Higgins Glass: Difference between revisions
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'''Higgins Glass''' refers to any piece of [[Glass art|art glass]] or [[fused glass]] fashioned by Michael and Frances Higgins, of [[Chicago]], [[Illinois]], [[USA]], during the last half of the 20th century. Their work combines a [[Wassily Kandinsky|Kandinsky]]-esque visual aesthetic with an emphasis on functionality of the finished pieces. |
'''Higgins Glass''' refers to any piece of [[Glass art|art glass]] or [[fused glass]] fashioned by Michael and Frances Higgins, of [[Chicago]], [[Illinois]], [[USA]], during the last half of the 20th century. Their work combines a [[Wassily Kandinsky|Kandinsky]]-esque visual aesthetic with an emphasis on functionality of the finished pieces. |
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The glass is especially prized for two reasons: first, its distinctive aesthetic virtue, and second, the uniqueness of the fused glass processes first developed and used by the Higginses. |
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== Personal history == |
== Personal history == |
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Revision as of 20:54, 16 April 2008
Higgins Glass refers to any piece of art glass or fused glass fashioned by Michael and Frances Higgins, of Chicago, Illinois, USA, during the last half of the 20th century. Their work combines a Kandinsky-esque visual aesthetic with an emphasis on functionality of the finished pieces.
The glass is especially prized for two reasons: first, its distinctive aesthetic virtue, and second, the uniqueness of the fused glass processes first developed and used by the Higginses.
Personal history
Following World War II Michael Higgins was named Head of Visual Design at the Chicago Institute of Design. Frances Stewart was an assistant professor of Art at the University of Georgia. While working towards her master's degree, Frances studied under Michael at the Institute and their mutual fascination with glass fusing techniques quickly led to a personal as well as professional relationship. They were married in 1948 and immediately set up a studio to cooperatively explore the then-unknown field of modern glass fusing. Because they worked so closely together in the studio, all of their work is simply signed "higgins" which is understood to mean "Michael and Frances Higgins".[1]
Professional history
By 1950 the Higgins' finished products were appearing in upscale retail stores like Marshall Fields, Bloomingdales and others.
In 1951 their work was featured in the Chicago Art Institute's "Designer Craftsman Exhibit" and the "Good Design Show" presented at the Chicago Merchandise Mart.
They quickly became recognized as pioneers in the emerging field of studio glass and their association with the Dearborn Glass Company in the mid-1950s led to a small mass production of Higgins Glass, particularly ashtrays.
Today their work is considered highly collectible and is prized by both museums and private collectors alike.[2]
References
- ^ The Christian Science Monitor. August 22, 1951, page 11. Retrieved 27 June 2006
- ^ Donald-Brian Johnson and Lesli Pina: Higgins: Adventures in Glass. Schiffer Publishing: Atglen, PA 1997, ISBN 0-7643-0021-0
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A Higgins "framie" captures summer trees.
Further reading
- Donald-Brian Johnson and Lesli Pina: Higgins: Poetry in Glass. Schiffer Publishing: Atglen, PA. ISBN 0-7643-2171-4.
- Donald-Brian Johnson and Lesli Pina: Higgins: Adventures in Glass. Schiffer Publishing: Atglen, PA. ISBN 0-7643-0021-0.
External links
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