Through a Blue Lens: Difference between revisions
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'''Through a Blue Lens''' (1999) is a documentary film |
'''Through a Blue Lens''' (1999) is a documentary film produced by the [[National Film Board of Canada]]. The film follows interactions between police officers and drug addicts and documents the extreme poverty and suffering many addicts endure. |
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It is also the debut production by ''The Odd Squad'', small crew composed of seven police officers with a mission to educate the public about issues affecting the community. Original members were taught by Daniel Mannix and went through workshops to use professional video cameras. As some of the original members left, newer members from the Vancouver Police Department joined ''The Odd Squad'' to continue their awareness around the world. |
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==Production== |
==Production== |
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'''Through a Blue Lens''' was produced by the [[National Film Board of Canada]] and |
'''Through a Blue Lens''' was produced by the [[National Film Board of Canada]] and directed by [http://www.imdb.com/name/nm1442060/ Veronica Alice Mannix]. It was shot in [[Vancouver]]'s [[downtown east side]]. The film is 52 minutes in length and incorporates 22 minutes of footage shot by a group of Vancouver Police Officers called The Odd Squad. |
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==Description== |
==Description== |
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''Through A Blue Lens'' documents a year of life and death on the street and behind tenement walls. The striking thing about the film is not the horror of drug abuse but the story of how the interaction between the police and the drug addicts, with the camera as a catalyst, actually changed the people involved. The cops became more sympathetic to the people on the street and the drug addicts, in having friendship extended to them by the police and film makers, developed self esteem and, in some cases, actually cleaned up. |
''Through A Blue Lens'' documents a year of life and death on the street and behind tenement walls. The striking thing about the film is not the horror of drug abuse but the story of how the interaction between the police and the drug addicts, with the camera as a catalyst, actually changed the people involved. The cops became more sympathetic to the people on the street and the drug addicts, in having friendship extended to them by the police and film makers, developed self esteem and, in some cases, actually cleaned up. |
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This documentary was made during the height of the then unpublished scandal of the missing women in downtown Vancouver. At least one of the women who appears on camera was later identified as one of the victims |
This documentary was made during the height of the then unpublished scandal of the missing women in downtown Vancouver. At least one of the women who appears on camera was later identified as one of the victims. |
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==Awards== |
==Awards== |
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While the Mannix team was filming their previous documentary, Down Here, they met two officers who had something to say about the gentrification of the Downtown Eastside. The officers had been using still cameras to document many of the circumstances people suffered and took these images to local schools to educate youth. |
While the Mannix team was filming their previous documentary, Down Here, they met two officers who had something to say about the gentrification of the Downtown Eastside. The officers had been using still cameras to document many of the circumstances people suffered and took these images to local schools to educate youth. |
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The Mannix’s were asked by the officers to teach them to use a video camera, so they started by teaching camera handling, camera ethics and power relationships. Following videotaping, the officers would leave the video tapes with Veronica Mannix for screening and comments. Her comments would include direction on follow-up with specific participants. It was during this time that Veronica's vision formed of the relationship of these two unlikely groups of people coming together to try to make a difference. She pitched the story and the National Film Board supported her vision. Veronica used |
The Mannix’s were asked by the officers to teach them to use a video camera, so they started by teaching camera handling, camera ethics and power relationships. Following videotaping, the officers would leave the video tapes with Veronica Mannix for screening and comments. Her comments would include direction on follow-up with specific participants. It was during this time that Veronica's vision formed of the relationship of these two unlikely groups of people coming together to try to make a difference. She pitched the story and the National Film Board supported her vision. Veronica used 22 minutes of the officers 100 hours of videotape; the remainder of the footage was shot by Daniel Mannix as directed by Veronica. '''Through a Blue Lens''' started out with seven police officers and nineteen drug users. The final participants included four officers and six drug users. |
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==Additional credits== |
==Additional credits== |
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The NFB producer is [http://www.imdb.com/name/nm0201357/ Gillian Darling Kovanic] with [http://www.imdb.com/name/nm1743669/ Daniel C. Mannix] as director of photography. The editor is [http://www.imdb.com/name/nm0357609/ Shelly Hamer]. Running time is 52 minutes. |
The NFB producer is [http://www.imdb.com/name/nm0201357/ Gillian Darling Kovanic] with [http://www.imdb.com/name/nm1743669/ Daniel C. Mannix] as director of photography. The editor is [http://www.imdb.com/name/nm0357609/ Shelly Hamer]. Running time is 52 minutes. |
