Dee Clark: Difference between revisions
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He was born '''Delectus Clark'''<ref>Shaw, ''Honkers And Shouters'', 1978, p. 324.</ref> or '''Delecta Clark, Jr.'''<ref name="bare">{{cite book| first1= Bob| last1= Eagle| first2= Eric S.| last2= LeBlanc| year= 2013| title= Blues – A Regional Experience| publisher= Praeger Publishers| location= Santa Barbara| pages=164 | isbn= 978-0313344237}}</ref> in [[Blytheville, Arkansas]], and moved to Chicago in 1941.<ref name=allmusic>[http://www.allmusic.com/artist/dee-clark-p16525/biography Biography by Jason Ankeny at Allmusic.com]</ref> His mother, Essie Mae Clark, was a [[gospel music|gospel]] singer and encouraged her son to pursue his love of music. Clark made his first [[sound recording and reproduction|recording]] in 1952 as a member of the Hambone Kids, who enjoyed some success with a recording of "Hambone" on the [[OKeh Records|OKeh]] label.<ref name="The Book of Golden Discs"/> In 1953, he joined an R&B group called the Goldentones, who later became the Kool Gents and were discovered by Chicago radio DJ [[Herb Kent (disc jockey)|Herb Kent]] upon winning a talent competition.<ref name="The Book of Golden Discs"/> Kent had the Kool Gents signed to [[Vee-Jay Records|Vee-Jay]] [[record label|label's]] subsidiary Falcon/Abner. The group recorded for Falcon/Abner in 1956, and also recorded a novelty record as "The Delegates".<ref name=allmusic/> |
He was born '''Delectus Clark'''<ref>Shaw, ''Honkers And Shouters'', 1978, p. 324.</ref> or '''Delecta Clark, Jr.'''<ref name="bare">{{cite book| first1= Bob| last1= Eagle| first2= Eric S.| last2= LeBlanc| year= 2013| title= Blues – A Regional Experience| publisher= Praeger Publishers| location= Santa Barbara| pages=164 | isbn= 978-0313344237}}</ref> in [[Blytheville, Arkansas]], and moved to Chicago in 1941.<ref name=allmusic>[http://www.allmusic.com/artist/dee-clark-p16525/biography Biography by Jason Ankeny at Allmusic.com]</ref> His mother, Essie Mae Clark, was a [[gospel music|gospel]] singer and encouraged her son to pursue his love of music. Clark made his first [[sound recording and reproduction|recording]] in 1952 as a member of the Hambone Kids, who enjoyed some success with a recording of "Hambone" on the [[OKeh Records|OKeh]] label.<ref name="The Book of Golden Discs"/> In 1953, he joined an R&B group called the Goldentones, who later became the Kool Gents and were discovered by Chicago radio DJ [[Herb Kent (disc jockey)|Herb Kent]] upon winning a talent competition.<ref name="The Book of Golden Discs"/> Kent had the Kool Gents signed to [[Vee-Jay Records|Vee-Jay]] [[record label|label's]] subsidiary Falcon/Abner. The group recorded for Falcon/Abner in 1956, and also recorded a novelty record as "The Delegates".<ref name=allmusic/> |
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Clark embarked on a solo career in 1957,<ref name="LarkinSM"/> initially following the styles of [[Clyde McPhatter]] and [[Little Richard]]. When Little Richard temporarily abandoned his music career to study the Bible, Clark fulfilled Richard's remaining live dates and also recorded with his backing band, [[The Upsetters (American band)|the Upsetters]].<ref name=allmusic/> Over the next four years he landed several moderate hits, two of which ("[[Just Keep It Up]]" and "[[Hey Little Girl (Dee Clark song)|Hey Little Girl]]") reached the top 20 on the [[Billboard Hot 100|''Billboard'' Hot 100]]).<ref name="LarkinSM"/> His records for Abner and Vee-Jay were orchestrated by Riley Hampton.<ref name="whitburnr&b"/> His biggest single, "Raindrops", a |
