Thick concept

In philosophy, a thick concept (sometimes: thick normative concept, or thick evaluative concept) is a kind of concept that both has a significant degree of descriptive content and is evaluatively loaded. Paradigmatic examples are various virtues and vices such as courage, cruelty, truthfulness and kindness. Take courage. Being courageous may be given a rough characterization in descriptive terms as '…opposing danger to promote a valued end'. At the same time, characterizing someone as courageous typically involves expressing a pro-attitude, or a (prima facie) good-making quality – i.e. an evaluative statement.

A middle position

Thick concepts thus seem to occupy a 'middle position' between (thin) descriptive concepts and (thin) evaluative concepts. Descriptive concepts such as water, gold, length and mass are commonly believed to pick out features of the world rather than provide reasons for action, whereas evaluative concepts such as right and good are commonly believed to provide reasons for action rather than picking out genuine features of the world. This 'double feature' of thick concepts has made them the point of debate between moral realists and moral expressivists. Moral realists have argued that the world-guided content and the action-guiding content cannot be usefully separated, indicating that competent use of thick concepts constitutes ethical knowledge. Expressivists, favoring an account of moral values as attitudes projected onto the world, wants to uphold a distinction between the (morally neutral) descriptive feature of a thick concepts and the evaluative attitudes that typically goes with them.

Two accounts of thick concepts

As mentioned above, thick concepts seem to combine the descriptive features of natural concepts such as water with an evaluative content similar to the thin evaluative concepts such as good and right. How are we to understand this ‘combination’? Many theorists treat it as a conjunctive: a thick concept should be analyzed as a conjunction of a descriptive part and an evaluative part, which, at least in principle may be separated. A basic feature of this analysis is thus that the descriptive content of a thick concept may be given in absence of the evaluative content. Returning to the example of courage, ‘…is courageous’ could on this account be analyzed as something along the lines of ‘…opposing danger to promote a valued end’ and ‘this is (prima facie) good-making’. The evaluative part, on this view, may thus be characterized as a ‘prescriptive flag’ attached to the concept. It is, on this view, in principle possible to construct a completely descriptive concept – i.e. without evaluative force – that picked out the same features of the world.

This account of thick concepts has been criticized by other theorists, notably of moral realist persuasion. In their view, the only way to understand a thick concept is to understand the descriptive and evaluative aspects as a whole. The idea is that for a thick concept, the evaluative aspect is profoundly involved in the practice of using it; one cannot understand a thick concept without understanding also its evaluative point. Therefore, descriptive terms cannot completely fill in the ‘along the lines’ of a description such as ‘…opposing danger to promote a valued end’, the descriptive characterization provided above for courage. Although such descriptions may indeed be crude approximations given to the novice concept monger, providing initial guidelines for grasping the salient features, only a hooking on to the evaluative perspective in which the concept has its point enables a person to apply the thick concept correctly.

Bibliography

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