Jump to content

Betty Deland: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
→‎References: compleeted/translated titles of refs
→‎Biography and career: more writers/composers by refs
Line 27: Line 27:
She was recommended for her expressive mimic, her nuances of voice, her character interpretations and natural way of acting, though among her most popular parts were often girls' parts and comedies.
She was recommended for her expressive mimic, her nuances of voice, her character interpretations and natural way of acting, though among her most popular parts were often girls' parts and comedies.


Among her parts were [[Madame de Maintenon]] in ''Ludvig den fjortonde och markisinnan Maintenon'' (Louis XIV ad madame de Maintenon), Mrs Serpentier in ''Den gifta mannen i staden och på landet'' (The married man in the city and in the country), Emilia in »Othello», the queen dowager [[Hedwig Eleonora of Holstein-Gottorp|Hedwig Eleonora]] in ''Carl den elfte'' (Charles XI) by Teodor Hagberg, Belise in ''Lärdt folk i stubb'' (The precieuses) by Moliere, Mrs Dupuis in »Ett hem» (A home) by Feuillet), Fadette in »Syrsan» (Le petite Fadette) by George Sand, Dorine i »[[Tartuffe]]», the Duchess of Marlborough in »Ett glas vatten» (a Glass of water), Frosine in »Den girige» (The greedy one) by Moliere, Madam Rundholmen in »De ungas förbund» (The union of the young) by Ibsen and the Duchess in »Sällskap där man har tråkigt» (Compnay were one is boored) by Pailleron.
Among her parts were [[Madame de Maintenon]] in ''Ludvig den fjortonde och markisinnan Maintenon'' (Louis XIV ad madame de Maintenon), Mrs Serpentier in ''Den gifta mannen i staden och på landet'' (The married man in the city and in the country), Emilia in »[[Othello]]», the queen dowager [[Hedwig Eleonora of Holstein-Gottorp|Hedwig Eleonora]] in ''Carl den elfte'' (Charles XI) by Teodor Hagberg, Belise in ''Lärdt folk i stubb'' (The precieuses) by Moliere, Mrs Dupuis in »Ett hem» (A home) by Feuillet, Fadette in »Syrsan» (Le petite Fadette) by George Sand, Dorine i »[[Tartuffe]]», the Duchess of Marlborough in »Ett glas vatten» (A Glass of water), Frosine in »Den girige» (The greedy one) by Moliere, Madam Rundholmen in »De ungas förbund» (The union of the young) by Ibsen and the Duchess in »Sällskap där man har tråkigt» (Compnay were one is boored) by Pailleron.


Between 1874 and 1877 she was an instructor and a principal at Dramatens elevskola jointly with her husband. She kept her position as actor at the theatre until her death in 1882.
Between 1874 and 1877 she was an instructor and a principal at Dramatens elevskola jointly with her husband. She kept her position as actor at the theatre until her death in 1882.

Revision as of 14:08, 16 February 2009

Betty Deland
Born
Hedvig Kristina Elisabeth Deland
Other namesBetty Almlöf
SpouseKnut Almlöf

Betty (Hedvig Kristina Elisabeth) Deland, as married Almlöf, (14 November 1831 in Örebro - 1 April 1882 in Stockholm), was a Swedish child actor, actor and principal at Dramatens elevskola. She is often mentioned as one of the most notable actors of her country's history in the Victorian age.

Biography and career

Betty was born into one of Sweden's most well known theatre families. Her parents were both actors; her father Pierre Deland was the leader of the famous Deland theatre company, and Hedvig Charlotta de Broen was the daughter of Isaac de Broen, actor at the Royal Dramatic Theatre and director of Djurgårdsteatern; her uncle was Louis Deland.

Betty Deland debuted as a child actor in the Royal Dramatic Theatre in a boy's breeches role at the age of five in 1836, and made success in child parts. After studies in dance and acting she debuted in an adult part in Uppsala in 1847, which started a new part of her career. As a member of her father's troupe, she was to tour all over both Sweden and Finland during the 1850s. The Deland troupe (active 1833-1861) was one of the most prestigious in both of these countries, performed in the theatres of the smaller cities, which did not have a steady staff, and often performed the opening performances in new theatres.

They regularly performed in Åbo Svenska Teater and, and they were the first actors performing on the national stage of Finland, Swedish Theatre in Helsinki during the 1860-1861 season. In Stockholm, they often performed in Djurgårdsteatern. Of the five hundred well-known parts she did, she made three hundred of them in her father's troupe. In 1857, she married the actor Knut Almlöf, who was also from a theatre family, son of the actors Nils Almlöf and Brita Catharina Cederberg and stepson of Charlotta Almlöf, who were both well-known actors at the stage of the Royal Dramatic Theatre.

In 1861, Betty Deland was employed with her husband in first Mindre teatern in Stockholm and in 1863 by the Royal Dramatic Theatre, from 1866 as a premier-actor. Both she and her husband were to became regarded as two of their country's most notable actors. She was recommended for her expressive mimic, her nuances of voice, her character interpretations and natural way of acting, though among her most popular parts were often girls' parts and comedies.

Among her parts were Madame de Maintenon in Ludvig den fjortonde och markisinnan Maintenon (Louis XIV ad madame de Maintenon), Mrs Serpentier in Den gifta mannen i staden och på landet (The married man in the city and in the country), Emilia in »Othello», the queen dowager Hedwig Eleonora in Carl den elfte (Charles XI) by Teodor Hagberg, Belise in Lärdt folk i stubb (The precieuses) by Moliere, Mrs Dupuis in »Ett hem» (A home) by Feuillet, Fadette in »Syrsan» (Le petite Fadette) by George Sand, Dorine i »Tartuffe», the Duchess of Marlborough in »Ett glas vatten» (A Glass of water), Frosine in »Den girige» (The greedy one) by Moliere, Madam Rundholmen in »De ungas förbund» (The union of the young) by Ibsen and the Duchess in »Sällskap där man har tråkigt» (Compnay were one is boored) by Pailleron.

Between 1874 and 1877 she was an instructor and a principal at Dramatens elevskola jointly with her husband. She kept her position as actor at the theatre until her death in 1882.

References

  • [[1]]Svenskt biografiskt handlexikon (Swedish biographical dictinary) Template:Swe icon
  • Österberg, Carin et al., Svenska kvinnor: föregångare, nyskapare (Swedish women: Predecessors, pioneers) Lund: Signum 1990. (ISBN 91-87896-03-6) Template:Swe icon
  • [[2]] Berättelser ur svenska historien / Elfte bandet. Oscar I. Carl XV. Oscar II. (Stories from the history of Sweden) Template:Swe icon
  • [[3]]
  • Per Anders Fogelström - Komikern Roman om en teaterfamilj [Familjen Deland] (The roman comic of a theatrical family. The Deland family) Bonniers 1989 Template:Swe icon
  • [[4]] Nordisk familjebok / Uggleupplagan. 8. Feiss - Fruktmögel (Nordic family dictionary) Template:Swe icon
  • Georg Nordensvan: Svensk teater och svenska skådespelare från Gustav III till våra dagar. Andra bandet 1842-1918 (Swedish theatre and Swedish actors from Gustav III to our days 1842-1918) (1918) Template:Sv icon


Template:Persondata