Clark embarked on a solo career in 1957,<ref name="LarkinSM"/> initially following the styles of [[Clyde McPhatter]] and [[Little Richard]]. When Little Richard temporarily abandoned his music career to study the Bible, Clark fulfilled Richard's remaining live dates and also recorded with his backing band, [[The Upsetters (American band)|the Upsetters]].<ref name=allmusic/> Over the next four years he landed several moderate hits, two of which ("[[Just Keep It Up]]" and "[[Hey Little Girl (Dee Clark song)|Hey Little Girl]]") reached the top 20 on the [[Billboard Hot 100|''Billboard'' Hot 100]]).<ref name="LarkinSM"/> His records for Abner and Vee-Jay were orchestrated by Riley Hampton.<ref name="whitburnr&b"/> His biggest single, "Raindrops", was a dramatic ballad with a mid-tempo Latin beat that was augmented by heavy rain and thunder sound effects and Clark's swooping [[falsetto]]. It was released in the spring of 1961 and became his biggest hit,<ref name="LarkinSM"/> soaring to number two on the pop [[record chart|chart]] and number three on the R&B charts. It sold over one million copies, and was awarded a [[music recording sales certification|gold disc]].<ref name="The Book of Golden Discs">{{cite book |
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Revision as of 16:48, 21 August 2023
Dee Clark | |
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Background information | |
Birth name | Delecta Clark |
Born | Blytheville, Arkansas, U.S. | November 7, 1938
Died | December 7, 1990 Smyrna, Georgia, U.S. | (aged 52)
Genres | R&B, Soul |
Occupation | Singer |
Instrument | Vocals |
Years active | 1952–1990 |
Labels | Abner, Vee-Jay, London, Constellation |
Dee Clark (November 7, 1938 – December 7, 1990)[1] was an American soul singer and songwriter best known for a string of R&B and pop hits in the late 1950s and early 1960s, including the song "Raindrops", which became a million-seller in the United States in 1961.[2]
Career
He was born Delectus Clark[3] or Delecta Clark, Jr.[4] in Blytheville, Arkansas, and moved to Chicago in 1941.[5] His mother, Essie Mae Clark, was a gospel singer and encouraged her son to pursue his love of music. Clark made his first recording in 1952 as a member of the Hambone Kids, who enjoyed some success with a recording of "Hambone" on the OKeh label.[2] In 1953, he joined an R&B group called the Goldentones, who later became the Kool Gents and were discovered by Chicago radio DJ Herb Kent upon winning a talent competition.[2] Kent had the Kool Gents signed to Vee-Jay label's subsidiary Falcon/Abner. The group recorded for Falcon/Abner in 1956, and also recorded a novelty record as "The Delegates".[5]
Clark embarked on a solo career in 1957,[6] initially following the styles of Clyde McPhatter and Little Richard. When Little Richard temporarily abandoned his music career to study the Bible, Clark fulfilled Richard's remaining live dates and also recorded with his backing band, the Upsetters.[5] Over the next four years he landed several moderate hits, two of which ("Just Keep It Up" and "Hey Little Girl") reached the top 20 on the Billboard Hot 100).[6] His records for Abner and Vee-Jay were orchestrated by Riley Hampton.[7] His biggest single, "Raindrops", was a dramatic ballad with a mid-tempo Latin beat that was augmented by heavy rain and thunder sound effects and Clark's swooping falsetto. It was released in the spring of 1961 and became his biggest hit,[6] soaring to number two on the pop chart and number three on the R&B charts. It sold over one million copies, and was awarded a gold disc.[2] "Raindrops" was also an international success, reaching number one in New Zealand and reaching the top ten in South Africa and Belgium, and selling well in Japan. "Raindrops" remains a staple on oldies and adult standards radio station playlists to this day, and has also been covered by several other artists in the years since, including David Cassidy, Tony Orlando and Dawn, and Narvel Felts, who took the song to number 30 on the country chart in 1974. Clark himself recorded an updated version of "Raindrops" in 1973.
