141 | Three Books of Bagatelles | piano | 12'/7'15"/12' | Michael Finnissy (book 1) | UYMP | |||
1980 | Op. 142 | Concert Aria ('Dialogo') | high sop and orchestra | 13' | 1981 | UYMP[65] | |||
1980 | Op. 143 | Mine Eyes, My Bread, My Spade | bar, string quartet | 13' | Wigmore Hall, 22 July 1981 | Ian Caddy, Delme String Quartet | UYMP | ||
1980 | Op. 144 | Rapprochement | hn, hp, ens | 15' | 3 November 1981 | Anthony Halstead, Frances Kelley, Lontano, Lionel Friend | UYMP | ||
1980 | Op. 145 | Déroulement | oboe, guitar | 11' | unperformed | - | - | UYMP | |
1980 | Op. 146 | Diurnal (String Quartet No. 11) | 15’ | Altrincham 21.12.1981 | Medici Quartet | UYMP | |||
1980 | Op. 147 | Six | cl(+bcl,Ebcl), tp(+Dtp,flg), pf, perc, vn, cb | 15' | Purcell Room, 16 May 1981 | Lysis | - | UYMP | |
1980 | Op. 148 | Soli | cl (+ bass-cl), double bass | 7' | Purcell Room, 16 May 1981 (or London 13.12.1980) | Lysis | - | UYMP | |
1980 | Op. 149 | Wild Decembers | orch | 12' | Bletchley, 14 March 1982 | Philharmonia, Sir Charles Groves | UYMP | ||
1980 | Op. 150 | Fleur du Silence | ten, ensemble | 14' | London 02.08.1981 | UYMP | |||
1980 | Op. 151 | The Singing Birds | speaker, vla | 10' | unperformed | UYMP | |||
1981 | Op. 152 | Music For Orchestra IV | orch without violins | 13' | London 15.12.1983 | UYMP | |||
1981 | Op. 153 | Branches of The Night And Of The Day | hn, string quartet | 8' | 09.10.1981 | UYMP | |||
1981 | Op. 154 | La Natura dell'Acqua | piano | 8'-9' | London 28.10.1984 | CD[8] CD[54] | UYMP | ||
1981 | Op. 155 | String Quartet No. 12 | string quartet | 9‘ | Harrogate 05.08.1982 | UYMP | |||
1981 | Op. 156 | The Living Night | percussion | 13' | St Bartholomew the Great's, 23 June 1982 | James Wood | UYMP | ||
1981 | Op. 157 | Echo Of The Wind | viola | 7' | 19.07.1984 | CD[66] CD[67] | UYMP | ||
1982 | Op. 158 | String Quartet No. 13 | string quartet | 10-11’ | Wigmore 16.03.1983 | Einburgh Quartet | UYMP | ||
1982 | Op. 159 | Encore-Maybe | piano | 9' | 7 March 1983, Wigmore Hall | Thalia Myers | CD[68] CD[4] | ? | |
1982 | Op. 160a | Triolet I | clarinet, mandolin, cello | 10' | London 04.12.1984 | CD[5] | UYMP | ||
1983 | Op. 160b | Triolet II | cello, marimba, harp | 9' | London 04.12.1984 | CD[5] | UYMP | ||
n.d. | - | Chorale Prelude | organ | 4' | CD[17] | - |
References
- ^ New Music 88 ed. Michael Finnissy, Malcolm Hayes and Roger Wright (Oxford, 1988: Oxford University Press), pp. 16-21
- ^ A Pilgrim Soul: Life and Work of Elisabeth Lutyens by Meirion and Susie Harries (London, 1989: Joseph).
