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[[File:Cornelio Campos.jpg|thumb|Cornelio Campos painting a mural in Durham, 2019]]
[[File:Cornelio Campos.jpg|thumb|Cornelio Campos painting a mural in Durham, 2019]]
[[File:Art by Cornelio Campos.jpg|thumb|“When they try to stop people from immigrating from one place to another, I think they are trying to stop something that comes naturally to human beings…Immigration is as natural to us as it is for the Monarch butterfly.” - Cornelio Campos]]
[[File:Art by Cornelio Campos.jpg|thumb|“When they try to stop people from immigrating from one place to another, I think they are trying to stop something that comes naturally to human beings…Immigration is as natural to us as it is for the Monarch butterfly.” - Cornelio Campos]]
'''Cornelio Campos Vincente''' is an American Mexican [[muralist]] who lives in [[Durham, North Carolina]]. Of [[Purépecha]] origin, Campos immigrated from [[Cherán]], [[Michoacán]] to the United States and came to live in North Carolina in the 1990's. Campos is a recipient of the 2023 [[North Carolina Heritage Award]].<ref name="North Carolina Arts Council">{{cite web |title=2023 NC Heritage Award Recipients |url=https://www.ncarts.org/blog/2022/10/17/2023-north-carolina-heritage-award-recipients |website=North Carolina Arts Council |date=17 October 2022 |access-date=26 June 2024}}</ref><ref>{{cite web |title=About Page |url=https://corneliocampos.com/about-us/ |website=Cornelio Campos |access-date=26 June 2024}}</ref><ref>{{Cite book |last=Chacón |first=Gloria |url=https://books.google.com/books?id=YE73EAAAQBAJ&dq=%22Cornelio+Campos%22&pg=PA39 |title=Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies |date=2024-01-23 |publisher=Amherst College Press |isbn=978-1-943208-73-9 |pages=39–41 |language=en}}</ref><ref>{{Cite book |last1=Brinkmann |first1=Robert |url=https://books.google.com/books?id=r1fqCQAAQBAJ&dq=%22Cornelio+Campos%22&pg=PA287 |title=Carolina del Norte: Geographies of Latinization in the South: A Special Issue of Southeastern Geographer, Summer 2011 |last2=Tobin |first2=Graham A. |date=2011-06-01 |publisher=UNC Press Books |isbn=978-0-8078-8285-6 |pages=286–290 |language=en}}</ref><ref>{{Cite journal |last=Post |first=Colin |date=2017 |title=Ensuring the Legacy of Self-Taught and Local Artists: A Collaborative Framework for Preserving Artists' Archives |url=https://www.jstor.org/stable/26557057 |journal=Art Documentation: Journal of the Art Libraries Society of North America |volume=36 |issue=1 |pages=73–90 |doi=10.1086/691373 |jstor=26557057 |issn=0730-7187}}</ref>
'''Cornelio Campos Vincente''' is a Mexican American [[muralist]] who lives in [[Durham, North Carolina]]. Of [[Purépecha]] origin, Campos immigrated from [[Cherán]], [[Michoacán]] to the United States and came to live in North Carolina in the 1990's. Campos is a recipient of the 2023 [[North Carolina Heritage Award]].<ref name="North Carolina Arts Council">{{cite web |title=2023 NC Heritage Award Recipients |url=https://www.ncarts.org/blog/2022/10/17/2023-north-carolina-heritage-award-recipients |website=North Carolina Arts Council |date=17 October 2022 |access-date=26 June 2024}}</ref><ref>{{cite web |title=About Page |url=https://corneliocampos.com/about-us/ |website=Cornelio Campos |access-date=26 June 2024}}</ref><ref>{{Cite book |last=Chacón |first=Gloria |url=https://books.google.com/books?id=YE73EAAAQBAJ&dq=%22Cornelio+Campos%22&pg=PA39 |title=Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies |date=2024-01-23 |publisher=Amherst College Press |isbn=978-1-943208-73-9 |pages=39–41 |language=en}}</ref><ref>{{Cite book |last1=Brinkmann |first1=Robert |url=https://books.google.com/books?id=r1fqCQAAQBAJ&dq=%22Cornelio+Campos%22&pg=PA287 |title=Carolina del Norte: Geographies of Latinization in the South: A Special Issue of Southeastern Geographer, Summer 2011 |last2=Tobin |first2=Graham A. |date=2011-06-01 |publisher=UNC Press Books |isbn=978-0-8078-8285-6 |pages=286–290 |language=en}}</ref><ref>{{Cite journal |last=Post |first=Colin |date=2017 |title=Ensuring the Legacy of Self-Taught and Local Artists: A Collaborative Framework for Preserving Artists' Archives |url=https://www.jstor.org/stable/26557057 |journal=Art Documentation: Journal of the Art Libraries Society of North America |volume=36 |issue=1 |pages=73–90 |doi=10.1086/691373 |jstor=26557057 |issn=0730-7187}}</ref>


== References ==
== References ==

Revision as of 19:34, 2 July 2024

  • Comment: NCARTS is fine to use to support he was awarded the North Carolina Heritage Award but not much else because it is blog and a primary source. Likewise, his website is a primary source and not independent. S0091 (talk) 19:37, 26 June 2024 (UTC)

Cornelio Campos painting a mural in Durham, 2019
File:Art by Cornelio Campos.jpg
“When they try to stop people from immigrating from one place to another, I think they are trying to stop something that comes naturally to human beings…Immigration is as natural to us as it is for the Monarch butterfly.” - Cornelio Campos

Cornelio Campos Vincente is a Mexican American muralist who lives in Durham, North Carolina. Of Purépecha origin, Campos immigrated from Cherán, Michoacán to the United States and came to live in North Carolina in the 1990's. Campos is a recipient of the 2023 North Carolina Heritage Award.[1][2][3][4][5]

References

  1. ^ "2023 NC Heritage Award Recipients". North Carolina Arts Council. 17 October 2022. Retrieved 26 June 2024.
  2. ^ "About Page". Cornelio Campos. Retrieved 26 June 2024.
  3. ^ Chacón, Gloria (2024-01-23). Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies. Amherst College Press. pp. 39–41. ISBN 978-1-943208-73-9.
  4. ^ Brinkmann, Robert; Tobin, Graham A. (2011-06-01). Carolina del Norte: Geographies of Latinization in the South: A Special Issue of Southeastern Geographer, Summer 2011. UNC Press Books. pp. 286–290. ISBN 978-0-8078-8285-6.
  5. ^ Post, Colin (2017). "Ensuring the Legacy of Self-Taught and Local Artists: A Collaborative Framework for Preserving Artists' Archives". Art Documentation: Journal of the Art Libraries Society of North America. 36 (1): 73–90. doi:10.1086/691373. ISSN 0730-7187. JSTOR 26557057.