However, Clark's biggest hit was also his last. The follow-up to "Raindrops", "Don't Walk Away from Me", was a flop, and he made the pop charts in America only twice more, with "I'm Going Back to School" (1962) and "Crossfire Time" (1963).[6] By the time "Crossfire Time" came out, Clark had moved from Vee-Jay to the Constellation label.[6] Though he continued to record for Constellation through 1966, none of his records charted nationally. He had considerable local success in Chicago with such standout recordings as "Come Closer" (1964), the double-sided hit of "Warm Summer Breezes" and "Heartbreak" (1964), and "TCB" (1965).[6] He later recorded for the Columbia, Wand, Liberty and Rocky labels, without success.[5] Clark had a brief revival in 1975 when his disco song "Ride a Wild Horse" became a surprise Top 30 hit in the UK Singles Chart,[6] becoming his first chart hit in the UK since "Just Keep It Up".[1]
Afterwards, Clark performed mostly on the oldies circuit. By the late 1980s, he was in dire straits financially, living at The Lone Oaks motel in Toccoa, Georgia. Despite suffering a stroke in 1987, that left him partially paralyzed and with a mild speech impediment, he continued to perform until his death on December 7, 1990, in Smyrna, Georgia, from a heart attack at the age of 52.[6] His last concert was with the Jimmy Gilstrap Band at the Portman Lounge in Anderson, South Carolina.[5]
Discography
Albums
Year | Album | Record Label |
---|---|---|
1959 | How About That | Abner |
Dee Clark | ||
1960 | You're Lookin' Good | Vee-Jay |
1961 | Hold On....It's Dee Clark |
Singles
Year | Title | Peak chart positions |
Record Label | B-side | Album | ||
---|---|---|---|---|---|---|---|
US Pop[8] |
US R&B |
UK | |||||
1957 | "Gloria" | — | — | — | Falcon | "Kangaroo Hop" | You're Lookin' Good |
"Seven Nights" | — | — | — | "24 Boy Friends" | Dee Clark | ||
1958 | "Oh Little Girl" | — | — | — | "Wondering" | — | |
"Nobody but You" | 21 | 3 | — | Abner | "When I Call On You" | Dee Clark | |
1959 | "Just Keep It Up" | 18 | 9 | 26 | "Whispering Grass" | ||
"Hey Little Girl" | 20 | 2 | — | "If It Wasn’t for Love" | |||
"How About That" | 33 | 10 | — | "Blues Get Off My Shoulder" | How About That | ||
1960 | "At My Front Door" | 56 | — | — | "Cling A Ling" | ||
"You're Looking Good" | 43 | — | — | Vee Jay | "Gloria" | You're Lookin' Good | |
"Your Friends" | 34 | 30 | — | "Because I Love You" | Hold On....It's Dee Clark | ||
1961 | "Raindrops" | 2 | 3 | — | "I Want to Love You" | ||
"Don’t Walk Away From Me" | — | — | — | "You’re Telling Our Secrets" | — | ||
1962 | "You Are Like the Wind" | — | — | — | "Drums in My Heart" | — | |
"Dance on Little Girl" | — | — | — | "Fever" | — | ||
"I'm Going Back to School" | 52 | 18 | — | "Nobody but You" | — | ||
1963 | "Shook up Over You" | — | — | — | "I'm a Soldier Boy" | — | |
"How Is He Treating You" | — | — | — | "The Jones Brothers" | — | ||
"Walking My Dog" | — | — | — | "Nobody But Me" | — | ||
"Crossfire Time" | 92 | — | — | Constellation | "I'm Going Home" | — | |
1964 | "That’s My Girl" | — | — | — | "It's Raining" | — | |
"Come Closer" | — | — | — | "That's My Girl" | — | ||
"Heartbreak" | — | — | — | "Warm Summer Breezes" | — | ||
1965 | "In My Apartment" | — | — | — | "I Ain’t Gonna Be Your Fool" | — | |
"I Can't Run Away" | — | — | — | "She's My Baby" | — | ||
"Hot Potato" | — | — | — | "I Don't Need (Nobody Like You)" | — | ||
1966 | "I'm Goin' Home" | — | — | — | "Ole Fashun Love" | — | |
1967 | "Lost Girl" | — | — | — | Columbia | "In These Very Tender Moments" | — |
1968 | "Nobody but You - PT. 1" | — | — | — | Wand | "Nobody but You - PT. 2" | — |
1970 | "Where Did All the Good Times Go" | — | — | — | Liberty | "24 Hours of Loneliness" | — |
1971 | "Old Time Religion" | — | — | — | United Artists | "You Can Make Me Feel Good" | — |
1973 | "Raindrops "73"" | — | — | — | Rocky | "Happy Man" | — |
1975 | "Ride a Wild Horse" | — | — | 16 | Chelsea | "Ride a Wild Horse" (Instrumental) | — |
References
- ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 108. ISBN 1-904994-10-5.
- ^ a b c d Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 133. ISBN 0-214-20512-6.
- ^ Shaw, Honkers And Shouters, 1978, p. 324.
- ^ Eagle, Bob; LeBlanc, Eric S. (2013). Blues – A Regional Experience. Santa Barbara: Praeger Publishers. p. 164. ISBN 978-0313344237.
- ^ a b c d e Biography by Jason Ankeny at Allmusic.com
- ^ a b c d e f g h Colin Larkin, ed. (1993). The Guinness Who's Who of Soul Music (First ed.). Guinness Publishing. p. 45/6. ISBN 0-85112-733-9.
- ^ a b Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942–1995. Record Research. p. 82.
- ^ Whitburn, Joel (2003). Top Pop Singles 1955–2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 134. ISBN 0-89820-155-1.
- ^ Betts, Graham (2004). Complete UK Hit Singles 1952–2004 (1st ed.). London: Collins. p. 152. ISBN 0-00-717931-6.