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==Flipping The World== |
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''Flipping The World: Drugs Through a Blue Lens'' is a short documentary aimed for educational students. It focuses on a small group of teenagers discuss about their experiences with drugs as a police officer discusses about the related issues. |
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Randy Miller, the former drug user seen in ''Through a Blue Lens'' appears and discusses about his current life and past. He has been sober since after reuniting with his brother. |
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==Follow-Up== |
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''The Odd Squad Productions'' premiered their continuation of ''Through a Blue Lens'' with ''Tears For April: Beyond the Blue Lens'' on November 2007 in "Tinseltown Theaters" on [[Vancouver]], [[British Columbia]]. Filmed in 2001, and dedicated to April Reoch, the youngest drug user interviewed and the poster girl from the previous documentary. The Mannix team and the NFB had no involvement with this film, as ''The Odd Squad'' established themselves as a production company. |
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This follow-up clocks around 90 minutes, which is longer than the previous documentary. |
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The key focus of the documentary is the issues of drug users in Vancouver and the struggle to support April Reoch, the titular drug user attempting to change her life by quitting her habit to her unexpected death. The official website states that it is the documentary to end every myth of heavy drug use. |
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Reoch was a long-time drug user since 1993 and a single mother, but could not spend time with her son because of her drug addiction. Reoch was also part Native, and carried a status card including receiving a $6000 cheque for her status. Died in [[December 2001]], after a janitor discovered her torn body inside a duffle bag in [[Christmas Day]]. She was last seen when she was on her way to see her son. |
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As of 2008, April's son is now an adult. His identity remains anonymous. |
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The DVD release date of ''Tears For April'' is currently unconfirmed. |
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==Related Films== |
==Related Films== |
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Revision as of 08:39, 23 August 2008
Through a Blue Lens (1999) is a documentary film produced by the National Film Board of Canada. The film follows interactions between police officers and drug addicts and documents the extreme poverty and suffering many addicts endure.
Production
Through a Blue Lens was produced by the National Film Board of Canada and directed by Veronica Alice Mannix. It was shot in Vancouver's downtown east side. The film is 52 minutes in length and incorporates 22 minutes of footage shot by a group of Vancouver Police Officers called The Odd Squad.
Description
This award-winning documentary film, shot in Vancouver, Canada’s notorious downtown east side, caught the eyes of audiences, film makers and critics world wide for its unusual and sensitive depiction of life on the street.
Through A Blue Lens documents a year of life and death on the street and behind tenement walls. The striking thing about the film is not the horror of drug abuse but the story of how the interaction between the police and the drug addicts, with the camera as a catalyst, actually changed the people involved. The cops became more sympathetic to the people on the street and the drug addicts, in having friendship extended to them by the police and film makers, developed self esteem and, in some cases, actually cleaned up.
This documentary was made during the height of the then unpublished scandal of the missing women in downtown Vancouver. At least one of the women who appears on camera was later identified as one of the victims.
Awards
Japan Prize (2000)(Tokyo) Category: Adult Education winner
& Overall winner all categories
Chris Award (2000) (Columbus, Ohio) Category: Social Issues
Reel 2 Real International Film Festival (2000)(Vancouver): Award for Most Inspirational Short film or Video - given by the Youth Jury
Origin
While the Mannix team was filming their previous documentary, Down Here, they met two officers who had something to say about the gentrification of the Downtown Eastside. The officers had been using still cameras to document many of the circumstances people suffered and took these images to local schools to educate youth.
The Mannix’s were asked by the officers to teach them to use a video camera, so they started by teaching camera handling, camera ethics and power relationships. Following videotaping, the officers would leave the video tapes with Veronica Mannix for screening and comments. Her comments would include direction on follow-up with specific participants. It was during this time that Veronica's vision formed of the relationship of these two unlikely groups of people coming together to try to make a difference. She pitched the story and the National Film Board supported her vision. Veronica used 22 minutes of the officers 100 hours of videotape; the remainder of the footage was shot by Daniel Mannix as directed by Veronica. Through a Blue Lens started out with seven police officers and nineteen drug users. The final participants included four officers and six drug users.
Additional credits
The NFB producer is Gillian Darling Kovanic with Daniel C. Mannix as director of photography. The editor is Shelly Hamer. Running time is 52 minutes.
Related Films
- Flipping the World - Drugs Through a Blue Lens (2000) (30 min)
Directed by Moira Simpson
Produced for the NFB by Gillian Darling Kovanic & George Johnson
- Through a Clear Lens (2001, Headlines Theatre) - Inspired by The Odd Squad's work.