- ^ see Wise Classical website,Wise Music Group
- ^ a b c d e f g RES10306 (2022)
- ^ a b c d e f g NMC D011 (1993)
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ a b c d Richard Deering, Pearl she 537
- ^ a b c d e f Arabella Teniswood-Harvey, Move MD 3354
- ^ (1 song) Anthony Rolfe Johnson, Graham Johnson, Hyperion CDA 66709 (1994)
- ^ Lionel Handy, Jennifer Hughes, Lyrita Recorded Edition SRCD.383 (2019)
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ Kymia Kermani/Alba Gentili, Salto SAL 7025 (2022)
- ^ ISMN13 979-0-2201-0615-6
- ^ Marilyn Tyler, RPO, del Mar, HMV ASD 612 (1965)
- ^ Teresa Cahill, Brunel Ensemble, Christopher Austin, Signum SIGCD053 (2007)
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ a b c d e f g h i Tom Winpenny (with Philippa Boyle, Dewi Rees), Toccata Classics TOCC 0639
- ^ Meriel and Peter Dickinson, Unicorn Records UNS 268 (1980), Heritage HTGCD 240 (2012)
- ^ Choir of Worcester College, Oxford, Resonus Classics RES10113
- ^ a b c Argo ZRG 5425 (1966)
- ^ Frauenmusikvertrieb 68876 (1988), Troubadisc TRO-CD01418 (2012)
- ^ Argo ZRG 5426 (1965)
- ^ a b c d e f g h NMC D124 (2006)
- ^ a b Georgina Dobrée and Morris Pert, Chantry Records ABM 25 (1978)
- ^ Georgina Dobrée and Morris Pert, Clarinet Classics CC0012 (1995)
- ^ , YSL 1045 33
- ^ ED13423 ISMN13 979-0-2201-3931-4
- ^ ISMN13 979-0-2201-2698-7
- ^ 2.1.1.1-3.3.2ttbn.btbn.0-hp-3vn.3vc
- ^ LSL 2806-01
- ^ Christine Hankin, Dutton CDLX7193 (2007)
- ^ LSL 2807-01
- ^ Argo ZRG 622 (1969)
- ^ a b Lyrita SRCD.265 (2008)
- ^ pic.2.2.ca.Ebcl.2.bcl.2.cbsn-4.3.3.1-timp.6perc(2s.d, b.d, ten d, 5cym, 4tam-t, 3tamb, 3tri, tub bells, crots, bng, mar, tempbl, wdbl, cast, whip, glsp, vib, xyl)-2 hp
- ^ LSL 2813-01
- ^ 2pic.afl.1.Ebcl.3.asax.1-0.4.3.0.sarrusophone-timp.perc(b.d, 3small gongs, tam-t, tri, glsp, vib, xyl)-cel-str(6.0.0.6.4)
- ^ LSL 2809-01
- ^ ED13011 ISMN13 979-0-2201-2645-1
- ^ 3.2.3.bcl.2.cbsn-4.3.4.1-timp.3perc(2s.d, 3sus cym, large cym, bng, tri, tub bells, vib, xyl)-hp.cel-str
- ^ LSL 2810-01
- ^ ISMN13 979-0-2201-0645-3
- ^ ISMN 979-0-2201-2480-8
- ^ 3.2.3.bcl.2.cbsn-4.3.4.1-timp.3perc(2s.d, 3sus cym, large cym, bng, tri, tub bells, vib, xyl)-hp.cel-str
- ^ a b RES10315 (2023)
- ^ LSL 2812-01
- ^ LP: Argo ZRG 638 (1970) CD: Lyrita SRCD.265 (2008)
- ^ Leon Bosch, Sung-Suk Kang, Meridian 5015959455028 (2008)
- ^ YE 0014
- ^ 3 clarinets, piano, percussion
- ^ Londinium Chamber Choir, Somm SOMMCD 0180 (2018)
- ^ The London Oboe Quartet (Janet Craxton, Perry Hart, Brian Hawkins, ?Charles Tunnell), Oboe Classics CC2011 (2005)
- ^ Lindsay Gowers, The Mercia Ensemble, FMR Records FMR CD35-0996 (1996)
- ^ a b c d e RES10291 (2021)
- ^ 3 clarinets, piano, percussion
- ^ Stephen and Nicholas Cleobury, Vista VPS 1039 (1976)
- ^ Peter Lawson, ECR 001 (1982)
- ^ Nathan Williamson, Somm SOMMCD0196 (2019)
- ^ Onyx Brass, Chandos CHSA5221 (2018)
- ^ Paul & Hugh Watkins, Chandos CHAN 10862 (2015)
- ^ Brunel Ensemble, Christopher Austin, Signum SIGCD053 (2007)
- ^ The London Oboe Quartet (Janet Craxton, Perry Hart, Brian Hawkins, Charles Tunnell) BBC Records And Tapes BBC CD 635
- ^ Ann Cherry, Jeremy Brown, DUO D0010
- ^ The Mühlfeld Ensemble, Clarinet Classics CC0007 (1994), 3rd movt only: Colin Lawson, Clarinet Classics CC0031 (2001)
- ^ ISMN M 57020 601 8
- ^ Paul Silverthorne, Black Box BBM1058 (2001)s
- ^ Rosalind Ventris, Delphian DCD34292 (2023)
- ^ Thalia Myers, Usk Recordings USK 1221CD (1996)