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The '''Ensoniq EPS-16 Plus''' is a sampling keyboard produced by [[Ensoniq]] starting in 1990. It was the successor to the [[Ensoniq EPS|EPS]], one of the first truly affordable samplers on the market. The EPS-16 Plus uses 16-bit samples<ref name="MR">{{cite web |last1=Music |first1=Computer |title=Blast from the past: Ensoniq EPS |url=https://www.musicradar.com/news/blast-from-the-past-ensoniq-eps |website=[[Musicradar]] |access-date=7 May 2024 |date=17 May 2019}}</ref> at seven sample rates ranging from 11.2&nbsp;kHz to 44.6&nbsp;kHz and features 13 onboard effects. The unit was available in both keyboard and rackmount versions.
The '''Ensoniq EPS-16 Plus''' is a sampling keyboard produced by [[Ensoniq]] starting in 1990. It was the successor to the [[Ensoniq EPS|EPS]], one of the first truly affordable samplers on the market. The EPS-16 Plus uses 16-bit samples<ref name="MR">{{cite web |last1=Music |first1=Computer |title=Blast from the past: Ensoniq EPS |url=https://www.musicradar.com/news/blast-from-the-past-ensoniq-eps |website=[[Musicradar]] |access-date=7 May 2024 |date=17 May 2019}}</ref> at seven sample rates ranging from 11.2&nbsp;kHz to 44.6&nbsp;kHz and features 13 onboard effects. The unit was available in both keyboard and rackmount versions.


The EPS-16 Plus featured mono input and stereo outputs, made useful by the unit's internal delay, chorus, and reverb effects. It was succeeded in 1992 by the stereo-capable [[Ensoniq ASR-10|ASR-10]].
The EPS-16 Plus featured mono input and stereo outputs, made useful by the unit's stereo panning and internal effects. It was succeeded in 1992 by the stereo-capable [[Ensoniq ASR-10|ASR-10]].


==Notable users==
==Notable users==

Revision as of 07:45, 8 May 2024

EPS-16 Plus
Ensoniq EPS-16 Plus (keyboard)
ManufacturerEnsoniq
Dates1990–?
Price£1795[1]
Technical specifications
Polyphony20 voices
Synthesis type16-bit samples, 11.2 kHz–44.6 kHz
Aftertouch expressionYes
Velocity expressionYes
Storage memory1MB, expandable to 2MB
Effects13 onboard effects
Input/output
Keyboard61-note with polyphonic
aftertouch
Left-hand controlpitch-bend and modulation wheels
External controlMIDI

The Ensoniq EPS-16 Plus is a sampling keyboard produced by Ensoniq starting in 1990. It was the successor to the EPS, one of the first truly affordable samplers on the market. The EPS-16 Plus uses 16-bit samples[2] at seven sample rates ranging from 11.2 kHz to 44.6 kHz and features 13 onboard effects. The unit was available in both keyboard and rackmount versions.

The EPS-16 Plus featured mono input and stereo outputs, made useful by the unit's stereo panning and internal effects. It was succeeded in 1992 by the stereo-capable ASR-10.

Notable users

Notable users include Havoc of Mobb Deep, RZA of the Wu-Tang Clan as well as Wu-Tang affiliate True Master,[3] and Speech of Arrested Development.[4]

Defacto Wu-Tang Clan leader RZA produced some tracks from Enter the Wu-Tang (36 Chambers) on an EPS-16 Plus, including the group's biggest single "C.R.E.A.M.".[5] He then sold the unit to True Master, who used it to produce "Brooklyn Zoo" from Ol' Dirty Bastard's debut solo album Return to the 36 Chambers: The Dirty Version.[3] as well as "Fish" from Ghostface Killah's debut solo album Ironman.[6] Havoc of Mobb Deep has stated that he produced "Shook Ones, Part II" an EPS-16 Plus.[a][7]

Notes

  1. ^ The main samples were done on an EPS-16 Plus while the drums were done on an Akai MPC60.

References

  1. ^ Trask, Simon (Feb 1991). "Ensoniq EPS16 Plus". Music Technology. United Kingdom: Music Maker Publications (UK), Future Publishing. pp. 48–53. Retrieved 7 May 2024.
  2. ^ Music, Computer (17 May 2019). "Blast from the past: Ensoniq EPS". Musicradar. Retrieved 7 May 2024.
  3. ^ a b Said, Amir (15 December 2016). "True Master: One of the sharpest masters of the art of beatmaking". BeatTips. Retrieved 7 May 2024.
  4. ^ Sorcinelli, Gino (2 October 2019). "When Ensoniq brought samplers to the masses: The Mirage, EPS, and ASR-10". Reverb. Retrieved 7 May 2024.
  5. ^ Wu-Tang's RZA talks to Kotori about his producing history. Kotori Magazine. 20 November 2007. Event occurs at 5:30. Archived from the original (YouTube) on 13 December 2018. Retrieved 7 May 2024.
  6. ^ WuTang Producer True Master talks about making 'Fish' for Ghostface Killah Ironman 25th Anniversary (YouTube). True Master Music. 29 October 2021. Retrieved 7 May 2024.
  7. ^ Hrishikesh Hirway; Havoc (17 June 2020). "Mobb Deep "Shook Ones, Pt. II"". Song Exploder (Podcast). Radiotopia. Event occurs at 3:34. Retrieved 27 December 2023.