Alexandr Hackenschmied: Difference between revisions
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According to Jaroslav Andel's biography, [http://www.schaden.com/book/HacAle01467.html Alexandr Hackenschmied], in 1930, Hackenschmied created his first film ''Bezucelna prochazka'' (''Aimless Walk'') which inaugurated the movement of avant-garde film in Czecholovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinska Mansarda -- a showcase for artists of the Aventinum publishing house in [[Prague]] -- and the first show of European avant-garde film in the Kotva Cinema, also in Prague. He also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields. |
According to Jaroslav Andel's biography, [http://www.schaden.com/book/HacAle01467.html Alexandr Hackenschmied], in 1930, Hackenschmied created his first film ''Bezucelna prochazka'' (''Aimless Walk'') which inaugurated the movement of avant-garde film in Czecholovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinska Mansarda -- a showcase for artists of the Aventinum publishing house in [[Prague]] -- and the first show of European avant-garde film in the Kotva Cinema, also in Prague. He also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields. |
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During the late 1930s he collaborated with the American filmmaker [[Herbert Kline]] on the feature-length [[documentary film|documentary]] ''[[Crisis (1939 film)|Crisis]]'' ([[1939 in film|1939]]) and moved to the USA where he met and worked with Deren on her first film ''[[Meshes of the Afternoon]]'' ([[1943 in film|1943]]). He also directed the documentaries ''The Forgotten Village'' ([[1941 in film|1941]]), ''The Valley of the Tennessee'' ([[1944 in film|1944]]), and ''A Better Tomorrow'' ([[1945 in film|1945]]). Hammid and Deren also directed the |
During the late 1930s he collaborated with the American filmmaker [[Herbert Kline]] on the feature-length [[documentary film|documentary]] ''[[Crisis (1939 film)|Crisis]]'' ([[1939 in film|1939]]) and moved to the USA where he met and worked with Deren on her first film ''[[Meshes of the Afternoon]]'' ([[1943 in film|1943]]). He also directed the documentaries ''The Forgotten Village'' ([[1941 in film|1941]]), ''The Valley of the Tennessee'' ([[1944 in film|1944]]), and ''A Better Tomorrow'' ([[1945 in film|1945]]). Hammid and Deren also directed the 22-minute short ''Private Life of a Cat'' ([[1947 in film|1947]]) in their Morton Street apartment in Manhattan. |
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In 1944, he directed a documentary featuring conductor [[Arturo Toscanini]], ''[[Hymn of the Nations]]'', produced by the [[Office of War Information]]. His documentary ''Library of Congress'' (1945) was nominated for an [[Academy Award]] for Best Short Documentary. In 1951, Hackenschmied and [[Gian Carlo Menotti]] co-directed the film version of Menotti's opera ''[[The Medium]]''. |
In 1944, he directed a documentary featuring conductor [[Arturo Toscanini]], ''[[Hymn of the Nations]]'', produced by the [[Office of War Information]]. His documentary ''Library of Congress'' (1945) was nominated for an [[Academy Award]] for Best Short Documentary. In 1951, Hackenschmied and [[Gian Carlo Menotti]] co-directed the film version of Menotti's opera ''[[The Medium]]''. |
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Revision as of 01:52, 2 May 2007
Alexandr Hackenschmied (17 December 1907, Linz - 26 July 2004, New York City) was a leading avant-garde photographer and filmmaker in Czechoslovakia between the two world wars. Later, he played a similar role in American avant-guard cinema, along with his wife, filmmaker Maya Deren, to whom he was married from 1942 to 1947.
He remains barely known to the general public because he has lived abroad since 1939. Also, when in the United States he changed his name, at Deren's behest, to Alexander Hammid. The entire archive of his work was lost in World War II, except for some photos published in magazines.
According to Jaroslav Andel's biography, Alexandr Hackenschmied, in 1930, Hackenschmied created his first film Bezucelna prochazka (Aimless Walk) which inaugurated the movement of avant-garde film in Czecholovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinska Mansarda -- a showcase for artists of the Aventinum publishing house in Prague -- and the first show of European avant-garde film in the Kotva Cinema, also in Prague. He also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields.
During the late 1930s he collaborated with the American filmmaker Herbert Kline on the feature-length documentary Crisis (1939) and moved to the USA where he met and worked with Deren on her first film Meshes of the Afternoon (1943). He also directed the documentaries The Forgotten Village (1941), The Valley of the Tennessee (1944), and A Better Tomorrow (1945). Hammid and Deren also directed the 22-minute short Private Life of a Cat (1947) in their Morton Street apartment in Manhattan.
In 1944, he directed a documentary featuring conductor Arturo Toscanini, Hymn of the Nations, produced by the Office of War Information. His documentary Library of Congress (1945) was nominated for an Academy Award for Best Short Documentary. In 1951, Hackenschmied and Gian Carlo Menotti co-directed the film version of Menotti's opera The Medium.
In 1964 he co-directed the documentary To Be Alive! which was shown at the 1964 World Fair and won an Academy Award for Best Documentary Short in 1965.
Hackenschmied was a Buddhist and attributed his longevity to his Buddhist lifestyle.
See also
- Book: Michael Omasta (ed.): Tribute to Sasha (Vienna: SYNEMA, 2002) (German/English)
- Documentary Film: Aimless Walk: Alexander Hammid (1996, 48 minutes) directed by Martina Kudlacek